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Philippe Boisnard

Publications and source records attributed to Philippe Boisnard.

3 recordsLinked to original sources

The Algorithmic Unconscious: Structural Mechanisms and Implicit Biases in Large Language Models

This article introduces the concept of the algorithmic unconscious to designate the set of structural determinations that operate within large language models (LLMs) without being accessible either to the model's own reflexivity or to that of its users. In contrast to approaches that reduce AI bias solely to dataset composition or to the projection of human intentionality, we argue that a significant class of biases emerges directly from the technical mechanisms of the models themselves: tokenization, attention, statistical optimization, and alignment procedures. By framing bias as an infrastructural phenomenon, this approach resolves a central theoretical ambiguity surrounding responsibility, neutrality, and correction in contemporary LLMs. Based on a comparative analysis of tokenization across a corpus of parallel sentences, we show that Arabic languages (Modern Standard Arabic and Maghrebi dialects) undergo a systematic inflation in token count relative to English, with ratios ranging from 1.6x to nearly 4x depending on the infrastructure (OpenAI, Anthropic, SentencePiece/Mistral). This over-segmentation constitutes a measurable infrastructural bias that mechanically increases inference costs, constrains access to contextual space, and alters attentional weighting within model representations. We relate these empirical findings to three additional structural mechanisms: causal bias (correlation vs causation), the erasure of minoritized features through dimensional collapse, and normative biases induced by safety alignment. Finally, we propose a framework for a technical clinic of models, grounded in the audit of tokenization regimes, latent space topology, and alignment systems, as a necessary condition for the critical appropriation of AI infrastructures.

cs.CY

Ethology of Latent Spaces

This study challenges the presumed neutrality of latent spaces in vision language models (VLMs) by adopting an ethological perspective on their algorithmic behaviors. Rather than constituting spaces of homogeneous indeterminacy, latent spaces exhibit model-specific algorithmic sensitivities, understood as differential regimes of perceptual salience shaped by training data and architectural choices. Through a comparative analysis of three models (OpenAI CLIP, OpenCLIP LAION, SigLIP) applied to a corpus of 301 artworks (15th to 20th), we reveal substantial divergences in the attribution of political and cultural categories. Using bipolar semantic axes derived from vector analogies (Mikolov et al., 2013), we show that SigLIP classifies 59.4% of the artworks as politically engaged, compared to only 4% for OpenCLIP. African masks receive the highest political scores in SigLIP while remaining apolitical in OpenAI CLIP. On an aesthetic colonial axis, inter-model discrepancies reach 72.6 percentage points. We introduce three operational concepts: computational latent politicization, describing the emergence of political categories without intentional encoding; emergent bias, irreducible to statistical or normative bias and detectable only through contrastive analysis; and three algorithmic scopic regimes: entropic (LAION), institutional (OpenAI), and semiotic (SigLIP), which structure distinct modes of visibility. Drawing on Foucault's notion of the archive, Jameson's ideologeme, and Simondon's theory of individuation, we argue that training datasets function as quasi-archives whose discursive formations crystallize within latent space. This work contributes to a critical reassessment of the conditions under which VLMs are applied to digital art history and calls for methodologies that integrate learning architectures into any delegation of cultural interpretation to algorithmic agents.

cs.CY

Prolegomena to a Post-Aesthetics of Artificial Imaginations

The acceleration of the use of generative artificial intelligences (AI), since 2015 and the turning point operated by Deepdream, tends to obscure a real analysis of what could be defined as artificial imagination. AIs are either reduced to simple instruments or thought of according to a form of techno-theologism. Our research tends to suspend any form of judgment in order to phenomenally grasp the emergence of these AIs. By taking up the question of Hegel's aesthetics and of art as the free production of the mind, but by moving it towards the question of generative AIs and therefore of a post-aesthetics, this article will show the phenomenal specificity of images generatedby AI.

cs.HC