arXiv subjects

Prateek Verma

Publications and source records attributed to Prateek Verma.

At least 37 records · Page 2Linked to original sources

arXiv2023

Neural Architectures Learning Fourier Transforms, Signal Processing and Much More....

This report will explore and answer fundamental questions about taking Fourier Transforms and tying it with recent advances in AI and neural architecture. One interpretation of the Fourier Transform is decomposing a signal into its constituent components by projecting them onto complex exponentials. Variants exist, such as discrete cosine transform that does not operate on the complex domain and projects an input signal to only cosine functions oscillating at different frequencies. However, this is a fundamental limitation, and it needs to be more suboptimal. The first one is that all kernels are sinusoidal: What if we could have some kernels adapted or learned according to the problem? What if we can use neural architectures for this? We show how one can learn these kernels from scratch for audio signal processing applications. We find that the neural architecture not only learns sinusoidal kernel shapes but discovers all kinds of incredible signal-processing properties. E.g., windowing functions, onset detectors, high pass filters, low pass filters, modulations, etc. Further, upon analysis of the filters, we find that the neural architecture has a comb filter-like structure on top of the learned kernels. Comb filters that allow harmonic frequencies to pass through are one of the core building blocks/types of filters similar to high-pass, low-pass, and band-pass filters of various traditional signal processing algorithms. Further, we can also use the convolution operation with a signal to be learned from scratch, and we will explore papers in the literature that uses this with that robust Transformer architectures. Further, we would also explore making the learned kernel's content adaptive, i.e., learning different kernels for different inputs.

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arXiv2023

Seasonality Based Reranking of E-commerce Autocomplete Using Natural Language Queries

Query autocomplete (QAC) also known as typeahead, suggests list of complete queries as user types prefix in the search box. It is one of the key features of modern search engines specially in e-commerce. One of the goals of typeahead is to suggest relevant queries to users which are seasonally important. In this paper we propose a neural network based natural language processing (NLP) algorithm to incorporate seasonality as a signal and present end to end evaluation of the QAC ranking model. Incorporating seasonality into autocomplete ranking model can improve autocomplete relevance and business metric.

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arXiv2023

Conformer LLMs -- Convolution Augmented Large Language Models

This work builds together two popular blocks of neural architecture, namely convolutional layers and Transformers, for large language models (LLMs). Non-causal conformers are used ubiquitously in automatic speech recognition. This work aims to adapt these architectures in a causal setup for training LLMs. Transformers decoders effectively capture long-range dependencies over several modalities and form a core backbone of modern advancements in machine learning. Convolutional architectures have been popular in extracting features in domains such as raw 1-D signals, speech, and images, to name a few. In this paper, by combining local and global dependencies over latent representations using causal convolutional filters and Transformer, we achieve significant gains in performance. This work showcases a robust speech architecture that can be integrated and adapted in a causal setup beyond speech applications for large-scale language modeling.

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arXiv2023

Developing Speech Processing Pipelines for Police Accountability

Police body-worn cameras have the potential to improve accountability and transparency in policing. Yet in practice, they result in millions of hours of footage that is never reviewed. We investigate the potential of large pre-trained speech models for facilitating reviews, focusing on ASR and officer speech detection in footage from traffic stops. Our proposed pipeline includes training data alignment and filtering, fine-tuning with resource constraints, and combining officer speech detection with ASR for a fully automated approach. We find that (1) fine-tuning strongly improves ASR performance on officer speech (WER=12-13%), (2) ASR on officer speech is much more accurate than on community member speech (WER=43.55-49.07%), (3) domain-specific tasks like officer speech detection and diarization remain challenging. Our work offers practical applications for reviewing body camera footage and general guidance for adapting pre-trained speech models to noisy multi-speaker domains.

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arXiv2022

One-Shot Acoustic Matching Of Audio Signals -- Learning to Hear Music In Any Room/ Concert Hall

The acoustic space in which a sound is created and heard plays an essential role in how that sound is perceived by affording a unique sense of \textit{presence}. Every sound we hear results from successive convolution operations intrinsic to the sound source and external factors such as microphone characteristics and room impulse responses. Typically, researchers use an excitation such as a pistol shot or balloon pop as an impulse signal with which an auralization can be created. The room "impulse" responses convolved with the signal of interest can transform the input sound into the sound played in the acoustic space of interest. Here we propose a novel architecture that can transform a sound of interest into any other acoustic space(room or hall) of interest by using arbitrary audio recorded as a proxy for a balloon pop. The architecture is grounded in simple signal processing ideas to learn residual signals from a learned acoustic signature and the input signal. Our framework allows a neural network to adjust gains of every point in the time-frequency representation, giving sound qualitative and quantitative results.

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arXiv2022

Generating Coherent Drum Accompaniment With Fills And Improvisations

Creating a complex work of art like music necessitates profound creativity. With recent advancements in deep learning and powerful models such as transformers, there has been huge progress in automatic music generation. In an accompaniment generation context, creating a coherent drum pattern with apposite fills and improvisations at proper locations in a song is a challenging task even for an experienced drummer. Drum beats tend to follow a repetitive pattern through stanzas with fills or improvisation at section boundaries. In this work, we tackle the task of drum pattern generation conditioned on the accompanying music played by four melodic instruments: Piano, Guitar, Bass, and Strings. We use the transformer sequence to sequence model to generate a basic drum pattern conditioned on the melodic accompaniment to find that improvisation is largely absent, attributed possibly to its expectedly relatively low representation in the training data. We propose a novelty function to capture the extent of improvisation in a bar relative to its neighbors. We train a model to predict improvisation locations from the melodic accompaniment tracks. Finally, we use a novel BERT-inspired in-filling architecture, to learn the structure of both the drums and melody to in-fill elements of improvised music.

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arXiv2022

Enhancing Audio Perception of Music By AI Picked Room Acoustics

Every sound that we hear is the result of successive convolutional operations (e.g. room acoustics, microphone characteristics, resonant properties of the instrument itself, not to mention characteristics and limitations of the sound reproduction system). In this work we seek to determine the best room in which to perform a particular piece using AI. Additionally, we use room acoustics as a way to enhance the perceptual qualities of a given sound. Historically, rooms (particularly Churches and concert halls) were designed to host and serve specific musical functions. In some cases the architectural acoustical qualities enhanced the music performed there. We try to mimic this, as a first step, by designating room impulse responses that would correlate to producing enhanced sound quality for particular music. A convolutional architecture is first trained to take in an audio sample and mimic the ratings of experts with about 78 % accuracy for various instrument families and notes for perceptual qualities. This gives us a scoring function for any audio sample which can rate the perceptual pleasantness of a note automatically. Now, via a library of about 60,000 synthetic impulse responses mimicking all kinds of room, materials, etc, we use a simple convolution operation, to transform the sound as if it was played in a particular room. The perceptual evaluator is used to rank the musical sounds, and yield the "best room or the concert hall" to play a sound. As a byproduct it can also use room acoustics to turn a poor quality sound into a "good" sound.

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arXiv2022

Attention is All You Need? Good Embeddings with Statistics are enough:Large Scale Audio Understanding without Transformers/ Convolutions/ BERTs/ Mixers/ Attention/ RNNs or ....

This paper presents a way of doing large scale audio understanding without traditional state of the art neural architectures. Ever since the introduction of deep learning for understanding audio signals in the past decade, convolutional architectures have been able to achieve state of the art results surpassing traditional hand-crafted features. In the recent past, there has been a similar shift away from traditional convolutional and recurrent neural networks towards purely end-to-end Transformer architectures. We, in this work, explore an approach, based on Bag-of-Words model. Our approach does not have any convolutions, recurrence, attention, transformers or other approaches such as BERT. We utilize micro and macro level clustered vanilla embeddings, and use a MLP head for classification. We only use feed-forward encoder-decoder models to get the bottlenecks of spectral envelops, spectral patches and slices as well as multi-resolution spectra. A classification head (a feed-forward layer), similar to the approach in SimCLR is trained on a learned representation. Using simple codes learned on latent representations, we show how we surpass traditional convolutional neural network architectures, and come strikingly close to outperforming powerful Transformer architectures. This work hopefully would pave way for exciting advancements in the field of representation learning without massive, end-to-end neural architectures.

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arXiv2021

Towards Human Haptic Gesture Interpretation for Robotic Systems

Physical human-robot interactions (pHRI) are less efficient and communicative than human-human interactions, and a key reason is a lack of informative sense of touch in robotic systems. Interpreting human touch gestures is a nuanced, challenging task with extreme gaps between human and robot capability. Among prior works that demonstrate human touch recognition capability, differences in sensors, gesture classes, feature sets, and classification algorithms yield a conglomerate of non-transferable results and a glaring lack of a standard. To address this gap, this work presents 1) four proposed touch gesture classes that cover an important subset of the gesture characteristics identified in the literature, 2) the collection of an extensive force dataset on a common pHRI robotic arm with only its internal wrist force-torque sensor, and 3) an exhaustive performance comparison of combinations of feature sets and classification algorithms on this dataset. We demonstrate high classification accuracies among our proposed gesture definitions on a test set, emphasizing that neural net-work classifiers on the raw data outperform other combinations of feature sets and algorithms. The accompanying video is here: https://youtu.be/gJPVImNKU68

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arXiv2021

Self-Supervised Learning of Context-Aware Pitch Prosody Representations

In music and speech, meaning is derived at multiple levels of context. Affect, for example, can be inferred both by a short sound token and by sonic patterns over a longer temporal window such as an entire recording. In this letter, we focus on inferring meaning from this dichotomy of contexts. We show how contextual representations of short sung vocal lines can be implicitly learned from fundamental frequency ($F_0$) and thus be used as a meaningful feature space for downstream Music Information Retrieval (MIR) tasks. We propose three self-supervised deep learning paradigms which leverage pseudotask learning of these two levels of context to produce latent representation spaces. We evaluate the usefulness of these representations by embedding unseen pitch contours into each space and conducting downstream classification tasks. Our results show that contextual representation can enhance downstream classification by as much as 15\% as compared to using traditional statistical contour features.

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arXiv2021

A Generative Model for Raw Audio Using Transformer Architectures

This paper proposes a novel way of doing audio synthesis at the waveform level using Transformer architectures. We propose a deep neural network for generating waveforms, similar to wavenet. This is fully probabilistic, auto-regressive, and causal, i.e. each sample generated depends only on the previously observed samples. Our approach outperforms a widely used wavenet architecture by up to 9% on a similar dataset for predicting the next step. Using the attention mechanism, we enable the architecture to learn which audio samples are important for the prediction of the future sample. We show how causal transformer generative models can be used for raw waveform synthesis. We also show that this performance can be improved by another 2% by conditioning samples over a wider context. The flexibility of the current model to synthesize audio from latent representations suggests a large number of potential applications. The novel approach of using generative transformer architectures for raw audio synthesis is, however, still far away from generating any meaningful music, without using latent codes/meta-data to aid the generation process.

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arXiv2021

A Framework for Generative and Contrastive Learning of Audio Representations

In this paper, we present a framework for contrastive learning for audio representations, in a self supervised frame work without access to any ground truth labels. The core idea in self supervised contrastive learning is to map an audio signal and its various augmented versions (representative of salient aspects of audio like pitch, timbre etc.) to a space where they are close together, and are separated from other different signals. In addition we also explore generative models based on state of the art transformer based architectures for learning latent spaces for audio signals, without access to any labels. Here, we map audio signals on a smaller scale to discrete dictionary elements and train transformers to predict the next dictionary element. We only use data as a method of supervision, bypassing the need of labels needed to act as a supervision for training the deep neural networks. We then use a linear classifier head in order to evaluate the performance of our models, for both self supervised contrastive and generative transformer based representations that are learned. Our system achieves considerable performance, compared to a fully supervised method, with access to ground truth labels to train the neural network model. These representations, with avail-ability of large scale audio data show promise in various tasks for audio understanding tasks

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arXiv2020

Translating Paintings Into Music Using Neural Networks

We propose a system that learns from artistic pairings of music and corresponding album cover art. The goal is to 'translate' paintings into music and, in further stages of development, the converse. We aim to deploy this system as an artistic tool for real time 'translations' between musicians and painters. The system's outputs serve as elements to be employed in a joint live performance of music and painting, or as generative material to be used by the artists as inspiration for their improvisation.

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arXiv2020

A Deep Learning Approach for Low-Latency Packet Loss Concealment of Audio Signals in Networked Music Performance Applications

Networked Music Performance (NMP) is envisioned as a potential game changer among Internet applications: it aims at revolutionizing the traditional concept of musical interaction by enabling remote musicians to interact and perform together through a telecommunication network. Ensuring realistic conditions for music performance, however, constitutes a significant engineering challenge due to extremely strict requirements in terms of audio quality and, most importantly, network delay. To minimize the end-to-end delay experienced by the musicians, typical implementations of NMP applications use un-compressed, bidirectional audio streams and leverage UDP as transport protocol. Being connection less and unreliable,audio packets transmitted via UDP which become lost in transit are not re-transmitted and thus cause glitches in the receiver audio playout. This article describes a technique for predicting lost packet content in real-time using a deep learning approach. The ability of concealing errors in real time can help mitigate audio impairments caused by packet losses, thus improving the quality of audio playout in real-world scenarios.

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arXiv2020

Unsupervised Learning of Audio Perception for Robotics Applications: Learning to Project Data to T-SNE/UMAP space

Audio perception is a key to solving a variety of problems ranging from acoustic scene analysis, music meta-data extraction, recommendation, synthesis and analysis. It can potentially also augment computers in doing tasks that humans do effortlessly in day-to-day activities. This paper builds upon key ideas to build perception of touch sounds without access to any ground-truth data. We show how we can leverage ideas from classical signal processing to get large amounts of data of any sound of interest with a high precision. These sounds are then used, along with the images to map the sounds to a clustered space of the latent representation of these images. This approach, not only allows us to learn semantic representation of the possible sounds of interest, but also allows association of different modalities to the learned distinctions. The model trained to map sounds to this clustered representation, gives reasonable performance as opposed to expensive methods collecting a lot of human annotated data. Such approaches can be used to build a state of art perceptual model for any sound of interest described using a few signal processing features. Daisy chaining high precision sound event detectors using signal processing combined with neural architectures and high dimensional clustering of unlabelled data is a vastly powerful idea, and can be explored in a variety of ways in future.

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arXiv2019

Learning to Model Aspects of Hearing Perception Using Neural Loss Functions

We present a framework to model the perceived quality of audio signals by combining convolutional architectures, with ideas from classical signal processing, and describe an approach to enhancing perceived acoustical quality. We demonstrate the approach by transforming the sound of an inexpensive musical with degraded sound quality to that of a high-quality musical instrument without the need for parallel data which is often hard to collect. We adapt the classical approach of a simple adaptive EQ filtering to the objective criterion learned by a neural architecture and optimize it to get the signal of our interest. Since we learn adaptive masks depending on the signal of interest as opposed to a fixed transformation for all the inputs, we show that shallow neural architectures can achieve the desired result. A simple constraint on the objective and the initialization helps us in avoiding adversarial examples, which otherwise would have produced noisy, unintelligible audio. We believe that the current framework proposed has enormous applications, in a variety of problems where one can learn a loss function depending on the problem, using a neural architecture and optimize it after it has been learned.

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arXiv2019

Ranking sentences from product description & bullets for better search

Products in an ecommerce catalog contain information-rich fields like description and bullets that can be useful to extract entities (attributes) using NER based systems. However, these fields are often verbose and contain lot of information that is not relevant from a search perspective. Treating each sentence within these fields equally can lead to poor full text match and introduce problems in extracting attributes to develop ontologies, semantic search etc. To address this issue, we describe two methods based on extractive summarization with reinforcement learning by leveraging information in product titles and search click through logs to rank sentences from bullets, description, etc. Finally, we compare the accuracy of these two models.

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arXiv2019

Understanding and Classifying Cultural Music Using Melodic Features Case Of Hindustani, Carnatic And Turkish Music

We present a melody based classification of musical styles by exploiting the pitch and energy based characteristics derived from the audio signal. Three prominent musical styles were chosen which have improvisation as integral part with similar melodic principles, theme, and structure of concerts namely, Hindustani, Carnatic and Turkish music. Listeners of one or more of these genres can discriminate between these based on the melodic contour alone. Listening tests were carried out using melodic attributes alone, on similar melodic pieces with respect to raga/makam, and removing any instrumentation cue to validate our hypothesis that style distinction is evident in the melody. Our method is based on finding a set of highly discriminatory features, derived from musicology, to capture distinct characteristics of the melodic contour. Behavior in terms of transitions of the pitch contour, the presence of micro-tonal notes and the nature of variations in the vocal energy are exploited. The automatically classified style labels are found to correlate well with subjective listening judgments. This was verified by using statistical tests to compare the labels from subjective and objective judgments. The melody based features, when combined with timbre based features, were seen to improve the classification performance.

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