arXiv subjects

Robin Netzorg

Publications and source records attributed to Robin Netzorg.

8 recordsLinked to original sources

arXiv2026

TART: A Modular Tool for Technique-Aware Audio-to-Tablature Guitar Transcription

Automatic Music Transcription (AMT) for guitar remains limited by three challenges: existing systems often fail to capture expressive techniques such as slides, bends, and percussive hits; they often assign notes to incorrect string-fret combinations; and they are typically trained on clean recordings, limiting their generalization to noisy real-world audio. To address these challenges, we propose TART, a modular four-stage audio-to-tablature pipeline consisting of (1) an audio-to-MIDI transcription model, (2) an expressive technique classifier, (3) an audio-conditioned T5 encoder-decoder for string-fret assignment, and (4) an automated tablature generator. We evaluate TART in a zero-shot setting on GuitarSet, EGDB, and two augmented benchmarks, Noisy GuitarSet and Noisy EGDB. Averaged across these four benchmarks, TART achieves 81.35% audio-to-MIDI F50 (+6.67 points over the best prior baseline), 71.8% string-fret Tab F1 (+8.5 points over the best prior baseline), and 54.08% end-to-end Tab F1. To our knowledge, TART is the first framework to generate guitar tablature with both fingering and expressive technique annotations directly from guitar audio.

cs.LG↗

arXiv2025

TART: A Comprehensive Tool for Technique-Aware Audio-to-Tab Guitar Transcription

Automatic Music Transcription (AMT) has advanced significantly for the piano, but transcription for the guitar remains limited due to several key challenges. Existing systems fail to detect and annotate expressive techniques (e.g., slides, bends, percussive hits) and incorrectly map notes to the wrong string and fret combination in the generated tablature. Furthermore, prior models are typically trained on small, isolated datasets, limiting their generalizability to real-world guitar recordings. To overcome these limitations, we propose a four-stage end-to-end pipeline that produces detailed guitar tablature directly from audio. Our system consists of (1) Audio-to-MIDI pitch conversion through a piano transcription model adapted to guitar datasets; (2) MLP-based expressive technique classification; (3) Transformer-based string and fret assignment; and (4) LSTM-based tablature generation. To the best of our knowledge, this framework is the first to generate detailed tablature with accurate fingerings and expressive labels from guitar audio.

cs.SD↗

arXiv2025

EMO-Reasoning: Benchmarking Emotional Reasoning Capabilities in Spoken Dialogue Systems

Speech emotions play a crucial role in human-computer interaction, shaping engagement and context-aware communication. Despite recent advances in spoken dialogue systems, a holistic system for evaluating emotional reasoning is still lacking. To address this, we introduce EMO-Reasoning, a benchmark for assessing emotional coherence in dialogue systems. It leverages a curated dataset generated via text-to-speech to simulate diverse emotional states, overcoming the scarcity of emotional speech data. We further propose the Cross-turn Emotion Reasoning Score to assess the emotion transitions in multi-turn dialogues. Evaluating seven dialogue systems through continuous, categorical, and perceptual metrics, we show that our framework effectively detects emotional inconsistencies, providing insights for improving current dialogue systems. By releasing a systematic evaluation benchmark, we aim to advance emotion-aware spoken dialogue modeling toward more natural and adaptive interactions.

cs.CL↗

arXiv2024

Sound Check: Auditing Audio Datasets

Generative audio models are rapidly advancing in both capabilities and public utilization -- several powerful generative audio models have readily available open weights, and some tech companies have released high quality generative audio products. Yet, while prior work has enumerated many ethical issues stemming from the data on which generative visual and textual models have been trained, we have little understanding of similar issues with generative audio datasets, including those related to bias, toxicity, and intellectual property. To bridge this gap, we conducted a literature review of hundreds of audio datasets and selected seven of the most prominent to audit in more detail. We found that these datasets are biased against women, contain toxic stereotypes about marginalized communities, and contain significant amounts of copyrighted work. To enable artists to see if they are in popular audio datasets and facilitate exploration of the contents of these datasets, we developed a web tool audio datasets exploration tool at https://audio-audit.vercel.app.

cs.SD↗

arXiv2024

Speech After Gender: A Trans-Feminine Perspective on Next Steps for Speech Science and Technology

As experts in voice modification, trans-feminine gender-affirming voice teachers have unique perspectives on voice that confound current understandings of speaker identity. To demonstrate this, we present the Versatile Voice Dataset (VVD), a collection of three speakers modifying their voices along gendered axes. The VVD illustrates that current approaches in speaker modeling, based on categorical notions of gender and a static understanding of vocal texture, fail to account for the flexibility of the vocal tract. Utilizing publicly-available speaker embeddings, we demonstrate that gender classification systems are highly sensitive to voice modification, and speaker verification systems fail to identify voices as coming from the same speaker as voice modification becomes more drastic. As one path towards moving beyond categorical and static notions of speaker identity, we propose modeling individual qualities of vocal texture such as pitch, resonance, and weight.

cs.SD↗

arXiv2023

PerMod: Perceptually Grounded Voice Modification with Latent Diffusion Models

Perceptual modification of voice is an elusive goal. While non-experts can modify an image or sentence perceptually with available tools, it is not clear how to similarly modify speech along perceptual axes. Voice conversion does make it possible to convert one voice to another, but these modifications are handled by black box models, and the specifics of what perceptual qualities to modify and how to modify them are unclear. Towards allowing greater perceptual control over voice, we introduce PerMod, a conditional latent diffusion model that takes in an input voice and a perceptual qualities vector, and produces a voice with the matching perceptual qualities. Unlike prior work, PerMod generates a new voice corresponding to specific perceptual modifications. Evaluating perceptual quality vectors with RMSE from both human and predicted labels, we demonstrate that PerMod produces voices with the desired perceptual qualities for typical voices, but performs poorly on atypical voices.

cs.SD↗

arXiv2023

Towards an Interpretable Representation of Speaker Identity via Perceptual Voice Qualities

Unlike other data modalities such as text and vision, speech does not lend itself to easy interpretation. While lay people can understand how to describe an image or sentence via perception, non-expert descriptions of speech often end at high-level demographic information, such as gender or age. In this paper, we propose a possible interpretable representation of speaker identity based on perceptual voice qualities (PQs). By adding gendered PQs to the pathology-focused Consensus Auditory-Perceptual Evaluation of Voice (CAPE-V) protocol, our PQ-based approach provides a perceptual latent space of the character of adult voices that is an intermediary of abstraction between high-level demographics and low-level acoustic, physical, or learned representations. Contrary to prior belief, we demonstrate that these PQs are hearable by ensembles of non-experts, and further demonstrate that the information encoded in a PQ-based representation is predictable by various speech representations.

cs.SD↗

arXiv2023

Improving Prototypical Visual Explanations with Reward Reweighing, Reselection, and Retraining

In recent years, work has gone into developing deep interpretable methods for image classification that clearly attributes a model's output to specific features of the data. One such of these methods is the Prototypical Part Network (ProtoPNet), which attempts to classify images based on meaningful parts of the input. While this architecture is able to produce visually interpretable classifications, it often learns to classify based on parts of the image that are not semantically meaningful. To address this problem, we propose the Reward Reweighing, Reselecting, and Retraining (R3) post-processing framework, which performs three additional corrective updates to a pretrained ProtoPNet in an offline and efficient manner. The first two steps involve learning a reward model based on collected human feedback and then aligning the prototypes with human preferences. The final step is retraining, which realigns the base features and the classifier layer of the original model with the updated prototypes. We find that our R3 framework consistently improves both the interpretability and the predictive accuracy of ProtoPNet and its variants.

cs.LG↗