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Rongfeng Li

Publications and source records attributed to Rongfeng Li.

4 recordsLinked to original sources

MeloBottleneck: Self-Supervised Melody Skeleton Extraction with a Latent Subsequence Bottleneck

Melody skeleton extraction aims to derive a shorter melody that preserves structural notes while removing ornaments. Prior methods rely on hand-crafted reduction rules or note-wise salience classifiers trained with heuristically or procedurally generated pseudo-labels. Such supervision can inherit generator bias and does not explicitly optimize a coherent reduced melody. We introduce MeloBottleneck, a self-supervised framework that represents a skeleton as a length-controlled, order-preserving latent subsequence. A hard-bottleneck extractor selects note events, a rhythmic-closure operator produces a self-consistent skeleton, and a re-ornamentation decoder reconstructs the input melody. Training combines reconstruction, a frozen autoregressive melody prior, ornament-invariant consistency across procedurally ornamented views, and ornament exclusion. We evaluate three regimes: synthetic out-of-distribution ornament-to-skeleton, TAVERN variation-to-theme, and Jiugong ornamented-to-gongche. A matched pseudo-label classifier excels on the synthetic benchmark, while MeloBottleneck transfers better, achieving competitive selection quality on TAVERN and Jiugong. Skeletonized melodies also improve BM25-based fragment retrieval, boosting Recall@K and MRR while reducing query time. Overall, the results suggest that learning skeletons as latent subsequences yields more robust transfer than pseudo-label imitation.

cs.SD

The Renaissance of Expert Systems: Optical Recognition of Printed Chinese Jianpu Musical Scores with Lyrics

Large-scale optical music recognition (OMR) research has focused mainly on Western staff notation, leaving Chinese Jianpu (numbered notation) and its rich lyric resources underexplored. We present a modular expert-system pipeline that converts printed Jianpu scores with lyrics into machine-readable MusicXML and MIDI, without requiring massive annotated training data. Our approach adopts a top-down expert-system design, leveraging traditional computer-vision techniques (e.g., phrase correlation, skeleton analysis) to capitalize on prior knowledge, while integrating unsupervised deep-learning modules for image feature embeddings. This hybrid strategy strikes a balance between interpretability and accuracy. Evaluated on The Anthology of Chinese Folk Songs, our system massively digitizes (i) a melody-only collection of more than 5,000 songs (> 300,000 notes) and (ii) a curated subset with lyrics comprising over 1,400 songs (> 100,000 notes). The system achieves high-precision recognition on both melody (note-wise F1 = 0.951) and aligned lyrics (character-wise F1 = 0.931).

cs.CV

Deconstruct and Reconstruct Dizi Music of the Northern School and the Southern School

Today's research on Chinese music technology is mainly focused on three aspects: data collection, music deconstruction, and music reconstruction. In this paper, a general method is proposed to collect Chinese music in the form of numbered musical notation, and a Dizi dataset is collected using this method. Based on the collected Dizi dataset, we conduct research on the Dizi music styles of the Northern school and the Southern School. Characteristics include melody and playing techniques of the two different music styles are deconstructed. A reconstruction example, music style transfer which includes melody transfer and playing techniques transfer is given and audience evaluation is done to evaluate the reconstruction results.

cs.SD

Symbolic Music Playing Techniques Generation as a Tagging Problem

Music generation has always been a hot topic. When discussing symbolic music, melody or harmonies are usually seen as the only generating targets. But in fact, playing techniques are also quite an important part of the music. In this paper, we discuss the playing techniques generation problem by seeing it as a tagging problem. We propose a model that can use both the current data and external knowledge. Experiments were carried out by applying the proposed model in Chinese bamboo flute music, and results show that our method can make generated music more lively.

cs.SD