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Ryota Nakamura

Publications and source records attributed to Ryota Nakamura.

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Periodic 6.7 GHz $\mathrm{CH_3OH}$ maser emission in G353.273+0.641: First candidate for a pulsating high-mass protostar

We report on the periodic flux variations in the 6.7 GHz $\mathrm{CH_3OH}$ maser associated with the high-mass protostar G353.273+0.641, based on 13 yr of monitoring mainly by the Hitachi 32 m telescope. We identified a periodicity of 309 days based on a nearly complete light curve, with 833 epochs every few days. A strong correlation is found between the maser and the mid-infrared fluxes at 3.4 and 4.6 $μ$m observed by NEOWISE during these periods, suggesting that the maser emission responds to variations in the protostellar luminosity. The average profile of the maser light curve is asymmetric and shows a steep drop in intensity just before the brightening, resembling that of some pulsating variable stars. Assuming a protostellar pulsation as the origin of maser periodicity, the observed period implies a cool and highly bloated, red supergiant-like structure. Such a bloated structure is consistent with a theoretical model of protostellar evolution under high accretion rates. The inferred protostellar parameters are broadly consistent with the theoretical model of pulsational instability during the early phase of high-mass star formation. However, a periodic accretion scenario caused by an unresolved compact protobinary cannot be completely ruled out. Several irregular peaks that deviate from the periodicity may result from episodic accretion phenomena or jet-launching events independent of the protostellar pulsation. Extremely high-resolution imaging with next-generation interferometers such as the ngVLA will provide a conclusive test for both the protostellar pulsation and the binary accretion scenarios.

astro-ph.SR

Unveiling the Listener Structure Underlying K-pop's Global Success: A Large-Scale Listening Data Analysis

From the mid-2000s to the 2010s, K-pop moved beyond its status as a regionally popular genre in Asia and established itself as a global music genre with enthusiastic fans around the world. However, little is known about how the vast number of music listeners across the globe have listened to and perceived K-pop. This study addresses this question by analyzing a large-scale listening dataset from Last.fm. An analysis of the distribution of play counts reveals that K-pop experienced a significant increase in plays between 2005 and 2019, largely supported by a small group of heavy listeners. The Gini coefficient in play counts is notably greater than that of existing mainstream genres and other growing niche genres. Furthermore, an analysis based on user-assigned genre tags quantitatively demonstrates that between 2005 and 2010, K-pop shed its status as a local Asian genre and established itself as a distinct music genre in its own right.

cs.SI