Samantha Sudhoff | Searcharxiv

arXiv2026

Paid Voices vs. Public Feeds: Interpretable Cross-Platform Theme-Based Analysis of Climate Discourse

Climate discourse online shapes public understanding of climate change and informs political and policy debate, yet it unfolds across structurally different environments: paid advertising platforms host targeted, institutionally produced messaging, while public social media reflects largely organic, user-driven discussion. We present a comparative analysis of climate discourse across paid advertisements on Meta (previously Facebook) and public posts on Bluesky from July 2024 to September 2025. To support it, we develop an interpretable thematic discovery pipeline that clusters texts by semantic similarity and uses large language models (LLMs) to label clusters with concise, human-interpretable themes, requiring no predefined topic inventory or seed set. Using these themes, we find the two environments diverge systematically: paid advertising centers on strategic promotion of specific solutions in a formal, forward-looking register, whereas organic discourse centers on systemic critique in a crisis-oriented, scientifically grounded one. We also evaluate the utility of the discovered themes through downstream stance prediction and theme-guided retrieval tasks. While our analysis focuses on climate communication, the framework generalizes to comparative thematic analysis across heterogeneous communication environments.

cs.CL↗

arXiv2026

From Score to Sound: An End-to-End MIDI-to-Motion Pipeline for Robotic Cello Performance

Robot musicians require precise control to obtain proper note accuracy, sound quality, and musical expression. Performance of string instruments, such as violin and cello, presents a significant challenge due to the precise control required over bow angle and pressure to produce the desired sound. While prior robotic cellists focus on accurate bowing trajectories, these works often rely on expensive motion capture techniques, and fail to sightread music in a human-like way. We propose a novel end-to-end MIDI score to robotic motion pipeline which converts musical input directly into collision-aware bowing motions for a UR5e robot cellist. Through use of Universal Robot Freedrive feature, our robotic musician can achieve human-like sound without the need for motion capture. Additionally, this work records live joint data via Real-Time Data Exchange (RTDE) as the robot plays, providing labeled robotic playing data from a collection of five standard pieces to the research community. To demonstrate the effectiveness of our method in comparison to human performers, we introduce the Musical Turing Test, in which a collection of 132 human participants evaluate our robot's performance against a human baseline. Human reference recordings are also released, enabling direct comparison for future studies. This evaluation technique establishes the first benchmark for robotic cello performance. Finally, we outline a residual reinforcement learning methodology to improve upon baseline robotic controls, highlighting future opportunities for improved string-crossing efficiency and sound quality.

cs.RO↗