arXiv subjects

Shanti Stewart

Publications and source records attributed to Shanti Stewart.

4 recordsLinked to original sources

arXiv2024

Semi-Supervised Contrastive Learning for Controllable Video-to-Music Retrieval

Content creators often use music to enhance their videos, from soundtracks in movies to background music in video blogs and social media content. However, identifying the best music for a video can be a difficult and time-consuming task. To address this challenge, we propose a novel framework for automatically retrieving a matching music clip for a given video, and vice versa. Our approach leverages annotated music labels, as well as the inherent artistic correspondence between visual and music elements. Distinct from previous cross-modal music retrieval works, our method combines both self-supervised and supervised training objectives. We use self-supervised and label-supervised contrastive learning to train a joint embedding space between music and video. We show the effectiveness of our approach by using music genre labels for the supervised training component, and our framework can be generalized to other music annotations (e.g., emotion, instrument, etc.). Furthermore, our method enables fine-grained control over how much the retrieval process focuses on self-supervised vs. label information at inference time. We evaluate the learned embeddings through a variety of video-to-music and music-to-video retrieval tasks. Our experiments show that the proposed approach successfully combines self-supervised and supervised objectives and is effective for controllable music-video retrieval.

cs.MM↗

arXiv2024

Emotion-Aligned Contrastive Learning Between Images and Music

Traditional music search engines rely on retrieval methods that match natural language queries with music metadata. There have been increasing efforts to expand retrieval methods to consider the audio characteristics of music itself, using queries of various modalities including text, video, and speech. While most approaches aim to match general music semantics to the input queries, only a few focus on affective qualities. In this work, we address the task of retrieving emotionally-relevant music from image queries by learning an affective alignment between images and music audio. Our approach focuses on learning an emotion-aligned joint embedding space between images and music. This embedding space is learned via emotion-supervised contrastive learning, using an adapted cross-modal version of the SupCon loss. We evaluate the joint embeddings through cross-modal retrieval tasks (image-to-music and music-to-image) based on emotion labels. Furthermore, we investigate the generalizability of the learned music embeddings via automatic music tagging. Our experiments show that the proposed approach successfully aligns images and music, and that the learned embedding space is effective for cross-modal retrieval applications.

cs.MM↗

arXiv2022

On the Role of Visual Context in Enriching Music Representations

Human perception and experience of music is highly context-dependent. Contextual variability contributes to differences in how we interpret and interact with music, challenging the design of robust models for information retrieval. Incorporating multimodal context from diverse sources provides a promising approach toward modeling this variability. Music presented in media such as movies and music videos provide rich multimodal context that modulates underlying human experiences. However, such context modeling is underexplored, as it requires large amounts of multimodal data along with relevant annotations. Self-supervised learning can help address these challenges by automatically extracting rich, high-level correspondences between different modalities, hence alleviating the need for fine-grained annotations at scale. In this study, we propose VCMR -- Video-Conditioned Music Representations, a contrastive learning framework that learns music representations from audio and the accompanying music videos. The contextual visual information enhances representations of music audio, as evaluated on the downstream task of music tagging. Experimental results show that the proposed framework can contribute additive robustness to audio representations and indicates to what extent musical elements are affected or determined by visual context.

cs.SD↗

arXiv2021

Exploring Out-of-Distribution Generalization in Text Classifiers Trained on Tobacco-3482 and RVL-CDIP

To be robust enough for widespread adoption, document analysis systems involving machine learning models must be able to respond correctly to inputs that fall outside of the data distribution that was used to generate the data on which the models were trained. This paper explores the ability of text classifiers trained on standard document classification datasets to generalize to out-of-distribution documents at inference time. We take the Tobacco-3482 and RVL-CDIP datasets as a starting point and generate new out-of-distribution evaluation datasets in order to analyze the generalization performance of models trained on these standard datasets. We find that models trained on the smaller Tobacco-3482 dataset perform poorly on our new out-of-distribution data, while text classification models trained on the larger RVL-CDIP exhibit smaller performance drops.

cs.CL↗