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Shiry Ginosar

Publications and source records attributed to Shiry Ginosar.

23 records · Page 2Linked to original sources

Everybody Dance Now

This paper presents a simple method for "do as I do" motion transfer: given a source video of a person dancing, we can transfer that performance to a novel (amateur) target after only a few minutes of the target subject performing standard moves. We approach this problem as video-to-video translation using pose as an intermediate representation. To transfer the motion, we extract poses from the source subject and apply the learned pose-to-appearance mapping to generate the target subject. We predict two consecutive frames for temporally coherent video results and introduce a separate pipeline for realistic face synthesis. Although our method is quite simple, it produces surprisingly compelling results (see video). This motivates us to also provide a forensics tool for reliable synthetic content detection, which is able to distinguish videos synthesized by our system from real data. In addition, we release a first-of-its-kind open-source dataset of videos that can be legally used for training and motion transfer.

cs.GR↗

A Century of Portraits: A Visual Historical Record of American High School Yearbooks

Imagery offers a rich description of our world and communicates a volume and type of information that cannot be captured by text alone. Since the invention of the camera, an ever-increasing number of photographs document our "visual culture" complementing historical texts. But currently, this treasure trove of knowledge can only be analyzed manually by historians, and only at small scale. In this paper we perform automated analysis on a large-scale historical image dataset. Our main contributions are: 1) A publicly-available dataset of 168,055 (37,921 frontal-facing) American high school yearbook portraits. 2) Weakly-supervised data-driven techniques to discover historical visual trends in fashion and identify date-specific visual patterns. 3) A classifier to predict when a portrait was taken, with median error of 4 years for women and 6 for men. 4) A new method for discovering and displaying the visual elements used by the CNN-based date-prediction model to date portraits, finding that they correspond to the tell-tale fashions of each era. Project page can be found at: http://people.eecs.berkeley.edu/~shiry/projects/yearbooks/yearbooks.html .

cs.CV↗

Learning Individual Styles of Conversational Gesture

Human speech is often accompanied by hand and arm gestures. Given audio speech input, we generate plausible gestures to go along with the sound. Specifically, we perform cross-modal translation from "in-the-wild'' monologue speech of a single speaker to their hand and arm motion. We train on unlabeled videos for which we only have noisy pseudo ground truth from an automatic pose detection system. Our proposed model significantly outperforms baseline methods in a quantitative comparison. To support research toward obtaining a computational understanding of the relationship between gesture and speech, we release a large video dataset of person-specific gestures. The project website with video, code and data can be found at http://people.eecs.berkeley.edu/~shiry/speech2gesture .

cs.CV↗

Photographic home styles in Congress: a computer vision approach

While members of Congress now routinely communicate with constituents using images on a variety of internet platforms, little is known about how images are used as a means of strategic political communication. This is due primarily to computational limitations which have prevented large-scale, systematic analyses of image features. New developments in computer vision, however, are bringing the systematic study of images within reach. Here, we develop a framework for understanding visual political communication by extending Fenno's analysis of home style (Fenno 1978) to images and introduce "photographic" home styles. Using approximately 192,000 photographs collected from MCs Facebook profiles, we build machine learning software with convolutional neural networks and conduct an image manipulation experiment to explore how the race of people that MCs pose with shape photographic home styles. We find evidence that electoral pressures shape photographic home styles and demonstrate that Democratic and Republican members of Congress use images in very different ways.

cs.SI↗

Detecting People in Cubist Art

Although the human visual system is surprisingly robust to extreme distortion when recognizing objects, most evaluations of computer object detection methods focus only on robustness to natural form deformations such as people's pose changes. To determine whether algorithms truly mirror the flexibility of human vision, they must be compared against human vision at its limits. For example, in Cubist abstract art, painted objects are distorted by object fragmentation and part-reorganization, to the point that human vision often fails to recognize them. In this paper, we evaluate existing object detection methods on these abstract renditions of objects, comparing human annotators to four state-of-the-art object detectors on a corpus of Picasso paintings. Our results demonstrate that while human perception significantly outperforms current methods, human perception and part-based models exhibit a similarly graceful degradation in object detection performance as the objects become increasingly abstract and fragmented, corroborating the theory of part-based object representation in the brain.

cs.CV↗