arXiv subjects

Simone Parisotto

Publications and source records attributed to Simone Parisotto.

16 recordsLinked to original sources

arXiv2022

Joint reconstruction-segmentation on graphs

Practical image segmentation tasks concern images which must be reconstructed from noisy, distorted, and/or incomplete observations. A recent approach for solving such tasks is to perform this reconstruction jointly with the segmentation, using each to guide the other. However, this work has so far employed relatively simple segmentation methods, such as the Chan--Vese algorithm. In this paper, we present a method for joint reconstruction-segmentation using graph-based segmentation methods, which have been seeing increasing recent interest. Complications arise due to the large size of the matrices involved, and we show how these complications can be managed. We then analyse the convergence properties of our scheme. Finally, we apply this scheme to distorted versions of ``two cows'' images familiar from previous graph-based segmentation literature, first to a highly noised version and second to a blurred version, achieving highly accurate segmentations in both cases. We compare these results to those obtained by sequential reconstruction-segmentation approaches, finding that our method competes with, or even outperforms, those approaches in terms of reconstruction and segmentation accuracy.

cs.CV↗

arXiv2022

An Analysis of Generative Methods for Multiple Image Inpainting

Image inpainting refers to the restoration of an image with missing regions in a way that is not detectable by the observer. The inpainting regions can be of any size and shape. This is an ill-posed inverse problem that does not have a unique solution. In this work, we focus on learning-based image completion methods for multiple and diverse inpainting which goal is to provide a set of distinct solutions for a given damaged image. These methods capitalize on the probabilistic nature of certain generative models to sample various solutions that coherently restore the missing content. Along the chapter, we will analyze the underlying theory and analyze the recent proposals for multiple inpainting. To investigate the pros and cons of each method, we present quantitative and qualitative comparisons, on common datasets, regarding both the quality and the diversity of the set of inpainted solutions. Our analysis allows us to identify the most successful generative strategies in both inpainting quality and inpainting diversity. This task is closely related to the learning of an accurate probability distribution of images. Depending on the dataset in use, the challenges that entail the training of such a model will be discussed through the analysis.

cs.CV↗

arXiv2022

Unsupervised Clustering of Roman Potsherds via Variational Autoencoders

In this paper we propose an artificial intelligence imaging solution to support archaeologists in the classification task of Roman commonware potsherds. Usually, each potsherd is represented by its sectional profile as a two dimensional black-white image and printed in archaeological books related to specific archaeological excavations. The partiality and handcrafted variance of the fragments make their matching a challenging problem: we propose to pair similar profiles via the unsupervised hierarchical clustering of non-linear features learned in the latent space of a deep convolutional Variational Autoencoder (VAE) network. Our contribution also include the creation of a ROman COmmonware POTtery (ROCOPOT) database, with more than 4000 potsherds profiles extracted from 25 Roman pottery corpora, and a MATLAB GUI software for the easy inspection of shape similarities. Results are commented both from a mathematical and archaeological perspective so as to unlock new research directions in both communities.

cs.CV↗

arXiv2021

Mathematical osmosis imaging for multi-modal and multi-spectral applications in Cultural Heritage conservation

In this work we present a dual-mode mid-infrared workflow [6], for detecting sub-superficial mural damages in frescoes artworks. Due to the large nature of frescoes, multiple thermal images are recorded. Thus, the experimental setup may introduce measurements errors, seen as inter-frame changes in the image contrast, after mosaicking. An approach to lowering errors is to post-process the mosaic [10] via osmosis partial differential equation (PDE) [12, 13], which preserves details, mass and balance the lights: efficient numerical study for osmosis on large images is proposed [2, 11], based on operator splitting [8]. Our range of Cultural Heritage applications include the detection of sub-superficial voids in Monocromo (L. Da Vinci, Castello Sforzesco, Milan) [5], the light-balance for multi-spectral imaging and the data integration on the Archimedes Palimpsest [10].

math.NA↗

arXiv2020

Art Speaks Maths, Maths Speaks Art

Our interdisciplinary team Mathematics for Applications in Cultural Heritage (MACH) aims to use mathematical research for the benefit of the arts and humanities. Our ultimate goal is to create user-friendly software toolkits for artists, art conservators and archaeologists. In order for their underlying mathematical engines and functionality to be optimised for the needs of the end users, we pursue an iterative approach based on a continuous communication between the mathematicians and the cultural-heritage members of our team. Our paper illustrates how maths can speak art, but only if first art speaks maths.

cs.CY↗

arXiv2020

Unsupervised clustering of Roman pottery profiles from their SSAE representation

In this paper we introduce the ROman COmmonware POTtery (ROCOPOT) database, which comprises of more than 2000 black and white imaging profiles of pottery shapes extracted from 11 Roman catalogues and related to different excavation sites. The partiality and the handcrafted variance of the shape fragments within this new database make their unsupervised clustering a very challenging problem: profile similarities are thus explored via the hierarchical clustering of non-linear features learned in the latent representation space of a stacked sparse autoencoder (SSAE) network, unveiling new profile matches. Results are commented both from a mathematical and archaeological perspective so as to unlock new research directions in the respective communities.

cs.CV↗

arXiv2019

Total Variation Regularisation with Spatially Variable Lipschitz Constraints

We introduce a first order Total Variation type regulariser that decomposes a function into a part with a given Lipschitz constant (which is also allowed to vary spatially) and a jump part. The kernel of this regulariser contains all functions whose Lipschitz constant does not exceed a given value, hence by locally adjusting this value one can determine how much variation is the reconstruction allowed to have. We prove regularising properties of this functional, study its connections to other Total Variation type regularisers and propose a primal dual optimisation scheme. Our numerical experiments demonstrate that the proposed first order regulariser can achieve reconstruction quality similar to that of second order regularisers such as Total Generalised Variation, while requiring significantly less computational time.

math.NA↗

arXiv2019

Variational Osmosis for Non-linear Image Fusion

We propose a new variational model for non-linear image fusion. Our approach is based on the use of an osmosis energy term related to the one studied in Vogel et al. (2013) and Weickert et al. (2013) The minimization of the proposed non-convex energy realizes visually plausible image data fusion, invariant to multiplicative brightness changes. On the practical side, it requires minimal supervision and parameter tuning and can encode prior information on the structure of the images to be fused. For the numerical solution of the proposed model, we develop a primal-dual algorithm and we apply the resulting minimization scheme to solve multi-modal face fusion, color transfer and cultural heritage conservation problems. Visual and quantitative comparisons to state-of-the-art approaches prove the out-performance and the flexibility of our method.

cs.CV↗

arXiv2018

Higher-Order Total Directional Variation: Imaging Applications

We introduce a class of higher-order anisotropic total variation regularisers, which are defined for possibly inhomogeneous, smooth elliptic anisotropies, that extends the Total Generalized Variation (TGV) regulariser and its variants. We propose a primal-dual hybrid gradient approach to approximate numerically the associated gradient flow. This choice of regularisers allows to preserve and enhance intrinsic anisotropic features in images. This is illustrated on various examples from different imaging applications: image denoising, wavelet-based image zooming, and reconstruction of surfaces from scattered height measurements.

math.NA↗

arXiv2018

Higher-Order Total Directional Variation: Analysis

We analyse a new notion of total anisotropic higher-order variation which, differently from the Total Generalized Variation by Bredies et al., quantifies for possibly non-symmetric tensor fields their variations at arbitrary order weighted by possibly inhomogeneous, smooth elliptic anisotropies. We prove some properties of this total variation and of the associated spaces of tensors with finite variations. We show the existence of solutions to a related regularity-fidelity optimisation problem. We also prove a decomposition formula which appears to be helpful for the design of numerical schemes, as shown in a companion paper, where several applications to image processing are studied.

math.NA↗

arXiv2018

Total Directional Variation for Video Denoising

In this paper, we propose a variational approach for video denoising, based on a total directional variation (TDV) regulariser proposed in Parisotto et al. (2018), for image denoising and interpolation. In the TDV regulariser, the underlying image structure is encoded by means of weighted derivatives so as to enhance the anisotropic structures in images, e.g. stripes or curves with a dominant local directionality. For the extension of TDV to video denoising, the space-time structure is captured by the volumetric structure tensor guiding the smoothing process. We discuss this and present our whole video denoising work-flow. Our numerical results are compared with some state-of-the-art video denoising methods.

math.NA↗

arXiv2018

Anisotropic osmosis filtering for shadow removal in images

We present an anisotropic extension of the isotropic osmosis model that has been introduced by Weickert et al.~(Weickert, 2013) for visual computing applications, and we adapt it specifically to shadow removal applications. We show that in the integrable setting, linear anisotropic osmosis minimises an energy that involves a suitable quadratic form which models local directional structures. In our shadow removal applications we estimate the local structure via a modified tensor voting approach (Moreno, 2012) and use this information within an anisotropic diffusion inpainting that resembles edge-enhancing anisotropic diffusion inpainting (Weickert, 2006, Gali\'c, 2008). Our numerical scheme combines the nonnegativity preserving stencil of Fehrenbach and Mirebeau (Fehrenbach, 2014) with an exact time stepping based on highly accurate polynomial approximations of the matrix exponential. The resulting anisotropic model is tested on several synthetic and natural images corrupted by constant shadows. We show that it outperforms isotropic osmosis, since it does not suffer from blurring artefacts at the shadow boundaries.

math.AP↗

arXiv2018

Unveiling the invisible - mathematical methods for restoring and interpreting illuminated manuscripts

The last fifty years have seen an impressive development of mathematical methods for the analysis and processing of digital images, mostly in the context of photography, biomedical imaging and various forms of engineering. The arts have been mostly overlooked in this process, apart from a few exceptional works in the last ten years. With the rapid emergence of digitisation in the arts, however, the arts domain is becoming increasingly receptive to digital image processing methods and the importance of paying attention to this therefore increases. In this paper we discuss a range of mathematical methods for digital image restoration and digital visualisation for illuminated manuscripts. The latter provide an interesting opportunity for digital manipulation because they traditionally remain physically untouched. At the same time they also serve as an example for the possibilities mathematics and digital restoration offer as a generic and objective toolkit for the arts.

cs.CV↗

arXiv2018

Digital Cultural Heritage imaging via osmosis filtering

In Cultural Heritage (CH) imaging, data acquired within different spectral regions are often used to inspect surface and sub-surface features. Due to the experimental setup, these images may suffer from intensity inhomogeneities, which may prevent conservators from distinguishing the physical properties of the object under restoration. Furthermore, in multi-modal imaging, the transfer of information between one modality to another is often used to integrate image contents. In this paper, we apply the image osmosis model proposed in (Weickert et al. 2013) to solve similar problems arising when using diagnostic CH imaging techniques based on reflectance, emission and fluorescence mode in the optical and thermal range. For an efficient computation, we use stable operator splitting techniques. We test our methods on real artwork datasets: the thermal measurements of the mural painting "Monocromo" by Leonardo Da Vinci, the UV-VIS-IR imaging of an ancient Russian icon and the Archimedes Palimpsest dataset.

math.NA↗

arXiv2017

Efficient Osmosis Filtering of Thermal-Quasi Reflectography Images for Cultural Heritage

In Cultural Heritage, non-invasive infrared imaging techniques are used to analyse portions of deep structures behind wall paintings. When mosaicked, these images usually suffer from light inhomogeneities due to the experimental setup, which may prevent restorers from distinguishing the physical properties of the object under restoration. A light-balanced image is therefore essential for inter-frame comparisons, while preserving intra-frames details. In this paper we apply the image osmosis model proposed in (Weickert, 2013) to solve the light balance problem in Thermal-Quasi Reflectography (TQR) imaging. Due to the large amount of image data, the computation of the numerical solution of the model may be prohibitively costly. To overcome this issue, we make use of efficient operator splitting techniques. We test the proposed numerical schemes on the TQR measurement dataset of the mural painting "Monocromo" by Leonardo Da Vinci at Castello Sforzesco (Milan, Italy). The light corrected result is registered to a visible orthophoto, which makes it re-usable for further restorations.

math.NA↗

arXiv2017

Alternating Direction Implicit (ADI) schemes for a PDE-based image osmosis model

We consider \emph{Alternating Direction Implicit} (ADI) splitting schemes to compute efficiently the numerical solution of the PDE osmosis model considered by Weickert et al. for several imaging applications. The discretised scheme is shown to preserve analogous properties to the continuous model. The dimensional splitting strategy traduces numerically into the solution of simple tridiagonal systems for which standard matrix factorisation techniques can be used to improve upon the performance of classical implicit methods, even for large time steps. Applications to the shadow removal problem are presented.

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