arXiv subjects

Soham Deshmukh

Publications and source records attributed to Soham Deshmukh.

At least 19 recordsLinked to original sources

arXiv2026

TurnBench: A Multi-Domain Benchmark for Turn-Taking Dynamics in Spoken Dialogue

Speakers in natural conversation take turns speaking and listening, deciding in real time when to take, hold, or yield the floor. However, turn-taking evaluation remains limited due to the lack of a consistent, linguistically grounded evaluation protocol and hand-annotated data covering diverse conversation types. To address this, we present TurnBench, a multi-domain benchmark that pairs a 30-hour, hand-labeled corpus of dyadic human conversation with a standardized evaluation protocol for end-of-turn and interruption detection. We set conversation type as a controllable experimental variable, covering six distinct interaction styles, and triple-annotate each conversation. Benchmarking 14 heterogeneous turn-taking systems, we find end-of-turn recall stable across types, while interruption false positives are strongly type-dependent and concentrated in backchannel-dense interaction styles. Although in smooth floor transfers human listeners begin speaking a median 151 ms before the current turn ends, no current system performs equivalently without incurring excessive false positives. We release our corpus, a 104-hour training set, and a public leaderboard with an interactive dataset viewer at https://turnbench.sesame.com.

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arXiv2026

OpenBEATs: A Fully Open-Source General-Purpose Audio Encoder

Masked token prediction has emerged as a powerful pre-training objective across language, vision, and speech, offering the potential to unify these diverse modalities through a single pre-training task. However, its application for general audio understanding remains underexplored, with BEATs being the only notable example. BEATs has seen limited modifications due to the absence of open-source pre-training code. Furthermore, BEATs was trained only on AudioSet, restricting its broader downstream applicability. To address these gaps, we present OpenBEATs, an open-source framework that extends BEATs via multi-domain audio pre-training. We conduct comprehensive evaluations across six types of tasks, twenty five datasets, and three audio domains, including audio reasoning tasks such as audio question answering, entailment, and captioning. OpenBEATs achieves state-of-the-art performance on six bioacoustics datasets, two environmental sound datasets and five reasoning datasets, performing better than models exceeding a billion parameters at one-fourth their parameter size. These results demonstrate the effectiveness of multi-domain datasets and masked token prediction task to learn general-purpose audio representations. To promote further research and reproducibility, we release all pre-training and evaluation code, pretrained and fine-tuned checkpoints, and training logs at https://github.com/Shikhar-S/OpenBEATs

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arXiv2026

The CMU-AIST submission for the ICME 2025 Audio Encoder Challenge

This technical report describes our submission to the ICME 2025 audio encoder challenge. Our submitted system is built on BEATs, a masked speech token prediction based audio encoder. We extend the BEATs model using 74,000 hours of data derived from various speech, music, and sound corpora and scale its architecture upto 300 million parameters. We experiment with speech-heavy and balanced pre-training mixtures to study the impact of different domains on final performance. Our submitted system consists of an ensemble of the Dasheng 1.2 billion model with two custom scaled-up BEATs models trained on the aforementioned pre-training data mixtures. We also propose a simple ensembling technique that retains the best capabilities of constituent models and surpasses both the baseline and Dasheng 1.2B. For open science, we publicly release our trained checkpoints via huggingface at https://huggingface.co/shikhar7ssu/OpenBEATs-ICME-SOUND and https://huggingface.co/shikhar7ssu/OpenBEATs-ICME.

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arXiv2025

AURA Score: A Metric For Holistic Audio Question Answering Evaluation

Audio Question Answering (AQA) is a key task for evaluating Audio-Language Models (ALMs), yet assessing open-ended responses remains challenging. Existing metrics used for AQA such as BLEU, METEOR and BERTScore, mostly adapted from NLP and audio captioning, rely on surface similarity and fail to account for question context, reasoning, and partial correctness. To address the gap in literature, we make three contributions in this work. First, we introduce AQEval to enable systematic benchmarking of AQA metrics. It is the first benchmark of its kind, consisting of 10k model responses annotated by multiple humans for their correctness and relevance. Second, we conduct a comprehensive analysis of existing AQA metrics on AQEval, highlighting weak correlation with human judgment, especially for longer answers. Third, we propose a new metric - AURA score, to better evaluate open-ended model responses. On AQEval, AURA achieves state-of-the-art correlation with human ratings, significantly outperforming all baselines. Through this work, we aim to highlight the limitations of current AQA evaluation methods and motivate better metrics. We release both the AQEval benchmark and the AURA metric to support future research in holistic AQA evaluation.

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arXiv2025

CoLMbo: Speaker Language Model for Descriptive Profiling

Speaker recognition systems are often limited to classification tasks and struggle to generate detailed speaker characteristics or provide context-rich descriptions. These models primarily extract embeddings for speaker identification but fail to capture demographic attributes such as dialect, gender, and age in a structured manner. This paper introduces CoLMbo, a Speaker Language Model (SLM) that addresses these limitations by integrating a speaker encoder with prompt-based conditioning. This allows for the creation of detailed captions based on speaker embeddings. CoLMbo utilizes user-defined prompts to adapt dynamically to new speaker characteristics and provides customized descriptions, including regional dialect variations and age-related traits. This innovative approach not only enhances traditional speaker profiling but also excels in zero-shot scenarios across diverse datasets, marking a significant advancement in the field of speaker recognition.

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arXiv2025

MMAU-Pro: A Challenging and Comprehensive Benchmark for Holistic Evaluation of Audio General Intelligence

Audio comprehension-including speech, non-speech sounds, and music-is essential for achieving human-level intelligence. Consequently, AI agents must demonstrate holistic audio understanding to qualify as generally intelligent. However, evaluating auditory intelligence comprehensively remains challenging. To address this gap, we introduce MMAU-Pro, the most comprehensive and rigorously curated benchmark for assessing audio intelligence in AI systems. MMAU-Pro contains 5,305 instances, where each instance has one or more audios paired with human expert-generated question-answer pairs, spanning speech, sound, music, and their combinations. Unlike existing benchmarks, MMAU-Pro evaluates auditory intelligence across 49 unique skills and multiple complex dimensions, including long-form audio comprehension, spatial audio reasoning, multi-audio understanding, among others. All questions are meticulously designed to require deliberate multi-hop reasoning, including both multiple-choice and open-ended response formats. Importantly, audio data is sourced directly ``from the wild" rather than from existing datasets with known distributions. We evaluate 22 leading open-source and proprietary multimodal AI models, revealing significant limitations: even state-of-the-art models such as Gemini 2.5 Flash and Audio Flamingo 3 achieve only 59.2% and 51.7% accuracy, respectively, approaching random performance in multiple categories. Our extensive analysis highlights specific shortcomings and provides novel insights, offering actionable perspectives for the community to enhance future AI systems' progression toward audio general intelligence. The benchmark and code is available at https://sonalkum.github.io/mmau-pro.

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arXiv2025

Mellow: a small audio language model for reasoning

Multimodal Audio-Language Models (ALMs) can understand and reason over both audio and text. Typically, reasoning performance correlates with model size, with the best results achieved by models exceeding 8 billion parameters. However, no prior work has explored enabling small audio-language models to perform reasoning tasks, despite the potential applications for edge devices. To address this gap, we introduce Mellow, a small Audio-Language Model specifically designed for reasoning. Mellow achieves state-of-the-art performance among existing small audio-language models and surpasses several larger models in reasoning capabilities. For instance, Mellow scores 52.11 on MMAU, comparable to SoTA Qwen2 Audio (which scores 52.5) while using 50 times fewer parameters and being trained on 60 times less data (audio hrs). To train Mellow, we introduce ReasonAQA, a dataset designed to enhance audio-grounded reasoning in models. It consists of a mixture of existing datasets (30% of the data) and synthetically generated data (70%). The synthetic dataset is derived from audio captioning datasets, where Large Language Models (LLMs) generate detailed and multiple-choice questions focusing on audio events, objects, acoustic scenes, signal properties, semantics, and listener emotions. To evaluate Mellow's reasoning ability, we benchmark it on a diverse set of tasks, assessing on both in-distribution and out-of-distribution data, including audio understanding, deductive reasoning, and comparative reasoning. Finally, we conduct extensive ablation studies to explore the impact of projection layer choices, synthetic data generation methods, and language model pretraining on reasoning performance. Our training dataset, findings, and baseline pave the way for developing small ALMs capable of reasoning.

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arXiv2025

ADIFF: Explaining audio difference using natural language

Understanding and explaining differences between audio recordings is crucial for fields like audio forensics, quality assessment, and audio generation. This involves identifying and describing audio events, acoustic scenes, signal characteristics, and their emotional impact on listeners. This paper stands out as the first work to comprehensively study the task of explaining audio differences and then propose benchmark, baselines for the task. First, we present two new datasets for audio difference explanation derived from the AudioCaps and Clotho audio captioning datasets. Using Large Language Models (LLMs), we generate three levels of difference explanations: (1) concise descriptions of audio events and objects, (2) brief sentences about audio events, acoustic scenes, and signal properties, and (3) comprehensive explanations that include semantics and listener emotions. For the baseline, we use prefix tuning where audio embeddings from two audio files are used to prompt a frozen language model. Our empirical analysis and ablation studies reveal that the naive baseline struggles to distinguish perceptually similar sounds and generate detailed tier 3 explanations. To address these limitations, we propose ADIFF, which introduces a cross-projection module, position captioning, and a three-step training process to enhance the model's ability to produce detailed explanations. We evaluate our model using objective metrics and human evaluation and show our model enhancements lead to significant improvements in performance over naive baseline and SoTA Audio-Language Model (ALM) Qwen Audio. Lastly, we conduct multiple ablation studies to study the effects of cross-projection, language model parameters, position captioning, third stage fine-tuning, and present our findings. Our benchmarks, findings, and strong baseline pave the way for nuanced and human-like explanations of audio differences.

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arXiv2024

MACE: Leveraging Audio for Evaluating Audio Captioning Systems

The Automated Audio Captioning (AAC) task aims to describe an audio signal using natural language. To evaluate machine-generated captions, the metrics should take into account audio events, acoustic scenes, paralinguistics, signal characteristics, and other audio information. Traditional AAC evaluation relies on natural language generation metrics like ROUGE and BLEU, image captioning metrics such as SPICE and CIDEr, or Sentence-BERT embedding similarity. However, these metrics only compare generated captions to human references, overlooking the audio signal itself. In this work, we propose MACE (Multimodal Audio-Caption Evaluation), a novel metric that integrates both audio and reference captions for comprehensive audio caption evaluation. MACE incorporates audio information from audio as well as predicted and reference captions and weights it with a fluency penalty. Our experiments demonstrate MACE's superior performance in predicting human quality judgments compared to traditional metrics. Specifically, MACE achieves a 3.28% and 4.36% relative accuracy improvement over the FENSE metric on the AudioCaps-Eval and Clotho-Eval datasets respectively. Moreover, it significantly outperforms all the previous metrics on the audio captioning evaluation task. The metric is opensourced at https://github.com/satvik-dixit/mace

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arXiv2024

Audio Entailment: Assessing Deductive Reasoning for Audio Understanding

Recent literature uses language to build foundation models for audio. These Audio-Language Models (ALMs) are trained on a vast number of audio-text pairs and show remarkable performance in tasks including Text-to-Audio Retrieval, Captioning, and Question Answering. However, their ability to engage in more complex open-ended tasks, like Interactive Question-Answering, requires proficiency in logical reasoning -- a skill not yet benchmarked. We introduce the novel task of Audio Entailment to evaluate an ALM's deductive reasoning ability. This task assesses whether a text description (hypothesis) of audio content can be deduced from an audio recording (premise), with potential conclusions being entailment, neutral, or contradiction, depending on the sufficiency of the evidence. We create two datasets for this task with audio recordings sourced from two audio captioning datasets -- AudioCaps and Clotho -- and hypotheses generated using Large Language Models (LLMs). We benchmark state-of-the-art ALMs and find deficiencies in logical reasoning with both zero-shot and linear probe evaluations. Finally, we propose "caption-before-reason", an intermediate step of captioning that improves the zero-shot and linear-probe performance of ALMs by an absolute 6% and 3%, respectively.

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arXiv2024

Domain Adaptation for Contrastive Audio-Language Models

Audio-Language Models (ALM) aim to be general-purpose audio models by providing zero-shot capabilities at test time. The zero-shot performance of ALM improves by using suitable text prompts for each domain. The text prompts are usually hand-crafted through an ad-hoc process and lead to a drop in ALM generalization and out-of-distribution performance. Existing approaches to improve domain performance, like few-shot learning or fine-tuning, require access to annotated data and iterations of training. Therefore, we propose a test-time domain adaptation method for ALMs that does not require access to annotations. Our method learns a domain vector by enforcing consistency across augmented views of the testing audio. We extensively evaluate our approach on 12 downstream tasks across domains. With just one example, our domain adaptation method leads to 3.2% (max 8.4%) average zero-shot performance improvement. After adaptation, the model still retains the generalization property of ALMs.

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arXiv2024

SELM: Enhancing Speech Emotion Recognition for Out-of-Domain Scenarios

Speech Emotion Recognition (SER) has been traditionally formulated as a classification task. However, emotions are generally a spectrum whose distribution varies from situation to situation leading to poor Out-of-Domain (OOD) performance. We take inspiration from statistical formulation of Automatic Speech Recognition (ASR) and formulate the SER task as generating the most likely sequence of text tokens to infer emotion. The formulation breaks SER into predicting acoustic model features weighted by language model prediction. As an instance of this approach, we present SELM, an audio-conditioned language model for SER that predicts different emotion views. We train SELM on curated speech emotion corpus and test it on three OOD datasets (RAVDESS, CREMAD, IEMOCAP) not used in training. SELM achieves significant improvements over the state-of-the-art baselines, with 17% and 7% relative accuracy gains for RAVDESS and CREMA-D, respectively. Moreover, SELM can further boost its performance by Few-Shot Learning using a few annotated examples. The results highlight the effectiveness of our SER formulation, especially to improve performance in OOD scenarios.

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arXiv2024

Natural Language Supervision for General-Purpose Audio Representations

Audio-Language models jointly learn multimodal text and audio representations that enable Zero-Shot inference. Models rely on the encoders to create powerful representations of the input and generalize to multiple tasks ranging from sounds, music, and speech. Although models have achieved remarkable performance, there is still a performance gap with task-specific models. In this paper, we propose a Contrastive Language-Audio Pretraining model that is pretrained with a diverse collection of 4.6M audio-text pairs employing two innovative encoders for Zero-Shot inference. To learn audio representations, we trained an audio encoder on 22 audio tasks, instead of the standard training of sound event classification. To learn language representations, we trained an autoregressive decoder-only model instead of the standard encoder-only models. Then, the audio and language representations are brought into a joint multimodal space using Contrastive Learning. We used our encoders to improve the downstream performance by a margin. We extensively evaluated the generalization of our representations on 26 downstream tasks, the largest in the literature. Our model achieves state of the art results in several tasks leading the way towards general-purpose audio representations.

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arXiv2024

PAM: Prompting Audio-Language Models for Audio Quality Assessment

While audio quality is a key performance metric for various audio processing tasks, including generative modeling, its objective measurement remains a challenge. Audio-Language Models (ALMs) are pre-trained on audio-text pairs that may contain information about audio quality, the presence of artifacts, or noise. Given an audio input and a text prompt related to quality, an ALM can be used to calculate a similarity score between the two. Here, we exploit this capability and introduce PAM, a no-reference metric for assessing audio quality for different audio processing tasks. Contrary to other "reference-free" metrics, PAM does not require computing embeddings on a reference dataset nor training a task-specific model on a costly set of human listening scores. We extensively evaluate the reliability of PAM against established metrics and human listening scores on four tasks: text-to-audio (TTA), text-to-music generation (TTM), text-to-speech (TTS), and deep noise suppression (DNS). We perform multiple ablation studies with controlled distortions, in-the-wild setups, and prompt choices. Our evaluation shows that PAM correlates well with existing metrics and human listening scores. These results demonstrate the potential of ALMs for computing a general-purpose audio quality metric.

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arXiv2024

Pengi: An Audio Language Model for Audio Tasks

In the domain of audio processing, Transfer Learning has facilitated the rise of Self-Supervised Learning and Zero-Shot Learning techniques. These approaches have led to the development of versatile models capable of tackling a wide array of tasks, while delivering state-of-the-art performance. However, current models inherently lack the capacity to produce the requisite language for open-ended tasks, such as Audio Captioning or Audio Question & Answering. We introduce Pengi, a novel Audio Language Model that leverages Transfer Learning by framing all audio tasks as text-generation tasks. It takes as input, an audio recording, and text, and generates free-form text as output. The input audio is represented as a sequence of continuous embeddings by an audio encoder. A text encoder does the same for the corresponding text input. Both sequences are combined as a prefix to prompt a pre-trained frozen language model. The unified architecture of Pengi enables open-ended tasks and close-ended tasks without any additional fine-tuning or task-specific extensions. When evaluated on 22 downstream tasks, our approach yields state-of-the-art performance in several of them. Our results show that connecting language models with audio models is a major step towards general-purpose audio understanding

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arXiv2023

Prompting Audios Using Acoustic Properties For Emotion Representation

Emotions lie on a continuum, but current models treat emotions as a finite valued discrete variable. This representation does not capture the diversity in the expression of emotion. To better represent emotions we propose the use of natural language descriptions (or prompts). In this work, we address the challenge of automatically generating these prompts and training a model to better learn emotion representations from audio and prompt pairs. We use acoustic properties that are correlated to emotion like pitch, intensity, speech rate, and articulation rate to automatically generate prompts i.e. 'acoustic prompts'. We use a contrastive learning objective to map speech to their respective acoustic prompts. We evaluate our model on Emotion Audio Retrieval and Speech Emotion Recognition. Our results show that the acoustic prompts significantly improve the model's performance in EAR, in various Precision@K metrics. In SER, we observe a 3.8% relative accuracy improvement on the Ravdess dataset.

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arXiv2023

LoFT: Local Proxy Fine-tuning For Improving Transferability Of Adversarial Attacks Against Large Language Model

It has been shown that Large Language Model (LLM) alignments can be circumvented by appending specially crafted attack suffixes with harmful queries to elicit harmful responses. To conduct attacks against private target models whose characterization is unknown, public models can be used as proxies to fashion the attack, with successful attacks being transferred from public proxies to private target models. The success rate of attack depends on how closely the proxy model approximates the private model. We hypothesize that for attacks to be transferrable, it is sufficient if the proxy can approximate the target model in the neighborhood of the harmful query. Therefore, in this paper, we propose \emph{Local Fine-Tuning (LoFT)}, \textit{i.e.}, fine-tuning proxy models on similar queries that lie in the lexico-semantic neighborhood of harmful queries to decrease the divergence between the proxy and target models. First, we demonstrate three approaches to prompt private target models to obtain similar queries given harmful queries. Next, we obtain data for local fine-tuning by eliciting responses from target models for the generated similar queries. Then, we optimize attack suffixes to generate attack prompts and evaluate the impact of our local fine-tuning on the attack's success rate. Experiments show that local fine-tuning of proxy models improves attack transferability and increases attack success rate by $39\%$, $7\%$, and $0.5\%$ (absolute) on target models ChatGPT, GPT-4, and Claude respectively.

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arXiv2023

Training Audio Captioning Models without Audio

Automated Audio Captioning (AAC) is the task of generating natural language descriptions given an audio stream. A typical AAC system requires manually curated training data of audio segments and corresponding text caption annotations. The creation of these audio-caption pairs is costly, resulting in general data scarcity for the task. In this work, we address this major limitation and propose an approach to train AAC systems using only text. Our approach leverages the multimodal space of contrastively trained audio-text models, such as CLAP. During training, a decoder generates captions conditioned on the pretrained CLAP text encoder. During inference, the text encoder is replaced with the pretrained CLAP audio encoder. To bridge the modality gap between text and audio embeddings, we propose the use of noise injection or a learnable adapter, during training. We find that the proposed text-only framework performs competitively with state-of-the-art models trained with paired audio, showing that efficient text-to-audio transfer is possible. Finally, we showcase both stylized audio captioning and caption enrichment while training without audio or human-created text captions.

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