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Spencer Topel

Publications and source records attributed to Spencer Topel.

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Overcoming Fourier Locking in Quantum Data Re-uploading Classifiers via Spectral Homotopy

Data re-uploading parameterized quantum circuits (DRU-PQCs) are universal function approximators, yet their expressivity produces oscillatory, non-convex loss landscapes that resist gradient-based optimization. We show that the primary optimization bottleneck in DRU-PQCs is not insufficient capacity but a structural failure mode we term Fourier locking (FL): because encoding weights and entangling layers are nonlinearly coupled, random initialization on high-frequency targets collapses the encoding parameters into spurious local minima. Two Fisher diagnostics characterize FL. The input-space quantum Fisher information $F_x$ measures the effective frequency content of the encoded state; the Fisher discriminant ratio of the measured features measures their alignment with the class labels. In two independent 50-seed experiments, the locking is literal: trapped circuits hold $F_x$ frozen for the entire run, while escaping circuits migrate their frequency content (direct training: $r_{pb} = -0.48$; curriculum: $d = 1.34$; both $p < 0.001$). The replicated signature is this spectral mobility, not any endpoint value of $F_x$, and trapped circuits retain a fully non-degenerate parameter-space QFIM ($r_{pb} \approx 0$): the failure is spectral misalignment of a responsive state, not a loss of geometric sensitivity. A frequency-staged homotopy protocol that paces the target frequency ($f: 1.0 \to 3.0$) convexifies the early loss landscape; escaping circuits raise $F_x$ in step with the curriculum, and the escape rate triples (18% vs. 6%). Fourier locking is a frequency-alignment problem, and its remedy is frequency pacing.

quant-ph

Superconducting qubits as musical synthesizers for live performance

In the frame of a year-long artistic residency at the Yale Quantum Institute in 2019, artist and technologist Spencer Topel and quantum physicists Kyle Serniak and Luke Burkhart collaborated to create Quantum Sound, the first-ever music created and performed directly from measurements of superconducting quantum devices. Using analog- and digital-signal-processing sonification techniques, the team transformed GHz-frequency signals from experiments inside dilution refrigerators into audible sounds. The project was performed live at the International Festival of Arts and Ideas in New Haven, Connecticut on June 14, 2019 as a structured improvisation using the synthesis methods described in this chapter. At the interface between research and art, Quantum Sound represents an earnest attempt to produce a sonic reflection of the quantum realm.

quant-ph