Suhit Chiruthapudi | Searcharxiv

arXiv2026

A Flexible Encoding Model for Non-Unique Note Alignments

Symbolic music alignment links notes in a symbolic performance to their counterparts in a score. While existing alignment encoding formats provide unique correspondences between these notes, there are various musical practices and forms such as practice repetitions in rehearsal and improvised realizations in basso continuo that require a more flexible approach to encoding their alignments. In this paper, we propose a minimal, backward-compatible extension to the Match file format to support such non-unique and semantically complex alignments. We introduce two virtual pointer notes - virtual score notes and virtual performance notes - which allow to encode multiple links between performance and score notes. In addition we expand the Match file's 'section' line to include semantically meaningful annotations of performance regions beyond score-indicated musical repetitions. We further demonstrate the utility of these extensions through two representative use-cases in piano rehearsal and basso continuo.

cs.SD↗

arXiv2025

Matchmaker: An Open-source Library for Real-time Piano Score Following and Systematic Evaluation

Real-time music alignment, also known as score following, is a fundamental MIR task with a long history and is essential for many interactive applications. Despite its importance, there has not been a unified open framework for comparing models, largely due to the inherent complexity of real-time processing and the language- or system-dependent implementations. In addition, low compatibility with the existing MIR environment has made it difficult to develop benchmarks using large datasets available in recent years. While new studies based on established methods (e.g., dynamic programming, probabilistic models) have emerged, most evaluations compare models only within the same family or on small sets of test data. This paper introduces Matchmaker, an open-source Python library for real-time music alignment that is easy to use and compatible with modern MIR libraries. Using this, we systematically compare methods along two dimensions: music representations and alignment methods. We evaluated our approach on a large test set of solo piano music from the (n)ASAP, Batik, and Vienna4x22 datasets with a comprehensive set of metrics to ensure robust assessment. Our work aims to establish a benchmark framework for score-following research while providing a practical tool that developers can easily integrate into their applications.

cs.SD↗