arXiv subjects

Teresa Pelinski

Publications and source records attributed to Teresa Pelinski.

3 recordsLinked to original sources

arXiv2026

Rescuing Performance from the Demo: Co-Designing Drum Gesture Mappings with a Percussionist

Augmenting instruments with sensors and neural network mappings is a well-explored digital musical instrument design approach. While augmentations can create new expressive opportunities, they also exert aesthetic influence and can constrain musicians' gestural language, which, if left unchecked, can lead to technological capture. To examine this, we conducted a study with a professional percussionist, co-developing a gesture mapping toolkit and recording a ten-track album. Drawing on the concept of productive dissonance, our study aimed to hold the musician's aesthetic in tension with technological constraints. This, along with a practice-based reflective approach, supported the development of a continuous gesture recognition method for percussive mapping and surfaced insights into the design process. We identify knowing-when as a form of tacit knowledge that supported productive dissonance, and raise an open question: absent a musician's broader social context, how do we know whether a technology's influence is genuinely supporting their practice?

cs.HC↗

arXiv2023

AI (r)evolution -- where are we heading? Thoughts about the future of music and sound technologies in the era of deep learning

Artificial Intelligence (AI) technologies such as deep learning are evolving very quickly bringing many changes to our everyday lives. To explore the future impact and potential of AI in the field of music and sound technologies a doctoral day was held between Queen Mary University of London (QMUL, UK) and Sciences et Technologies de la Musique et du Son (STMS, France). Prompt questions about current trends in AI and music were generated by academics from QMUL and STMS. Students from the two institutions then debated these questions. This report presents a summary of the student debates on the topics of: Data, Impact, and the Environment; Responsible Innovation and Creative Practice; Creativity and Bias; and From Tools to the Singularity. The students represent the future generation of AI and music researchers. The academics represent the incumbent establishment. The student debates reported here capture visions, dreams, concerns, uncertainties, and contentious issues for the future of AI and music as the establishment is rightfully challenged by the next generation.

cs.CY↗

arXiv2023

Pipeline for recording datasets and running neural networks on the Bela embedded hardware platform

Deploying deep learning models on embedded devices is an arduous task: oftentimes, there exist no platform-specific instructions, and compilation times can be considerably large due to the limited computational resources available on-device. Moreover, many music-making applications demand real-time inference. Embedded hardware platforms for audio, such as Bela, offer an entry point for beginners into physical audio computing; however, the need for cross-compilation environments and low-level software development tools for deploying embedded deep learning models imposes high entry barriers on non-expert users. We present a pipeline for deploying neural networks in the Bela embedded hardware platform. In our pipeline, we include a tool to record a multichannel dataset of sensor signals. Additionally, we provide a dockerised cross-compilation environment for faster compilation. With this pipeline, we aim to provide a template for programmers and makers to prototype and experiment with neural networks for real-time embedded musical applications.

cs.SD↗