arXiv subjects

Tzu-Wen Hsu

Publications and source records attributed to Tzu-Wen Hsu.

2 recordsLinked to original sources

arXiv2026

The False Resonance: A Critical Examination of Emotion Embedding Similarity for Speech Generation Evaluation

Objective metrics for emotional expressiveness are vital for speech generation, particularly in expressive synthesis and voice conversion requiring emotional prosody transfer. To quantify this, the field widely relies on emotion similarity between reference and generated samples. This approach computes cosine similarity of embeddings from encoders like emotion2vec, assuming they capture affective cues despite linguistic and speaker variations. We challenge this assumption through controlled adversarial tasks and human alignment tests. Despite high classification accuracy, these latent spaces are unsuitable for zero-shot similarity evaluation. Representational limitations cause linguistic and speaker interference to overshadow emotional features, degrading discriminative ability. Consequently, the metric misaligns with human perception. This acoustic vulnerability reveals it rewards acoustic mimicry over genuine emotional synthesis.

eess.AS↗

arXiv2026

SAKE: Towards Editing Auditory Attribute Knowledge of Large Audio-Language Models

Knowledge editing enables targeted updates without retraining, but prior work focuses on textual or visual facts, leaving abstract auditory perceptual knowledge underexplored. We introduce SAKE, the first benchmark for editing perceptual auditory attribute knowledge in large audio-language models (LALMs), which requires modifying acoustic generalization rather than isolated facts. We evaluate eight diverse editing methods on three LALMs across reliability, generality, locality, and portability, under single and sequential edits. Results show that most methods enforce edits reliably but struggle with auditory generalization, intra-attribute locality, and multimodal knowledge propagation, and often exhibit forgetting or degeneration in sequential editing. Additionally, fine-tuning the modality connector emerges as a more robust and balanced baseline compared with directly editing the LLM backbones. SAKE reveals key limitations of current methods and provides a foundation for developing auditory-specific LALM editing techniques.

cs.SD↗