arXiv subjects

Victoria Ebert

Publications and source records attributed to Victoria Ebert.

5 recordsLinked to original sources

arXiv2026

A Dual Evaluation for Music Transcription

Automatic music transcription systems produce sheet music that can be read and played back. We argue that these two targets call for complementary evaluations of notation similarity to a reference score and playback similarity to the original performance, respectively. Our study considers notation similarity metrics from the optical music recognition literature and a wide range of playback-similarity methods validated through a listening study across over 100 participants and 230 piano recordings covering 23 works, 30 performers, and six composers. We find, fortuitously, that the playback similarity metric that correlates best with human judgments, CLEWS, is also the cheapest to run. We also find that the two evaluation dimensions favor different systems among a collection of 24 pipelines formed by pairing eight audio-to-MIDI models with three MIDI-to-score converters, with the latter component systematically determining the favored objective. The complementarity between metrics also holds when adding to the pool Rubato, a new end-to-end system that offers substantially improved notation similarity while remaining competitive, though not the best, on playback similarity.

cs.SD↗

arXiv2026

LEGATO 2: Toward Multimodal Sheet Music Recognition and Understanding

We propose a novel pipeline, Legato 2, for extracting symbolic notation and semantic knowledge from images of sheet music. Legato 2 features the first large-scale neural model for optical music recognition (OMR) to operate sequentially on a system-by-system basis, following the horizontal lines of notation as they are read on the page, rather than treating the page as an undifferentiated image, enabling better scaling to arbitrarily long inputs. It is also the first OMR model capable of generating symbolic transcriptions that include embedded textual content, such as titles and annotations. The pipeline combines system-level segmentation with an autoregressive vision-LM to capture both local notation details and score structure. Across multiple datasets, Legato 2 consistently outperforms prior state of the art. We also show that symbolic transcriptions complement visual inputs for frontier language models, improving their interpretation of dense musical documents. Legato 2 establishes new state-of-the-art performance in both OMR and downstream sheet music understanding.

cs.CV↗

arXiv2026

Rubato: Transcribing Piano Music with Timestamps

We consider the conversion of musical recordings into human-readable sheet music annotated with timestamps. Such output lets a listener clearly visualize rubato (temporally expressive playing), a learner diagnose ensemble precision and timing choices against the written music, and a musicology scholar compare performance styles across recordings of the same work. We introduce (1) a prompt-conditioned encoder-decoder model, named Rubato, trained to output (2) a new textual representation for polyphonic music, named InterMo, which we designed for compatibility with sequence-to-sequence training. Our experiments demonstrate that Rubato produces timestamped piano sheet music from audio with higher notational accuracy than the best existing approaches, which are based on cascades. We find that even if the cascade is given ground-truth MIDI instead of audio, Rubato performs better, suggesting that the ceiling of existing approaches is primarily representational, not acoustic. Further, because Rubato is trained on several related tasks (with prompts), it competes with or outperforms the best single-task systems on related but simpler tasks like MIDI note grounding and beat/downbeat detection. A demo is available at https://nctamer.github.io/rubato-transcription .

cs.SD↗

arXiv2025

Reading Between the Lines: The One-Sided Conversation Problem

Conversational AI is constrained in many real-world settings where only one side of a dialogue can be recorded, such as telemedicine, call centers, and smart glasses. We formalize this as the one-sided conversation problem (1SC): inferring and learning from one side of a conversation. We study two tasks: (1) reconstructing the missing speaker's turns for real-time use cases, and (2) generating summaries from one-sided transcripts. Evaluating prompting and finetuned models on MultiWOZ, DailyDialog, and Candor with both human A/B testing and LLM-as-a-judge metrics, we find that access to one future turn and information about utterance length improves reconstruction, placeholder prompting helps to mitigate hallucination, and while large models generate promising reconstructions with prompting, smaller models require finetuning. Further, high-quality summaries can be generated without reconstructing missing turns. We present 1SC as a novel challenge and report promising results that mark a step toward privacy-aware conversational AI.

cs.CL↗

arXiv2025

LEGATO: Large-scale End-to-end Generalizable Approach to Typeset OMR

We propose Legato, a new end-to-end model for optical music recognition (OMR), a task of converting music score images to machine-readable documents. Legato is the first large-scale pretrained OMR model capable of recognizing full-page or multi-page typeset music scores and the first to generate documents in ABC notation, a concise, human-readable format for symbolic music. Bringing together a pretrained vision encoder with an ABC decoder trained on a dataset of more than 214K images, our model exhibits the strong ability to generalize across various typeset scores. We conduct comprehensive experiments on a range of datasets and metrics and demonstrate that Legato outperforms the previous state of the art. On our most realistic dataset, we see a 68\% and 47.6\% absolute error reduction on the standard metrics TEDn and OMR-NED, respectively.

cs.CV↗