arXiv subjects

Vincent K. M. Cheung

Publications and source records attributed to Vincent K. M. Cheung.

6 recordsLinked to original sources

arXiv2026

Humanoid Musical Robots as Experimental Interfaces for Music-Evoked Emotion

Advances in technology have led to increasingly sophisticated musical humanoid robots. However, their use has largely been limited to performance and related research in human-robot interaction. In this position paper, we propose a novel perspective: musical humanoid robots as experimental interfaces for investigating music-evoked emotions. We argue that current research is constrained by paradigms relying on pre-recorded auditory stimuli, which fail to capture the multimodal, embodied, and interactive nature of real-world musical experience. Building on existing theories of music cognition and emotion, we identify mechanisms that require controlled manipulation of both acoustic and non-acoustic variables. We show that humanoid robots are well-suited as they enable parametric control of performance variables, reproducibility across trials, and the decoupling and recombination of auditory, visual, and interactive components. We illustrate the technical feasibility of this perspective through a case study of the WAseda Saxophonist Robot 5 (WAS-5), demonstrating reproducible control of acoustic and interaction variables that are prerequisites for future music-emotion experiments. Our work positions musical humanoid robots as a methodological platform that enables future controlled investigations of music-evoked emotions.

cs.RO↗

arXiv2026

VIOLET: High-Fidelity Violin Synthesis with Techniques and Dynamics

Neural synthesis for musical instruments has the potential to revolutionize current practices that use concatenative synthesis and a sample library. However, most research focused on piano synthesis and expressive performance generation; little work has been done on continuously articulated instruments like the violin, let alone rendering them with playing techniques and dynamics. We present VIOLET, a latent-diffusion framework for controllable violin synthesis, which uses a Diffusion Transformer (DiT) with rectified flow to synthesize high-fidelity audio from MIDI notes, playing techniques, and continuous dynamics. To train VIOLET, in addition to using a few existing datasets, we curate a new dataset named CSV-TD, which contains 39 h of 48 kHz synthetic audio and time-aligned annotations of MIDI notes, note-level techniques, and continuous dynamics curves. Objective and subjective evaluations show that VIOLET synthesizes violin performances with high technique adherence, accurate pitch and timing alignment, and good dynamics control. It outperforms the current state-of-the-art neural violin synthesis system and approaches a top commercial virtual instrument in terms of technique clarity, naturalness, and dynamics following.

eess.AS↗

arXiv2026

VioPTT: Violin Technique-Aware Transcription from Synthetic Data Augmentation

While automatic music transcription is well-established in music information retrieval, most models are limited to transcribing pitch and timing information from audio, and thus omit crucial expressive and instrument-specific nuances. One example is playing technique on the violin, which affords its distinct palette of timbres for maximal emotional impact. Here, we propose VioPTT (Violin Playing Technique-aware Transcription), a lightweight cascade model that directly transcribes violin playing technique in addition to pitch onset and offset. Furthermore, we release MOSA-VPT, a novel, high-quality synthetic violin playing technique dataset to circumvent the need for manually labeled annotations. Leveraging this dataset, our model demonstrated strong generalization to real-world note-level violin technique recordings in addition to achieving state-of-the-art transcription performance. To our knowledge, VioPTT is the first to jointly combine violin transcription and playing technique prediction within a unified framework.

cs.SD↗

arXiv2025

Inferring trust in recommendation systems from brain, behavioural, and physiological data

As people nowadays increasingly rely on artificial intelligence (AI) to curate information and make decisions, assigning the appropriate amount of trust in automated intelligent systems has become ever more important. However, current measurements of trust in automation still largely rely on self-reports that are subjective and disruptive to the user. Here, we take music recommendation as a model to investigate the neural and cognitive processes underlying trust in automation. We observed that system accuracy was directly related to users' trust and modulated the influence of recommendation cues on music preference. Modelling users' reward encoding process with a reinforcement learning model further revealed that system accuracy, expected reward, and prediction error were related to oscillatory neural activity recorded via EEG and changes in pupil diameter. Our results provide a neurally grounded account of calibrating trust in automation and highlight the promises of a multimodal approach towards developing trustable AI systems.

cs.HC↗

arXiv2025

Is Transfer Learning Necessary for Violin Transcription?

Automatic music transcription (AMT) has achieved remarkable progress for instruments such as the piano, largely due to the availability of large-scale, high-quality datasets. In contrast, violin AMT remains underexplored due to limited annotated data. A common approach is to fine-tune pretrained models for other downstream tasks, but the effectiveness of such transfer remains unclear in the presence of timbral and articulatory differences. In this work, we investigate whether training from scratch on a medium-scale violin dataset can match the performance of fine-tuned piano-pretrained models. We adopt a piano transcription architecture without modification and train it on the MOSA dataset, which contains about 30 hours of aligned violin recordings. Our experiments on URMP and Bach10 show that models trained from scratch achieved competitive or even superior performance compared to fine-tuned counterparts. These findings suggest that strong violin AMT is possible without relying on pretrained piano representations, highlighting the importance of instrument-specific data collection and augmentation strategies.

cs.SD↗

arXiv2025

Whole-brain Transferable Representations from Large-Scale fMRI Data Improve Task-Evoked Brain Activity Decoding

A fundamental challenge in neuroscience is to decode mental states from brain activity. While functional magnetic resonance imaging (fMRI) offers a non-invasive approach to capture brain-wide neural dynamics with high spatial precision, decoding from fMRI data -- particularly from task-evoked activity -- remains challenging due to its high dimensionality, low signal-to-noise ratio, and limited within-subject data. Here, we leverage recent advances in computer vision and propose STDA-SwiFT, a transformer-based model that learns transferable representations from large-scale fMRI datasets via spatial-temporal divided attention and self-supervised contrastive learning. Using pretrained voxel-wise representations from 995 subjects in the Human Connectome Project (HCP), we show that our model substantially improves downstream decoding performance of task-evoked activity across multiple sensory and cognitive domains, even with minimal data preprocessing. We demonstrate performance gains from larger receptor fields afforded by our memory-efficient attention mechanism, as well as the impact of functional relevance in pretraining data when fine-tuning on small samples. Our work showcases transfer learning as a viable approach to harness large-scale datasets to overcome challenges in decoding brain activity from fMRI data.

eess.IV↗