Weixi Zhai | Searcharxiv

arXiv2026

MAJEPPA: Morphing and Assessing in a Unified Piano Performance Space

We present MAJEPPA, a self-supervised framework to learn piano performance representations that span the full skill spectrum, from beginner practice sessions to virtuoso concert recordings. We curate the MAJEPPA dataset, comprising ~4,000 annotated recordings across six expertise levels and six recording contexts. We adapt a single pre-trained MIDI autoregressive model with a joint objective: next-token prediction learns score-conditioned performance generation at various skill levels, while InfoNCE and supervised contrastive losses align abstract score and performance representations in a joint embedding space. The proposed model both generates and understands performances in a unified framework. By introducing the EVPMR benchmark, a suite of downstream tasks spanning quality assessment, competition ranking, mistake and technique classification, we evaluate the learnt representations, demonstrating progress towards a real-world model for the piano performance space.

eess.AS↗

arXiv2025

Oral Tradition-Encoded NanyinHGNN: Integrating Nanyin Music Preservation and Generation through a Pipa-Centric Dataset

We propose NanyinHGNN, a heterogeneous graph network model for generating Nanyin instrumental music. As a UNESCO-recognized intangible cultural heritage, Nanyin follows a heterophonic tradition centered around the pipa, where core melodies are notated in traditional notation while ornamentations are passed down orally, presenting challenges for both preservation and contemporary innovation. To address this, we construct a Pipa-Centric MIDI dataset, develop NanyinTok as a specialized tokenization method, and convert symbolic sequences into graph structures using a Graph Converter to ensure that key musical features are preserved. Our key innovation reformulates ornamentation generation as the creation of ornamentation nodes within a heterogeneous graph. First, a graph neural network generates melodic outlines optimized for ornamentations. Then, a rule-guided system informed by Nanyin performance practices refines these outlines into complete ornamentations without requiring explicit ornamentation annotations during training. Experimental results demonstrate that our model successfully generates authentic heterophonic ensembles featuring four traditional instruments. These findings validate that integrating domain-specific knowledge into model architecture can effectively mitigate data scarcity challenges in computational ethnomusicology.

cs.SD↗