arXiv subjects

Weixing Wei

Publications and source records attributed to Weixing Wei.

7 recordsLinked to original sources

arXiv2026

Beyond Dry References: Learning Relative Audio Effects Representations via Contrastive Distance Learning

Audio effects (Fx) representation learning plays a key role in intelligent music production, including automatic mixing and Fx style transfer. Existing methods typically rely on dry or nearly dry references for effect modeling, yet truly unprocessed audio is rarely available in practice, as real recordings inevitably reflect the microphone, room acoustics, and preceding signal processing. Instead of pursuing absolute effect encodings, we argue that the relative effect distance between audio signals is more meaningful for real-world music production. Motivated by this, we propose RelFx, a contrastive learning framework that learns relative effect transformations from general audio collections without requiring dry references during representation training. Our approach uses a dual-branch Siamese encoder equipped with cross-attention and differential gating fusion to infer the shared effect transformation from a reference clip and an effect-processed, content-related clip. We further propose an antisymmetric fusion variant for bidirectional effect encoding, such that swapping the input order directly produces a nearly sign-reversed embedding, a property not explored in earlier work. Moreover, our dry-reference-free formulation eliminates the reliance on dry multitrack datasets and enables training on effect-bearing audio. Experiments on Fx style transfer demonstrate state-of-the-art performance under the standard Fx-Encoder++ MUSDB18 evaluation protocol, consistently outperforming existing approaches across all four instrument categories.

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arXiv2026

A Distribution Matching Approach to Neural Piano Transcription with Optimal Transport

This paper describes a novel paradigm that formalizes automatic piano transcription (APT) as an optimal transport (OT) problem, not as a frame-level multi-label binary classification problem. Our method learns to minimize the cost of transporting a predicted distribution of note events to the ground-truth distribution over time and frequency. The OT loss can thus accommodate temporal misalignment, leading to perceptually relevant optimization. We also propose a convolutional recurrent neural network (CRNN) with a harmonics-aware attention mechanism to capture the spectro-temporal dependencies inherent in music.Our experiments using the MAESTRO dataset showed that our method attained a state-of-the-art performance in onset detection. We confirmed the versatility of the OT loss in application to existing models.

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arXiv2025

Efficient Transformer-Based Piano Transcription With Sparse Attention Mechanisms

This paper investigates automatic piano transcription based on computationally-efficient yet high-performant variants of the Transformer that can capture longer-term dependency over the whole musical piece. Recently, transformer-based sequence-to-sequence models have demonstrated excellent performance in piano transcription. These models, however, fail to deal with the whole piece at once due to the quadratic complexity of the self-attention mechanism, and music signals are thus typically processed in a sliding-window manner in practice. To overcome this limitation, we propose an efficient architecture with sparse attention mechanisms. Specifically, we introduce sliding-window self-attention mechanisms for both the encoder and decoder, and a hybrid global-local cross-attention mechanism that attends to various spans according to the MIDI token types. We also use a hierarchical pooling strategy between the encoder and decoder to further reduce computational load. Our experiments on the MAESTRO dataset showed that the proposed model achieved a significant reduction in computational cost and memory usage, accelerating inference speed, while maintaining transcription performance comparable to the full-attention baseline. This allows for training with longer audio contexts on the same hardware, demonstrating the viability of sparse attention for building efficient and high-performance piano transcription systems. The code is available at https://github.com/WX-Wei/efficient-seq2seq-piano-trans.

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arXiv2025

Streaming Piano Transcription Based on Consistent Onset and Offset Decoding with Sustain Pedal Detection

This paper describes a streaming audio-to-MIDI piano transcription approach that aims to sequentially translate a music signal into a sequence of note onset and offset events. The sequence-to-sequence nature of this task may call for the computationally-intensive transformer model for better performance, which has recently been used for offline transcription benchmarks and could be extended for streaming transcription with causal attention mechanisms. We assume that the performance limitation of this naive approach lies in the decoder. Although time-frequency features useful for onset detection are considerably different from those for offset detection, the single decoder is trained to output a mixed sequence of onset and offset events without guarantee of the correspondence between the onset and offset events of the same note. To overcome this limitation, we propose a streaming encoder-decoder model that uses a convolutional encoder aggregating local acoustic features, followed by an autoregressive Transformer decoder detecting a variable number of onset events and another decoder detecting the offset events for the active pitches with validation of the sustain pedal at each time frame. Experiments using the MAESTRO dataset showed that the proposed streaming method performed comparably with or even better than the state-of-the-art offline methods while significantly reducing the computational cost.

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arXiv2023

MERTech: Instrument Playing Technique Detection Using Self-Supervised Pretrained Model With Multi-Task Finetuning

Instrument playing techniques (IPTs) constitute a pivotal component of musical expression. However, the development of automatic IPT detection methods suffers from limited labeled data and inherent class imbalance issues. In this paper, we propose to apply a self-supervised learning model pre-trained on large-scale unlabeled music data and finetune it on IPT detection tasks. This approach addresses data scarcity and class imbalance challenges. Recognizing the significance of pitch in capturing the nuances of IPTs and the importance of onset in locating IPT events, we investigate multi-task finetuning with pitch and onset detection as auxiliary tasks. Additionally, we apply a post-processing approach for event-level prediction, where an IPT activation initiates an event only if the onset output confirms an onset in that frame. Our method outperforms prior approaches in both frame-level and event-level metrics across multiple IPT benchmark datasets. Further experiments demonstrate the efficacy of multi-task finetuning on each IPT class.

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arXiv2022

HPPNet: Modeling the Harmonic Structure and Pitch Invariance in Piano Transcription

While neural network models are making significant progress in piano transcription, they are becoming more resource-consuming due to requiring larger model size and more computing power. In this paper, we attempt to apply more prior about piano to reduce model size and improve the transcription performance. The sound of a piano note contains various overtones, and the pitch of a key does not change over time. To make full use of such latent information, we propose HPPNet that using the Harmonic Dilated Convolution to capture the harmonic structures and the Frequency Grouped Recurrent Neural Network to model the pitch-invariance over time. Experimental results on the MAESTRO dataset show that our piano transcription system achieves state-of-the-art performance both in frame and note scores (frame F1 93.15%, note F1 97.18%). Moreover, the model size is much smaller than the previous state-of-the-art deep learning models.

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arXiv2022

HarmoF0: Logarithmic Scale Dilated Convolution For Pitch Estimation

Sounds, especially music, contain various harmonic components scattered in the frequency dimension. It is difficult for normal convolutional neural networks to observe these overtones. This paper introduces a multiple rates dilated causal convolution (MRDC-Conv) method to capture the harmonic structure in logarithmic scale spectrograms efficiently. The harmonic is helpful for pitch estimation, which is important for many sound processing applications. We propose HarmoF0, a fully convolutional network, to evaluate the MRDC-Conv and other dilated convolutions in pitch estimation. The results show that this model outperforms the DeepF0, yields state-of-the-art performance in three datasets, and simultaneously reduces more than 90% parameters. We also find that it has stronger noise resistance and fewer octave errors. The code and pre-trained model are available at https://github.com/WX-Wei/HarmoF0.

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