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Yi-Chiao Wu

Publications and source records attributed to Yi-Chiao Wu.

At least 19 recordsLinked to original sources

Conditional Flow Matching for Visually-Guided Acoustic Highlighting

Visually-guided acoustic highlighting seeks to rebalance audio in alignment with the accompanying video, creating a coherent audio-visual experience. While visual saliency and enhancement have been widely studied, acoustic highlighting remains underexplored, often leading to misalignment between visual and auditory focus. Existing approaches use discriminative models, which struggle with the inherent ambiguity in audio remixing, where no natural one-to-one mapping exists between poorly-balanced and well-balanced audio mixes. To address this limitation, we reframe this task as a generative problem and introduce a Conditional Flow Matching (CFM) framework. A key challenge in iterative flow-based generation is that early prediction errors -- in selecting the correct source to enhance -- compound over steps and push trajectories off-manifold. To address this, we introduce a rollout loss that penalizes drift at the final step, encouraging self-correcting trajectories and stabilizing long-range flow integration. We further propose a conditioning module that fuses audio and visual cues before vector field regression, enabling explicit cross-modal source selection. Extensive quantitative and qualitative evaluations show that our method consistently surpasses the previous state-of-the-art discriminative approach, establishing that visually-guided audio remixing is best addressed through generative modeling.

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SAM Audio Judge: A Unified Multimodal Framework for Perceptual Evaluation of Audio Separation

The performance evaluation remains a complex challenge in audio separation, and existing evaluation metrics are often misaligned with human perception, course-grained, relying on ground truth signals. On the other hand, subjective listening tests remain the gold standard for real-world evaluation, but they are expensive, time-consuming, and difficult to scale. This paper addresses the growing need for automated systems capable of evaluating audio separation without human intervention. The proposed evaluation metric, SAM Audio Judge (SAJ), is a multimodal fine-grained reference-free objective metric, which shows highly alignment with human perceptions. SAJ supports three audio domains (speech, music and general sound events) and three prompt inputs (text, visual and span), covering four different dimensions of evaluation (recall, percision, faithfulness, and overall). SAM Audio Judge also shows potential applications in data filtering, pseudo-labeling large datasets and reranking in audio separation models. We release our code and pre-trained models at: https://github.com/facebookresearch/sam-audio.

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T-Mimi: A Transformer-based Mimi Decoder for Real-Time On-Phone TTS

Neural audio codecs provide promising acoustic features for speech synthesis, with representative streaming codecs like Mimi providing high-quality acoustic features for real-time Text-to-Speech (TTS) applications. However, Mimi's decoder, which employs a hybrid transformer and convolution architecture, introduces significant latency bottlenecks on edge devices due to the the compute intensive nature of deconvolution layers which are not friendly for mobile-CPUs, such as the most representative framework XNNPACK. This paper introduces T-Mimi, a novel modification of the Mimi codec decoder that replaces its convolutional components with a purely transformer-based decoder, inspired by the TS3-Codec architecture. This change dramatically reduces on-device TTS latency from 42.1ms to just 4.4ms. Furthermore, we conduct quantization aware training and derive a crucial finding: the final two transformer layers and the concluding linear layers of the decoder, which are close to the waveform, are highly sensitive to quantization and must be preserved at full precision to maintain audio quality.

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SAM Audio: Segment Anything in Audio

General audio source separation is a key capability for multimodal AI systems that can perceive and reason about sound. Despite substantial progress in recent years, existing separation models are either domain-specific, designed for fixed categories such as speech or music, or limited in controllability, supporting only a single prompting modality such as text. In this work, we present SAM Audio, a foundation model for general audio separation that unifies text, visual, and temporal span prompting within a single framework. Built on a diffusion transformer architecture, SAM Audio is trained with flow matching on large-scale audio data spanning speech, music, and general sounds, and can flexibly separate target sources described by language, visual masks, or temporal spans. The model achieves state-of-the-art performance across a diverse suite of benchmarks, including general sound, speech, music, and musical instrument separation in both in-the-wild and professionally produced audios, substantially outperforming prior general-purpose and specialized systems. Furthermore, we introduce a new real-world separation benchmark with human-labeled multimodal prompts and a reference-free evaluation model that correlates strongly with human judgment.

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The AudioMOS Challenge 2025

This is the summary paper for the AudioMOS Challenge 2025, the very first challenge for automatic subjective quality prediction for synthetic audio. The challenge consists of three tracks. The first track aims to assess text-to-music samples in terms of overall quality and textual alignment. The second track is based on the four evaluation dimensions of Meta Audiobox Aesthetics, and the test set consists of text-to-speech, text-to-audio, and text-to-music samples. The third track focuses on synthetic speech quality assessment in different sampling rates. The challenge attracted 24 unique teams from both academia and industry, and improvements over the baselines were confirmed. The outcome of this challenge is expected to facilitate development and progress in the field of automatic evaluation for audio generation systems.

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FlowDec: A flow-based full-band general audio codec with high perceptual quality

We propose FlowDec, a neural full-band audio codec for general audio sampled at 48 kHz that combines non-adversarial codec training with a stochastic postfilter based on a novel conditional flow matching method. Compared to the prior work ScoreDec which is based on score matching, we generalize from speech to general audio and move from 24 kbit/s to as low as 4 kbit/s, while improving output quality and reducing the required postfilter DNN evaluations from 60 to 6 without any fine-tuning or distillation techniques. We provide theoretical insights and geometric intuitions for our approach in comparison to ScoreDec as well as another recent work that uses flow matching, and conduct ablation studies on our proposed components. We show that FlowDec is a competitive alternative to the recent GAN-dominated stream of neural codecs, achieving FAD scores better than those of the established GAN-based codec DAC and listening test scores that are on par, and producing qualitatively more natural reconstructions for speech and harmonic structures in music.

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Movie Gen: A Cast of Media Foundation Models

We present Movie Gen, a cast of foundation models that generates high-quality, 1080p HD videos with different aspect ratios and synchronized audio. We also show additional capabilities such as precise instruction-based video editing and generation of personalized videos based on a user's image. Our models set a new state-of-the-art on multiple tasks: text-to-video synthesis, video personalization, video editing, video-to-audio generation, and text-to-audio generation. Our largest video generation model is a 30B parameter transformer trained with a maximum context length of 73K video tokens, corresponding to a generated video of 16 seconds at 16 frames-per-second. We show multiple technical innovations and simplifications on the architecture, latent spaces, training objectives and recipes, data curation, evaluation protocols, parallelization techniques, and inference optimizations that allow us to reap the benefits of scaling pre-training data, model size, and training compute for training large scale media generation models. We hope this paper helps the research community to accelerate progress and innovation in media generation models. All videos from this paper are available at https://go.fb.me/MovieGenResearchVideos.

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Meta Audiobox Aesthetics: Unified Automatic Quality Assessment for Speech, Music, and Sound

The quantification of audio aesthetics remains a complex challenge in audio processing, primarily due to its subjective nature, which is influenced by human perception and cultural context. Traditional methods often depend on human listeners for evaluation, leading to inconsistencies and high resource demands. This paper addresses the growing need for automated systems capable of predicting audio aesthetics without human intervention. Such systems are crucial for applications like data filtering, pseudo-labeling large datasets, and evaluating generative audio models, especially as these models become more sophisticated. In this work, we introduce a novel approach to audio aesthetic evaluation by proposing new annotation guidelines that decompose human listening perspectives into four distinct axes. We develop and train no-reference, per-item prediction models that offer a more nuanced assessment of audio quality. Our models are evaluated against human mean opinion scores (MOS) and existing methods, demonstrating comparable or superior performance. This research not only advances the field of audio aesthetics but also provides open-source models and datasets to facilitate future work and benchmarking. We release our code and pre-trained model at: https://github.com/facebookresearch/audiobox-aesthetics

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ComplexDec: A Domain-robust High-fidelity Neural Audio Codec with Complex Spectrum Modeling

Neural audio codecs have been widely adopted in audio-generative tasks because their compact and discrete representations are suitable for both large-language-model-style and regression-based generative models. However, most neural codecs struggle to model out-of-domain audio, resulting in error propagations to downstream generative tasks. In this paper, we first argue that information loss from codec compression degrades out-of-domain robustness. Then, we propose full-band 48~kHz ComplexDec with complex spectral input and output to ease the information loss while adopting the same 24~kbps bitrate as the baseline AuidoDec and ScoreDec. Objective and subjective evaluations demonstrate the out-of-domain robustness of ComplexDec trained using only the 30-hour VCTK corpus.

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Codec-SUPERB @ SLT 2024: A lightweight benchmark for neural audio codec models

Neural audio codec models are becoming increasingly important as they serve as tokenizers for audio, enabling efficient transmission or facilitating speech language modeling. The ideal neural audio codec should maintain content, paralinguistics, speaker characteristics, and audio information even at low bitrates. Recently, numerous advanced neural codec models have been proposed. However, codec models are often tested under varying experimental conditions. As a result, we introduce the Codec-SUPERB challenge at SLT 2024, designed to facilitate fair and lightweight comparisons among existing codec models and inspire advancements in the field. This challenge brings together representative speech applications and objective metrics, and carefully selects license-free datasets, sampling them into small sets to reduce evaluation computation costs. This paper presents the challenge's rules, datasets, five participant systems, results, and findings.

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EMO-Codec: An In-Depth Look at Emotion Preservation capacity of Legacy and Neural Codec Models With Subjective and Objective Evaluations

The neural codec model reduces speech data transmission delay and serves as the foundational tokenizer for speech language models (speech LMs). Preserving emotional information in codecs is crucial for effective communication and context understanding. However, there is a lack of studies on emotion loss in existing codecs. This paper evaluates neural and legacy codecs using subjective and objective methods on emotion datasets like IEMOCAP. Our study identifies which codecs best preserve emotional information under various bitrate scenarios. We found that training codec models with both English and Chinese data had limited success in retaining emotional information in Chinese. Additionally, resynthesizing speech through these codecs degrades the performance of speech emotion recognition (SER), particularly for emotions like sadness, depression, fear, and disgust. Human listening tests confirmed these findings. This work guides future speech technology developments to ensure new codecs maintain the integrity of emotional information in speech.

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EARS: An Anechoic Fullband Speech Dataset Benchmarked for Speech Enhancement and Dereverberation

We release the EARS (Expressive Anechoic Recordings of Speech) dataset, a high-quality speech dataset comprising 107 speakers from diverse backgrounds, totaling in 100 hours of clean, anechoic speech data. The dataset covers a large range of different speaking styles, including emotional speech, different reading styles, non-verbal sounds, and conversational freeform speech. We benchmark various methods for speech enhancement and dereverberation on the dataset and evaluate their performance through a set of instrumental metrics. In addition, we conduct a listening test with 20 participants for the speech enhancement task, where a generative method is preferred. We introduce a blind test set that allows for automatic online evaluation of uploaded data. Dataset download links and automatic evaluation server can be found online.

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Multi-speaker Text-to-speech Training with Speaker Anonymized Data

The trend of scaling up speech generation models poses a threat of biometric information leakage of the identities of the voices in the training data, raising privacy and security concerns. In this paper, we investigate training multi-speaker text-to-speech (TTS) models using data that underwent speaker anonymization (SA), a process that tends to hide the speaker identity of the input speech while maintaining other attributes. Two signal processing-based and three deep neural network-based SA methods were used to anonymize VCTK, a multi-speaker TTS dataset, which is further used to train an end-to-end TTS model, VITS, to perform unseen speaker TTS during the testing phase. We conducted extensive objective and subjective experiments to evaluate the anonymized training data, as well as the performance of the downstream TTS model trained using those data. Importantly, we found that UTMOS, a data-driven subjective rating predictor model, and GVD, a metric that measures the gain of voice distinctiveness, are good indicators of the downstream TTS performance. We summarize insights in the hope of helping future researchers determine the goodness of the SA system for multi-speaker TTS training.

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ScoreDec: A Phase-preserving High-Fidelity Audio Codec with A Generalized Score-based Diffusion Post-filter

Although recent mainstream waveform-domain end-to-end (E2E) neural audio codecs achieve impressive coded audio quality with a very low bitrate, the quality gap between the coded and natural audio is still significant. A generative adversarial network (GAN) training is usually required for these E2E neural codecs because of the difficulty of direct phase modeling. However, such adversarial learning hinders these codecs from preserving the original phase information. To achieve human-level naturalness with a reasonable bitrate, preserve the original phase, and get rid of the tricky and opaque GAN training, we develop a score-based diffusion post-filter (SPF) in the complex spectral domain and combine our previous AudioDec with the SPF to propose ScoreDec, which can be trained using only spectral and score-matching losses. Both the objective and subjective experimental results show that ScoreDec with a 24~kbps bitrate encodes and decodes full-band 48~kHz speech with human-level naturalness and well-preserved phase information.

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Audiobox: Unified Audio Generation with Natural Language Prompts

Audio is an essential part of our life, but creating it often requires expertise and is time-consuming. Research communities have made great progress over the past year advancing the performance of large scale audio generative models for a single modality (speech, sound, or music) through adopting more powerful generative models and scaling data. However, these models lack controllability in several aspects: speech generation models cannot synthesize novel styles based on text description and are limited on domain coverage such as outdoor environments; sound generation models only provide coarse-grained control based on descriptions like "a person speaking" and would only generate mumbling human voices. This paper presents Audiobox, a unified model based on flow-matching that is capable of generating various audio modalities. We design description-based and example-based prompting to enhance controllability and unify speech and sound generation paradigms. We allow transcript, vocal, and other audio styles to be controlled independently when generating speech. To improve model generalization with limited labels, we adapt a self-supervised infilling objective to pre-train on large quantities of unlabeled audio. Audiobox sets new benchmarks on speech and sound generation (0.745 similarity on Librispeech for zero-shot TTS; 0.77 FAD on AudioCaps for text-to-sound) and unlocks new methods for generating audio with novel vocal and acoustic styles. We further integrate Bespoke Solvers, which speeds up generation by over 25 times compared to the default ODE solver for flow-matching, without loss of performance on several tasks. Our demo is available at https://audiobox.metademolab.com/

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AudioDec: An Open-source Streaming High-fidelity Neural Audio Codec

A good audio codec for live applications such as telecommunication is characterized by three key properties: (1) compression, i.e.\ the bitrate that is required to transmit the signal should be as low as possible; (2) latency, i.e.\ encoding and decoding the signal needs to be fast enough to enable communication without or with only minimal noticeable delay; and (3) reconstruction quality of the signal. In this work, we propose an open-source, streamable, and real-time neural audio codec that achieves strong performance along all three axes: it can reconstruct highly natural sounding 48~kHz speech signals while operating at only 12~kbps and running with less than 6~ms (GPU)/10~ms (CPU) latency. An efficient training paradigm is also demonstrated for developing such neural audio codecs for real-world scenarios. Both objective and subjective evaluations using the VCTK corpus are provided. To sum up, AudioDec is a well-developed plug-and-play benchmark for audio codec applications.

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Source-Filter HiFi-GAN: Fast and Pitch Controllable High-Fidelity Neural Vocoder

Our previous work, the unified source-filter GAN (uSFGAN) vocoder, introduced a novel architecture based on the source-filter theory into the parallel waveform generative adversarial network to achieve high voice quality and pitch controllability. However, the high temporal resolution inputs result in high computation costs. Although the HiFi-GAN vocoder achieves fast high-fidelity voice generation thanks to the efficient upsampling-based generator architecture, the pitch controllability is severely limited. To realize a fast and pitch-controllable high-fidelity neural vocoder, we introduce the source-filter theory into HiFi-GAN by hierarchically conditioning the resonance filtering network on a well-estimated source excitation information. According to the experimental results, our proposed method outperforms HiFi-GAN and uSFGAN on a singing voice generation in voice quality and synthesis speed on a single CPU. Furthermore, unlike the uSFGAN vocoder, the proposed method can be easily adopted/integrated in real-time applications and end-to-end systems.

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A Cyclical Approach to Synthetic and Natural Speech Mismatch Refinement of Neural Post-filter for Low-cost Text-to-speech System

Neural-based text-to-speech (TTS) systems achieve very high-fidelity speech generation because of the rapid neural network developments. However, the huge labeled corpus and high computation cost requirements limit the possibility of developing a high-fidelity TTS system by small companies or individuals. On the other hand, a neural vocoder, which has been widely adopted for the speech generation in neural-based TTS systems, can be trained with a relatively small unlabeled corpus. Therefore, in this paper, we explore a general framework to develop a neural post-filter (NPF) for low-cost TTS systems using neural vocoders. A cyclical approach is proposed to tackle the acoustic and temporal mismatches (AM and TM) of developing an NPF. Both objective and subjective evaluations have been conducted to demonstrate the AM and TM problems and the effectiveness of the proposed framework.

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