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Yinghao Ma

Publications and source records attributed to Yinghao Ma.

39 records · Page 3Linked to original sources

MAP-Music2Vec: A Simple and Effective Baseline for Self-Supervised Music Audio Representation Learning

The deep learning community has witnessed an exponentially growing interest in self-supervised learning (SSL). However, it still remains unexplored how to build a framework for learning useful representations of raw music waveforms in a self-supervised manner. In this work, we design Music2Vec, a framework exploring different SSL algorithmic components and tricks for music audio recordings. Our model achieves comparable results to the state-of-the-art (SOTA) music SSL model Jukebox, despite being significantly smaller with less than 2% of parameters of the latter. The model will be released on Huggingface(Please refer to: https://huggingface.co/m-a-p/music2vec-v1)

cs.SD↗

Learnable Front Ends Based on Temporal Modulation for Music Tagging

While end-to-end systems are becoming popular in auditory signal processing including automatic music tagging, models using raw audio as input needs a large amount of data and computational resources without domain knowledge. Inspired by the fact that temporal modulation is regarded as an essential component in auditory perception, we introduce the Temporal Modulation Neural Network (TMNN) that combines Mel-like data-driven front ends and temporal modulation filters with a simple ResNet back end. The structure includes a set of temporal modulation filters to capture long-term patterns in all frequency channels. Experimental results show that the proposed front ends surpass state-of-the-art (SOTA) methods on the MagnaTagATune dataset in automatic music tagging, and they are also helpful for keyword spotting on speech commands. Moreover, the model performance for each tag suggests that genre or instrument tags with complex rhythm and mood tags can especially be improved with temporal modulation.

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A Transformer Based Pitch Sequence Autoencoder with MIDI Augmentation

Despite recent achievements of deep learning automatic music generation algorithms, few approaches have been proposed to evaluate whether a single-track music excerpt is composed by automatons or Homo sapiens. To tackle this problem, we apply a masked language model based on ALBERT for composers classification. The aim is to obtain a model that can suggest the probability a MIDI clip might be composed condition on the auto-generation hypothesis, and which is trained with only AI-composed single-track MIDI. In this paper, the amount of parameters is reduced, two methods on data augmentation are proposed as well as a refined loss function to prevent overfitting. The experiment results show our model ranks $3^{rd}$ in all the $7$ teams in the data challenge in CSMT(2020). Furthermore, this inspiring method could be spread to other music information retrieval tasks that are based on a small dataset.

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