arXiv subjects

Yuxun Tang

Publications and source records attributed to Yuxun Tang.

At least 19 recordsLinked to original sources

arXiv2026

MMGenre: Benchmarking Singing Voice Synthesis across Multiple Musical Genres

Singing voice synthesis (SVS) has progressed rapidly, yet its ability to generalize across diverse musical genres remains underexplored. Existing benchmarks are heavily biased toward pop music, limiting systematic analysis of genre-dependent behavior. We introduce MMGenre, a benchmark for multi-genre SVS diagnosis, supported by an automatic pipeline for constructing genre-aligned music scores. MMGenre spans 10 major genres and 26 subgenres, enabling comprehensive analysis of genre-aware synthesis. Extensive evaluation of representative SVS models reveals limited genre discrimination: synthesized vocals across genres exhibit highly similar acoustic characteristics and weak separability. While zero-shot genre adaptation yields only marginal improvements, lightweight genre-specific continued training leads to substantial gains. MMGenre provides a standardized framework for multi-genre SVS evaluation and exposes critical challenges in achieving genre-aware singing voice synthesis.

cs.SD↗

arXiv2025

Robust Training of Singing Voice Synthesis Using Prior and Posterior Uncertainty

Singing voice synthesis (SVS) has seen remarkable advancements in recent years. However, compared to speech and general audio data, publicly available singing datasets remain limited. In practice, this data scarcity often leads to performance degradation in long-tail scenarios, such as imbalanced pitch distributions or rare singing styles. To mitigate these challenges, we propose uncertainty-based optimization to improve the training process of end-to-end SVS models. First, we introduce differentiable data augmentation in the adversarial training, which operates in a sample-wise manner to increase the prior uncertainty. Second, we incorporate a frame-level uncertainty prediction module that estimates the posterior uncertainty, enabling the model to allocate more learning capacity to low-confidence segments. Empirical results on the Opencpop and Ofuton-P, across Chinese and Japanese, demonstrate that our approach improves performance in various perspectives.

cs.SD↗

arXiv2025

Adapting Speech Language Model to Singing Voice Synthesis

Speech Language Models (SLMs) have recently emerged as a unified paradigm for addressing a wide range of speech-related tasks, including text-to-speech (TTS), speech enhancement (SE), and automatic speech recognition (ASR). However, the generalization capability of large-scale pre-trained SLMs remains underexplored. In this work, we adapt a 1.7B parameter TTS pretrained SLM for singing voice synthesis (SVS), using only a 135-hour synthetic singing corpus, ACE-Opencpop. Building upon the ESPNet-SpeechLM, our recipe involves the following procedure: (1) tokenization of music score conditions and singing waveforms, (2) multi-stream language model token prediction, (3) conditional flow matching-based mel-spectrogram generation. (4) a mel-to-wave vocoder. Experimental results demonstrate that our adapted SLM generalizes well to SVS and achieves performance comparable to leading discrete token-based SVS models.

cs.SD↗

arXiv2025

SingingSDS: A Singing-Capable Spoken Dialogue System for Conversational Roleplay Applications

With recent advances in automatic speech recognition (ASR), large language models (LLMs), and text-to-speech (TTS) technologies, spoken dialogue systems (SDS) have become widely accessible. However, most existing SDS are limited to conventional spoken responses. We present SingingSDS, a cascaded SDS that responds through singing rather than speaking, fostering more affective, memorable, and pleasurable interactions in character-based roleplay and interactive entertainment scenarios. SingingSDS employs a modular ASR-LLM-SVS pipeline and supports a wide range of configurations across character personas, ASR and LLM backends, SVS models, melody sources, and voice profiles, tailored to different needs in terms of latency, quality, and musical style. SingingSDS is available as a plug-and-play web demo, featuring modular, open-source code that supports customization and extension. Demo: https://huggingface.co/spaces/espnet/SingingSDS. Code: https://github.com/SingingSDS/SingingSDS.

cs.SD↗

arXiv2025

CartoonSing: Unifying Human and Nonhuman Timbres in Singing Generation

Singing voice synthesis (SVS) and singing voice conversion (SVC) have achieved remarkable progress in generating natural-sounding human singing. However, existing systems are restricted to human timbres and have limited ability to synthesize voices outside the human range, which are increasingly demanded in creative applications such as video games, movies, and virtual characters. We introduce Non-Human Singing Generation (NHSG), covering non-human singing voice synthesis (NHSVS) and non-human singing voice conversion (NHSVC), as a novel machine learning task for generating musically coherent singing with non-human timbral characteristics. NHSG is particularly challenging due to the scarcity of non-human singing data, the lack of symbolic alignment, and the wide timbral gap between human and non-human voices. To address these challenges, we propose CartoonSing, a unified framework that integrates singing voice synthesis and conversion while bridging human and non-human singing generation. CartoonSing employs a two-stage pipeline: a score representation encoder trained with annotated human singing and a timbre-aware vocoder that reconstructs waveforms for both human and non-human audio. Experiments demonstrate that CartoonSing successfully generates non-human singing voices, generalizes to novel timbres, and extends conventional SVS and SVC toward creative, non-human singing generation.

cs.SD↗

arXiv2025

SingMOS-Pro: An Comprehensive Benchmark for Singing Quality Assessment

Singing voice generation progresses rapidly, yet evaluating singing quality remains a critical challenge. Human subjective assessment, typically in the form of listening tests, is costly and time consuming, while existing objective metrics capture only limited perceptual aspects. In this work, we introduce SingMOS-Pro, a dataset for automatic singing quality assessment. Building on our preview version SingMOS, which provides only overall ratings, SingMOS-Pro extends the annotations of the additional data to include lyrics, melody, and overall quality, offering broader coverage and greater diversity. The dataset contains 7,981 singing clips generated by 41 models across 12 datasets, spanning from early systems to recent state-of-the-art approaches. Each clip is rated by at least five experienced annotators to ensure reliability and consistency. Furthermore, we investigate strategies for effectively utilizing MOS data annotated under heterogeneous standards and benchmark several widely used evaluation methods from related tasks on SingMOS-Pro, establishing strong baselines and practical references for future research. The dataset is publicly available at https://huggingface.co/datasets/TangRain/SingMOS-Pro.

cs.SD↗

arXiv2024

VERSA: A Versatile Evaluation Toolkit for Speech, Audio, and Music

In this work, we introduce VERSA, a unified and standardized evaluation toolkit designed for various speech, audio, and music signals. The toolkit features a Pythonic interface with flexible configuration and dependency control, making it user-friendly and efficient. With full installation, VERSA offers 65 metrics with 729 metric variations based on different configurations. These metrics encompass evaluations utilizing diverse external resources, including matching and non-matching reference audio, text transcriptions, and text captions. As a lightweight yet comprehensive toolkit, VERSA is versatile to support the evaluation of a wide range of downstream scenarios. To demonstrate its capabilities, this work highlights example use cases for VERSA, including audio coding, speech synthesis, speech enhancement, singing synthesis, and music generation. The toolkit is available at https://github.com/wavlab-speech/versa.

cs.SD↗

arXiv2024

Dynamic-SUPERB Phase-2: A Collaboratively Expanding Benchmark for Measuring the Capabilities of Spoken Language Models with 180 Tasks

Multimodal foundation models, such as Gemini and ChatGPT, have revolutionized human-machine interactions by seamlessly integrating various forms of data. Developing a universal spoken language model that comprehends a wide range of natural language instructions is critical for bridging communication gaps and facilitating more intuitive interactions. However, the absence of a comprehensive evaluation benchmark poses a significant challenge. We present Dynamic-SUPERB Phase-2, an open and evolving benchmark for the comprehensive evaluation of instruction-based universal speech models. Building upon the first generation, this second version incorporates 125 new tasks contributed collaboratively by the global research community, expanding the benchmark to a total of 180 tasks, making it the largest benchmark for speech and audio evaluation. While the first generation of Dynamic-SUPERB was limited to classification tasks, Dynamic-SUPERB Phase-2 broadens its evaluation capabilities by introducing a wide array of novel and diverse tasks, including regression and sequence generation, across speech, music, and environmental audio. Evaluation results show that no model performed well universally. SALMONN-13B excelled in English ASR and Qwen2-Audio-7B-Instruct showed high accuracy in emotion recognition, but current models still require further innovations to handle a broader range of tasks. We open-source all task data and the evaluation pipeline at https://github.com/dynamic-superb/dynamic-superb.

cs.CL↗

arXiv2024

ESPnet-Codec: Comprehensive Training and Evaluation of Neural Codecs for Audio, Music, and Speech

Neural codecs have become crucial to recent speech and audio generation research. In addition to signal compression capabilities, discrete codecs have also been found to enhance downstream training efficiency and compatibility with autoregressive language models. However, as extensive downstream applications are investigated, challenges have arisen in ensuring fair comparisons across diverse applications. To address these issues, we present a new open-source platform ESPnet-Codec, which is built on ESPnet and focuses on neural codec training and evaluation. ESPnet-Codec offers various recipes in audio, music, and speech for training and evaluation using several widely adopted codec models. Together with ESPnet-Codec, we present VERSA, a standalone evaluation toolkit, which provides a comprehensive evaluation of codec performance over 20 audio evaluation metrics. Notably, we demonstrate that ESPnet-Codec can be integrated into six ESPnet tasks, supporting diverse applications.

eess.AS↗

arXiv2024

Muskits-ESPnet: A Comprehensive Toolkit for Singing Voice Synthesis in New Paradigm

This research presents Muskits-ESPnet, a versatile toolkit that introduces new paradigms to Singing Voice Synthesis (SVS) through the application of pretrained audio models in both continuous and discrete approaches. Specifically, we explore discrete representations derived from SSL models and audio codecs and offer significant advantages in versatility and intelligence, supporting multi-format inputs and adaptable data processing workflows for various SVS models. The toolkit features automatic music score error detection and correction, as well as a perception auto-evaluation module to imitate human subjective evaluating scores. Muskits-ESPnet is available at \url{https://github.com/espnet/espnet}.

cs.SD↗

arXiv2024

SingMOS: An extensive Open-Source Singing Voice Dataset for MOS Prediction

In speech generation tasks, human subjective ratings, usually referred to as the opinion score, are considered the "gold standard" for speech quality evaluation, with the mean opinion score (MOS) serving as the primary evaluation metric. Due to the high cost of human annotation, several MOS prediction systems have emerged in the speech domain, demonstrating good performance. These MOS prediction models are trained using annotations from previous speech-related challenges. However, compared to the speech domain, the singing domain faces data scarcity and stricter copyright protections, leading to a lack of high-quality MOS-annotated datasets for singing. To address this, we propose SingMOS, a high-quality and diverse MOS dataset for singing, covering a range of Chinese and Japanese datasets. These synthesized vocals are generated using state-of-the-art models in singing synthesis, conversion, or resynthesis tasks and are rated by professional annotators alongside real vocals. Data analysis demonstrates the diversity and reliability of our dataset. Additionally, we conduct further exploration on SingMOS, providing insights for singing MOS prediction and guidance for the continued expansion of SingMOS.

cs.SD↗

arXiv2024

VISinger2+: End-to-End Singing Voice Synthesis Augmented by Self-Supervised Learning Representation

Singing Voice Synthesis (SVS) has witnessed significant advancements with the advent of deep learning techniques. However, a significant challenge in SVS is the scarcity of labeled singing voice data, which limits the effectiveness of supervised learning methods. In response to this challenge, this paper introduces a novel approach to enhance the quality of SVS by leveraging unlabeled data from pre-trained self-supervised learning models. Building upon the existing VISinger2 framework, this study integrates additional spectral feature information into the system to enhance its performance. The integration aims to harness the rich acoustic features from the pre-trained models, thereby enriching the synthesis and yielding a more natural and expressive singing voice. Experimental results in various corpora demonstrate the efficacy of this approach in improving the overall quality of synthesized singing voices in both objective and subjective metrics.

cs.SD↗

arXiv2024

SingOMD: Singing Oriented Multi-resolution Discrete Representation Construction from Speech Models

Discrete representation has shown advantages in speech generation tasks, wherein discrete tokens are derived by discretizing hidden features from self-supervised learning (SSL) pre-trained models. However, the direct application of speech SSL models to singing generation encounters domain gaps between speech and singing. Furthermore, singing generation necessitates a more refined representation than typical speech. To address these challenges, we introduce SingOMD, a novel method to extract singing-oriented multi-resolution discrete representations from speech SSL models. Specifically, we first adapt the features from speech SSL through a resynthesis task and incorporate multi-resolution modules based on resampling to better serve singing generation. These adapted multi-resolution features are then discretized via clustering. Extensive experiments demonstrate the robustness, efficiency, and effectiveness of these representations in singing vocoders and singing voice synthesis.

cs.SD↗

arXiv2024

TokSing: Singing Voice Synthesis based on Discrete Tokens

Recent advancements in speech synthesis witness significant benefits by leveraging discrete tokens extracted from self-supervised learning (SSL) models. Discrete tokens offer higher storage efficiency and greater operability in intermediate representations compared to traditional continuous Mel spectrograms. However, when it comes to singing voice synthesis(SVS), achieving higher levels of melody expression poses a great challenge for utilizing discrete tokens. In this paper, we introduce TokSing, a discrete-based SVS system equipped with a token formulator that offers flexible token blendings. We observe a melody degradation during discretization, prompting us to integrate a melody signal with the discrete token and incorporate a specially-designed melody enhancement strategy in the musical encoder. Extensive experiments demonstrate that our TokSing achieves better performance against the Mel spectrogram baselines while offering advantages in intermediate representation space cost and convergence speed.

cs.SD↗

arXiv2024

The Interspeech 2024 Challenge on Speech Processing Using Discrete Units

Representing speech and audio signals in discrete units has become a compelling alternative to traditional high-dimensional feature vectors. Numerous studies have highlighted the efficacy of discrete units in various applications such as speech compression and restoration, speech recognition, and speech generation. To foster exploration in this domain, we introduce the Interspeech 2024 Challenge, which focuses on new speech processing benchmarks using discrete units. It encompasses three pivotal tasks, namely multilingual automatic speech recognition, text-to-speech, and singing voice synthesis, and aims to assess the potential applicability of discrete units in these tasks. This paper outlines the challenge designs and baseline descriptions. We also collate baseline and selected submission systems, along with preliminary findings, offering valuable contributions to future research in this evolving field.

cs.SD↗

arXiv2024

CtrSVDD: A Benchmark Dataset and Baseline Analysis for Controlled Singing Voice Deepfake Detection

Recent singing voice synthesis and conversion advancements necessitate robust singing voice deepfake detection (SVDD) models. Current SVDD datasets face challenges due to limited controllability, diversity in deepfake methods, and licensing restrictions. Addressing these gaps, we introduce CtrSVDD, a large-scale, diverse collection of bonafide and deepfake singing vocals. These vocals are synthesized using state-of-the-art methods from publicly accessible singing voice datasets. CtrSVDD includes 47.64 hours of bonafide and 260.34 hours of deepfake singing vocals, spanning 14 deepfake methods and involving 164 singer identities. We also present a baseline system with flexible front-end features, evaluated against a structured train/dev/eval split. The experiments show the importance of feature selection and highlight a need for generalization towards deepfake methods that deviate further from training distribution. The CtrSVDD dataset and baselines are publicly accessible.

eess.AS↗

arXiv2024

SVDD Challenge 2024: A Singing Voice Deepfake Detection Challenge Evaluation Plan

The rapid advancement of AI-generated singing voices, which now closely mimic natural human singing and align seamlessly with musical scores, has led to heightened concerns for artists and the music industry. Unlike spoken voice, singing voice presents unique challenges due to its musical nature and the presence of strong background music, making singing voice deepfake detection (SVDD) a specialized field requiring focused attention. To promote SVDD research, we recently proposed the "SVDD Challenge," the very first research challenge focusing on SVDD for lab-controlled and in-the-wild bonafide and deepfake singing voice recordings. The challenge will be held in conjunction with the 2024 IEEE Spoken Language Technology Workshop (SLT 2024).

eess.AS↗

arXiv2024

Singing Voice Data Scaling-up: An Introduction to ACE-Opencpop and ACE-KiSing

In singing voice synthesis (SVS), generating singing voices from musical scores faces challenges due to limited data availability. This study proposes a unique strategy to address the data scarcity in SVS. We employ an existing singing voice synthesizer for data augmentation, complemented by detailed manual tuning, an approach not previously explored in data curation, to reduce instances of unnatural voice synthesis. This innovative method has led to the creation of two expansive singing voice datasets, ACE-Opencpop and ACE-KiSing, which are instrumental for large-scale, multi-singer voice synthesis. Through thorough experimentation, we establish that these datasets not only serve as new benchmarks for SVS but also enhance SVS performance on other singing voice datasets when used as supplementary resources. The corpora, pre-trained models, and their related training recipes are publicly available at ESPnet-Muskits (\url{https://github.com/espnet/espnet})

cs.SD↗