arXiv subjects

Zhanhong He

Publications and source records attributed to Zhanhong He.

6 recordsLinked to original sources

arXiv2026

Beyond Piano: Cross-Instrument MIDI Velocity Estimation via Differentiable SoundFont Proxies

Many music datasets contain MIDI notes but lack reliable velocities, defaulting to a constant value. This absence is especially problematic outside the piano domain, as velocity is a core component for expressive rendering, music generation, and performance analysis. This paper studies cross-instrument MIDI velocity estimation in this label-scarce setting. Starting from a piano-trained velocity estimator, we recast target-instrument adaptation as predicting renderer-conditioned velocities whose rendering matches the dynamics of the performance audio. This adaptation can be driven by either differentiable synthesizers (Diff-Synth) or our proposed differentiable SoundFont proxies (Diff-SFProxy). We highlight the Diff-SFProxy: it supervises velocity through note-wise, loudness-related acoustic parameters rather than waveform reconstruction, focusing gradients on velocity-dependent behavior. Experiments on piano and guitar show that Diff-SFProxy is effective for cross-instrument MIDI velocity estimation, while waveform-domain Diff-Synth degrades performance.

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arXiv2026

Score-Informed Transformer for Refining MIDI Velocity in Automatic Music Transcription

MIDI velocity is crucial for capturing expressive dynamics in human performances. In practical scenarios, a music score with inaccurate velocities may be available alongside the performance audio (e.g., music education and free online archives), enabling the task of score-informed MIDI velocity estimation. In this work, we propose a modular, lightweight score-informed Transformer correction module that refines the velocity estimates of Automatic Music Transcription (AMT) systems. We integrate the proposed module into multiple AMT systems (HPT, HPPNet, and DynEst). Trained exclusively on the MAESTRO training split, our method consistently reduces velocity estimation errors on MAESTRO and improves cross-dataset generalization to SMD and MAPS datasets. Under this training protocol, integrating our score-informed module with HPT (named Score-HPT) establishes a new state-of-the-art performance, outperforms existing score-informed methods and velocity-enabled AMT systems while adding only 1 M parameters.

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arXiv2026

Joint Estimation of Piano Dynamics and Metrical Structure with a Multi-task Multi-Scale Network

Estimating piano dynamic from audio recordings is a fundamental challenge in computational music analysis. In this paper, we propose an efficient multi-task network that jointly predicts dynamic levels, change points, beats, and downbeats from a shared latent representation. These four targets form the metrical structure of dynamics in the music score. Inspired by recent vocal dynamic research, we use a multi-scale network as the backbone, which takes Bark-scale specific loudness as the input feature. Compared to log-Mel as input, this reduces model size from 14.7 M to 0.5 M, enabling long sequential input. We use a 60-second audio length in audio segmentation, which doubled the length of beat tracking commonly used. Evaluated on the public MazurkaBL dataset, our model achieves state-of-the-art results across all tasks. This work sets a new benchmark for piano dynamic estimation and delivers a powerful and compact tool, paving the way for large-scale, resource-efficient analysis of musical expression.

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arXiv2025

Filling MIDI Velocity using U-Net Image Colorizer

Modern music producers commonly use MIDI (Musical Instrument Digital Interface) to store their musical compositions. However, MIDI files created with digital software may lack the expressive characteristics of human performances, essentially leaving the velocity parameter - a control for note loudness - undefined, which defaults to a flat value. The task of filling MIDI velocity is termed MIDI velocity prediction, which uses regression models to enhance music expressiveness by adjusting only this parameter. In this paper, we introduce the U-Net, a widely adopted architecture in image colorization, to this task. By conceptualizing MIDI data as images, we adopt window attention and develop a custom loss function to address the sparsity of MIDI-converted images. Current dataset availability restricts our experiments to piano data. Evaluated on the MAESTRO v3 and SMD datasets, our proposed method for filling MIDI velocity outperforms previous approaches in both quantitative metrics and qualitative listening tests.

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arXiv2025

Music Tempo Estimation on Solo Instrumental Performance

Recently, automatic music transcription has made it possible to convert musical audio into accurate MIDI. However, the resulting MIDI lacks music notations such as tempo, which hinders its conversion into sheet music. In this paper, we investigate state-of-the-art tempo estimation techniques and evaluate their performance on solo instrumental music. These include temporal convolutional network (TCN) and recurrent neural network (RNN) models that are pretrained on massive of mixed vocals and instrumental music, as well as TCN models trained specifically with solo instrumental performances. Through evaluations on drum, guitar, and classical piano datasets, our TCN models with the new training scheme achieved the best performance. Our newly trained TCN model increases the Acc1 metric by 38.6% for guitar tempo estimation, compared to the pretrained TCN model with an Acc1 of 61.1%. Although our trained TCN model is twice as accurate as the pretrained TCN model in estimating classical piano tempo, its Acc1 is only 50.9%. To improve the performance of deep learning models, we investigate their combinations with various post-processing methods. These post-processing techniques effectively enhance the performance of deep learning models when they struggle to estimate the tempo of specific instruments.

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arXiv2022

End-to-End Lyrics Recognition with Self-supervised Learning

Lyrics recognition is an important task in music processing. Despite traditional algorithms such as the hybrid HMM- TDNN model achieving good performance, studies on applying end-to-end models and self-supervised learning (SSL) are limited. In this paper, we first establish an end-to-end baseline for lyrics recognition and then explore the performance of SSL models on lyrics recognition task. We evaluate a variety of upstream SSL models with different training methods (masked reconstruction, masked prediction, autoregressive reconstruction, and contrastive learning). Our end-to-end self-supervised models, evaluated on the DAMP music dataset, outperform the previous state-of-the-art (SOTA) system by 5.23% for the dev set and 2.4% for the test set even without a language model trained by a large corpus. Moreover, we investigate the effect of background music on the performance of self-supervised learning models and conclude that the SSL models cannot extract features efficiently in the presence of background music. Finally, we study the out-of-domain generalization ability of the SSL features considering that those models were not trained on music datasets.

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