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Evoking Harmony via Convolution

I show how to evoke the pitch-class content of a chord from an arbitrary source sound by convolving the source with an impulse response whose grains are one windowed sinusoid per pitch-class, across each octave of hearing range; while, at the same time, minimizing artifacts. A Csound user-defined opcode, chord_convolver, mixes a dry Dirac component into that response, and applies partitioned convolution once. I contrast the effect with a linear-frequency comb filter and with a generic constant-Q resonator bank, and I demonstrate musical use on a twilight field recording alongside the ruins of Chateau de Lagarde.

cs.SD

Variable-Length Audio Fingerprinting

Audio fingerprinting converts audio to much lower-dimensional representations, allowing distorted recordings to still be recognized as their originals through similar fingerprints. Existing deep learning approaches rigidly fingerprint fixed-length audio segments, thereby neglecting temporal dynamics during segmentation. To address limitations due to this rigidity, we propose Variable-Length Audio FingerPrinting (VLAFP), a novel method that supports variable-length fingerprinting. To the best of our knowledge, VLAFP is the first deep audio fingerprinting model capable of processing audio of variable length, for both training and testing. Our experiments show that VLAFP outperforms existing state-of-the-arts in live audio identification and audio retrieval across three real-world datasets.

cs.SD

MuSP-Bench: Advanced Multimodal Benchmarking of Music Understanding across Score and Performance

Musicians commonly communicate music through scores and performances. Scores encode musical intent, while performances realize it in sound. To investigate whether models can meaningfully engage with both modalities, we introduce MuSP-Bench, a human-authored benchmark of 490 questions targeting understanding across Musical Scores and Performances. The benchmark distinguishes itself by spanning score-based, performance-based, interpretive, and long-horizon reasoning across classical piano and orchestral works. We evaluate frontier multimodal large language models under multiple input conditions. Our results show that these models struggle substantially to understand scores, while facing even greater challenges when reasoning about performance audio. The benchmark is available at https://musp.vaclis.net/.

cs.MM

Low-Power End-to-End Cochlear Implant Speech Denoising with Spiking Neural Networks

Cochlear implants (CI) restore hearing for individuals with severe to profound hearing loss. However, CI users often struggle to understand speech in noisy environments. Deep neural networks (DNN) have shown promise in enhancing speech for CI users, yet their high energy demands make them non-ideal for low-power CI processors. Spiking neural networks (SNN), on the other hand, offer comparable performance with significantly lower energy consumption. Hence, we propose a novel SNN inspired by the Deep ACE architecture that simultaneously performs speech enhancement and CI coding. Our model achieves competitive vocoded short-time objective intelligibility (VSTOI) and signal-to-noise ratio improvement (SNRi) scores compared to Deep ACE, while achieving more than a sixfold reduction in energy consumption.

cs.SD

Ouroboros: Self-Referential Backdoor Attacks on Speech Enhancement via Clean Audio Triggers

Speech enhancement models are widely deployed as frontend modules in real-time speech services, yet their vulnerability to backdoor attacks remains unexplored. Existing backdoor methods are confined to classification tasks and rely on active trigger injection, an assumption incompatible with the passive processing nature of speech enhancement models. In this paper, we propose Ouroboros, a novel backdoor attack framework that leverages the ideal clean outputs of speech enhancement models as natural triggers, enabling inference-time activation without any external trigger injection. Extensive evaluations show Ouroboros achieves near-perfect attack success rates with minimal performance degradation on diverse models and datasets. Physical-world validations confirm that naturally recorded, unaltered clean audio can reliably activate the backdoor. Moreover, Ouroboros generalizes to targeted content-tampering attacks and remains effective against common filtering and finetuning defenses.

cs.SD

Neural Multichannel Distant Speaker Diarization and Source Separation with Beta Speaker Activity Prior

Distant speaker diarization remains challenging due to adverse acoustic conditions, varying numbers of speakers and overlapping speech. While data-driven approaches have shown strong performance, model-driven methods offer a compelling alternative by leveraging spatial information from multichannel recordings. This paper is motivated to propose a Bayesian diarization model for a model-driven method called neural FCASA to enhance its robustness. Specifically, we propose a beta prior over speaker activity and hence a variational lower bound objective that can be seen as a regularized continuous speaker activity score in place of the original cross-entropy loss to train the diarization model. Our experiments show significant improvements in terms of Diarization Error Rate by at least 3% (16% relatively) and Jaccard Error Rate by at least 4% (20% relatively) on the AMI dataset compared to the baseline.

cs.SD

DiffAnon: Diffusion-based Prosody Control for Voice Anonymization

To preserve or not to preserve prosody is a central question in voice anonymization. Prosody conveys meaning and affect, yet is tightly coupled with speaker identity. Existing methods either discard prosody for privacy or lack a principled mechanism to control the utility-privacy trade-off, operating at fixed design points. We propose DiffAnon, a diffusion-based anonymization method with classifier-free guidance (CFG) that provides explicit, continuous inference-time control over prosody preservation. DiffAnon refines acoustic detail over semantic embeddings of an RVQ codec, enabling smooth interpolation between anonymization strength and prosodic fidelity within a single model. To the best of our knowledge, it is the first voice anonymization framework to provide structured, interpolatable inference-time prosody control. Experiments demonstrate structured trade-off behavior, achieving strong utility while maintaining competitive privacy across controllable operating points.

eess.AS

Arctic Dispersion Interruption Phenomenon and Sound Source Depth Estimation

The sound speed profile in the deep Arctic Ocean causes the surface layer to form a normal mode waveguide. When the depth of the sound source or receiver is near a node of the eigenfunction, the source cannot excite the mode, or the receiver cannot detect it, resulting in the modal amplitude at the receiver being approximately zero. This manifests as a dispersion interruption in the dispersion structure, which can be observed through time-frequency analysis of the received acoustic signal. Based on the interruption frequency identified from the received signal, combined with the relationship between node depth and modal frequency calculated from the ocean sound speed profile, the source depth can be estimated if the receiver depth is known. The phenomenon of dispersion interruption and the method of estimating source depth have been validated through simulations and experiments.

physics.app-ph

Klangfarbenakkord and Klangfarbenharmonien Metric Space Models for Music on Informational Geometry 1

This paper deals with the introduction of "geometric harmony", a discipline that explicitly addresses the spectral characteristics of musical gamut. The framework of Western music, from Renaissance to the present, represents sound in terms of "pitch"-as is evident from its five-line staff notation system-and employs the fundamental frequency as its representative value, 440 Hz, etc. In this paper, by taking the timbres of specific individual instruments as elements and examining the Wasserstein distance between two voices, and Wasserstein deviations between three or more voices, we demonstrate that it is possible to expand the system whilst retaining the entire framework of conventional music theory. At the same time, as an example of practical utility in ensemble playing, we provide a detailed account of the two-voices affinity of the "Throat G" on clarinet, a note known for its fragility in ensemble contexts.

cs.SD

FastSLM: Hierarchical Temporal Abstraction for Efficient Long-Form Speech Adaptation

Scaling Multimodal Large Language Models (MLLMs) to long-form speech is bottlenecked by the explosive growth of input tokens. Existing speech-language models project high-frame-rate acoustic features directly into the LLM input space, making long-context processing computationally prohibitive. Unlike images or videos, speech lacks spatial redundancy, making extreme token compression particularly challenging. To address this limitation, we propose FastSLM, a token-efficient architecture featuring the Hierarchical Temporal Abstractor (HTA), which progressively distills acoustic features across multiple temporal scales. HTA achieves an extreme compression rate of 1.67 tokens per second (97% reduction) while preserving essential linguistic information for downstream speech-language understanding. Experimental results demonstrate that FastSLM achieves competitive performance across diverse speech-language tasks while requiring substantially fewer speech tokens and FLOPs than existing speech-language models. The source code and model checkpoints are available at https://github.com/Lee-junseok1025/FastSLM.

eess.AS

A Shaky Voice Is Not Always a Dodge: Benchmarking Textual and Vocal Evasion Detection in Earnings Calls

Existing approaches to evasion detection in earnings calls focus on textual transcripts, treating evasion as a single-dimensional phenomenon. We argue that evasion in spoken communication is inherently multidimensional: beyond what executives say, how they say it carries independent and complementary information. To study these dimensions jointly, we introduce DualEvasion, a benchmark for evasion detection across text and audio in earnings call Q&A. The benchmark contains 505 annotated question-answer pairs from 60 earnings calls, each with two independent labels: textual evasion (direct vs. evasive) and vocal cues operationalized as speaker confidence (confident vs. unconfident). Our experiments show that state-of-the-art multimodal models struggle to detect vocal confidence, particularly on unconfident responses. Our analysis suggests these models interpret acoustic cues in isolation rather than relative to each speaker's baseline. Providing speaker-level references yields modest improvements, but a substantial gap with human performance remains.

cs.CL

Parallel Time-Band Mixing with Learned Observation-Adding for Robust ASR Front-Ends

Speech enhancement is often used as a front-end for robust ASR, yet recurrent temporal and cross-band modules introduce sequential dependencies that reduce parallel efficiency. In this paper, we present a sequence-parallel band-split enhancement front-end built on a Parallel Time-Band Mixer (PTBM) block that eliminates within-block recurrent unrolling. PTBM integrates intra-band temporal mixing and per-frame cross-band attention within a unified parallel architecture, enabling efficient contextual modeling across both time and frequency dimensions. The system retains the mask-plus-residual reconstruction interface and introduces learned Observation-Adding (LOA) to suppress ASR-sensitive artifacts without development-set tuning. Experiments on DNS Challenge and CHiME-4 with frozen Whisper back-ends show that the proposed front-end consistently reduces word error rate relative to recurrent band-split baselines while requiring only 0.96 M parameters and 0.58 GMAC/s for the front-end network.

cs.SD

Hearing the Order: Investigating Position Bias in Large Audio-Language Models

Large audio-language models (LALMs) are often used in tasks that involve reasoning over ordered options. An open question is whether their predictions are influenced by the order of answer choices, which would indicate a form of position bias and undermine their reliability. In this paper, we identify and analyze this problem in LALMs. We demonstrate that no model is immune to this bias through extensive experiments on six LALMs across three widely used benchmarks and their spoken counterparts. Shuffling the order of answer options can cause performance fluctuations of up to 24% and even change model rankings, raising concerns about the reliability of current evaluation practices. We also study permutation-based strategies and show that they can mitigate bias in most cases. Our work represents the first systematic investigation of this issue in LALMs, and we hope it raises awareness and motivates further research in this direction.

cs.SD

Is Prosody Lost in Translation? Fine-Grained Cross-Lingual Prosody Similarity Across Languages

Prosody plays an important role in speech translation, conveying information such as emphasis, emotion, and intent beyond lexical content. However, despite recent progress in expressive speech-to-speech translation (S2ST), little is known about how prosodic patterns are similar/different across languages. Understanding these cross-lingual similarities and differences is crucial for effectively incorporating prosody into expressive S2ST systems. In this work, we present the first fine-grained cross-lingual analysis of prosody using multilingual dubbing data across English-German, English-Spanish, and English-French language pairs. We analyze the similarity of pitch, energy, and temporal feature patterns between source and target speech and investigate the linguistic and alignment-related factors affecting this similarity. Our analysis reveals inherent cross-lingual correlations in prosodic structure between certain languages. The findings provide important insights into the transferability of prosody across languages and offer empirical guidance for future expressive speech-to-speech translation systems.

cs.SD

VIBE: Video Instruction-aligned Background music gEneration

Current video-to-music (V2M) models lack semantic control and fail to penalize instruction violations, largely due to their reliance on reconstruction objectives and the representational bottleneck of static cross-modal conditioning in Diffusion Autoregressive (DAR) architectures. To resolve this, we introduce VIBE, a novel text-and-video-to-music (T+V2M) generation model that leverages: (1) Conditioning Connection, a depth-wise cross-layer conditioning mechanism that dynamically bridges the planning and diffusion refinement heads and (2) a comprehensive reward modeling taxonomy, optimizing for both hard, verifiable constraints (e.g., tempo, key) and soft, subjective qualities (e.g., musicality, multimodal alignment) with a structured 5-stage training curriculum. Upon evaluation using audio-visual alignment, instruction following, and audio quality metrics, along with a subjective human evaluation study, we observe that VIBE demonstrates enhanced controllability and instruction adherence while performing comparably to most evaluated baselines on generation fidelity and multimodal alignment.

cs.SD

Perceptually Better, Semantically Worse: Measuring Speech Enhancement Impact on LLM-Based Voice Systems

Speech enhancement (SE) is commonly applied as a preprocessing step in spoken AI pipelines under the assumption that better audio quality improves downstream task performance. Whether SE-induced distortions propagate to downstream LLM task performance remains an open question. We introduce Output Divergence Rate (ODR), which measures how often SE changes an LLM's intent classification relative to clean speech, and benchmark five conditions on 2,974 SLURP clips using Whisper large-v3 and wav2vec2-large cascades. Every condition produces ODR significantly above zero ($p < 0.001$, binomial test). MetricGAN{+} more than doubles ODR versus unenhanced noisy speech (0.318 vs. 0.135) despite improving PESQ, and unmitigated echo reaches an ODR of 0.836 through speaker substitution, a failure WER cannot capture. Audio quality metrics range from near-zero to moderate correlation with ODR (SQUIM-MOS $ρ=-0.068$, PESQ $ρ=-0.467$). The MetricGAN{+} and echo results replicate across ASR architectures, indicating that standard audio quality metrics are insufficient for LLM pipeline quality.

cs.SD

MLAAD: The Multi-Language Audio Anti-Spoofing Dataset

This paper presents the Multi-Language Audio Anti-Spoofing Dataset (MLAAD), version 11: a dataset of synthetic audio to train and evaluate audio deepfake detection models. It features 205 Text-to-Speech (TTS) models, comprising a total of 1153.6 hours of synthetic voice in 54 different languages. To evaluate this dataset, we train three state-of-the-art deepfake detection models with MLAAD and observe that it demonstrates superior performance to comparable datasets like InTheWild and FakeOrReal when used as a training resource. Moreover, compared to the renowned ASVspoof 2019 dataset, MLAAD proves to be a complementary resource. In tests across eight datasets, MLAAD and ASVspoof 2019 alternately outperformed each other, each excelling on four datasets. By publishing the dataset and making a trained model accessible via an interactive webserver, we aim to democratize anti-spoofing technology, making it accessible beyond the realm of specialists, and contributing to global efforts against audio spoofing and deepfakes.

cs.SD

Evaluating Loss Functions in Differentiable Out-of-Domain Sound-Matching with Partial Parameter Distance

In out-of-domain (OOD) sound-matching, a synthesizer is optimized to mimic a sound it did not generate. OOD evaluation of loss functions is underexplored in part because the standard "parameter loss" metric requires a shared parameter space between target and imitator, which OOD settings lack. We introduce Partial Parameter Distance (PPD), which applies parameter loss only to the critical parameters that mismatched synthesizers share (e.g., filter cutoffs), enabling automatically evaluated OOD experiments; we verify its results with blinded listening tests. Across seven scenarios involving band-pass filtering, amplitude modulation, and pitch-bending, we evaluate four differentiable loss functions (SIMSE_Spec, L1_Spec, JTFS, DTW_Envelope). Loss-function effectiveness remains tightly coupled to the method of synthesis: SIMSE_Spec excels at filter-cutoff recovery, DTW_Envelope at amplitude-modulation recovery, and JTFS at smooth pitch trajectories. Parameter-based evaluation agrees with listening tests on the top-ranked loss function in five of seven scenarios, demonstrating its utility as a diagnostic tool.

cs.SD