Analysis of gesture-sound decorrelation in electronic drumming

Abstract

Drumming belongs to a family of musical instruments whose practice, whether as an amateur or at a high level, is associated with an increased risk of musculoskeletal disorders (MSD), particularly of the upper limbs and lumbar spine. The vast majority of drummers learn to play on acoustic instruments, the sound intensity of which is proportional to the striking force developed. This correlation is disrupted when playing the electronic version of the instrument, which is often purchased by musicians seeking to reduce the sound produced (e.g. playing in apartments). The aim of this study was therefore to analyze whether drumming on electronic equipment would lead to a change in the kinematics and feel of drummers. To this end, several drummers were recruited to perform repeated rhythms at different pitches on acoustic and electric drums under two sound conditions (sound on and sound off with noise-canceling headphones). The sound produced and the kinematics of the upper limbs were measured by video motion capture during the beats. In addition, self-confrontation interviews were conducted after each condition. The drummers, confronted with video recordings of their actions, were asked to describe, explain and comment step by step on their performance. These interviews were also used to assess their ability to maintain a constant strike force. A questionnaire was used to obtain subjective information on how they felt. The results showed a lower sound power of electronic drums, despite a similar striking speed. This gesture-sound decorrelation could explain the increase in MSD among drummers when switching from an acoustic to an electronic instrument.