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arXiv · 2608.17114

Automatic Transcription of Microtonal Free-Rhythm Vocal Music: A Case Study in Iranian Classical Music

Sepideh Shafiei·Shapour Hakam·Harsh Dange·Joel Rodriguez Caraballo
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Abstract

This paper introduces a computational workflow for automatically transcribing microtonal, free-rhythm vocal music, with Iranian classical music as a case study. Our approach is based on performances by the renowned vocalist Karimi and ground truth transcriptions by the prominent ethnomusicologist Masoudieh [14], which were subsequently incorporated into the IRMA Audio-MIDI dataset [20]. To accurately extract melodies, we employ pitch histograms in conjunction with Dynamic Time Warping (DTW). Additionally, we introduce specialized musical notations to capture the intricate ornamentations characteristic of the genre, with particular emphasis on the vocal technique tahrir. The transcription process is implemented in Python using the music21 library for symbolic music representation [5]. This study not only advances the field of computational ethnomusicology but also highlights the potential of computational methods in preserving and analyzing complex musical traditions. The transcription system also generates a combined visualization of the audio pitch contour and the DTW-aligned MIDI representation, enabling users to inspect the correspondence between the performance and the generated transcription. A companion visual editor supports expert-in-the-loop correction of the resulting notation.

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Sepideh Shafiei, Shapour Hakam, Harsh Dange, Joel Rodriguez Caraballo. 2026-08-17. Automatic Transcription of Microtonal Free-Rhythm Vocal Music: A Case Study in Iranian Classical Music. https://arxiv.org/abs/2608.17114

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