Searcharxiv⌕ Search

arXiv · 2609.35416

When Should the Count Change? Learning State Maintenance for Causal Video Counting

Abstract

Continuous video counting requires distinguishing new observations from new objects or completed events. We introduce StaMina (State Maintenance), which learns to maintain counting state through state-conditioned updates. Recurrent visual context supports recognition; learned transitions maintain visibility, persistent identities, and completed-event records. A differentiable recurrence trains event transitions over legal paths constrained by count endpoints; visibility and association objectives train the object branch. A multi-source pipeline organizes 39.8K spatial queries and complementary event annotations into counting trajectories. On SVCBench, we evaluate counting adaptation with partial video overlap and held-out groups of linked annotations. Under prefix replay (Full) and persistent streaming (Stream), 4B and 8B models reach 41.9/36.4 and 44.9/38.2 Gaussian Precision Accuracy, respectively. The 8B model gains 10.9/3.2 points over Counting-SFT on the same queries. Matched-graph comparisons isolate phase conditioning and trajectory supervision, assessing training objectives alongside hard decisions. Online video benchmarks and count-conditioned decisions assess online understanding and task eligibility. Project Page: https://PLACEHOLDER.github.io/StaMina/

Explore related subjects

Keep this discovery

Explore connections, maps & timelines

BibTeXRIS

Pengyiang Liu, Dongyue Lyu, Junbo Niu, Zhongyue Shi, Jiahao Xie, Si Liu. 2026-09-28. When Should the Count Change? Learning State Maintenance for Causal Video Counting. https://arxiv.org/abs/2609.35416

Cite the original work for its findings. Save a collection to share your selection of sources.

KEEP EXPLORING

Related papers

Event-based Scene Synthesis via Inter-Frame Residual Alignment

Event-based scene synthesis reconstructs target RGB frames from sparse image observations and asynchronous event streams, encompassing both video frame prediction and interpolation. Existing event-based synthesis methods commonly estimate optical flow to warp the observed frames toward the target time, but are vulnerable to inaccurate flow under large motion and occlusion and often rely on flow supervision or pretrained estimators. In this work, we propose EvFRA, an Event-based scene synthesis framework based on inter-Frame Residual Alignment. We identify a structural correspondence between event measurements and frame-to-frame scene changes, and exploit this correspondence for target frame synthesis. Our training pipeline consists of two stages: 1) an Event-to-Residual Alignment Variational Autoencoder (ER-VAE) aligns the event frame captured between the anchor and target frames with the corresponding inter-frame residual, and 2) a ControlNet-conditioned diffusion model is fine-tuned to denoise the residual latent using event data. Our method outperforms state-of-the-art methods by up to 2.61 dB and 1.85 dB in PSNR for frame prediction and interpolation, respectively, with consistent SSIM improvements. Code is available at https://github.com/jiyun-kong/EvFRA.

cs.CV↗

From Concept Erasure to Style Purification: Contrastive Eigenbases for Artist Style Protection

Text-to-image diffusion models can reproduce specific artists visual styles at extremely low cost, raising copyright and deployment safety concerns about unauthorized style mimicry. Existing model-side protection methods generally follow ordinary concept erasure, emphasizing aggressive deletion or redirection of target styles. However, our causal intervention analysis shows that the central issue is not insufficient erasure strength, but a mismatch between artist styles and this paradigm: unlike ordinary object concepts, artist styles do not form compact, localized editable semantic units. Consequently, sparse editing and fixed retain lists struggle to suppress target styles while preserving generation utility. We therefore reformulate artist style protection as style purification, suppressing target style expression during inference while preserving the requested content and visual structure. We propose CAPE (Contrastive Artist Style Purification with Eigenbases), a training-free framework against artist style mimicry. CAPE constructs contrastive triplets around the target request and formulates style direction estimation as a generalized eigenvalue problem, capturing style-related directions that remain stable across content variations and are less affected by shared content. During inference, CAPE employs the Adaptive Suppression Controller to assign suppression strengths to different tokens based on Q, K, and V responses, and performs target style suppression on the K and V paths of self-attention. Experimental results show that CAPE effectively weakens target artist characteristics, including brushstrokes, textures, and local color processing, while better preserving major semantic entities, scene composition, and visual structures.

cs.CV↗

Evaluating Generative Models via One-Dimensional Code Distributions

Most evaluations of generative models rely on feature-distribution metrics such as FID, which operate on continuous recognition features that are explicitly trained to be invariant to appearance variations, and thus discard cues critical for perceptual quality. We instead evaluate models in the space of discrete visual tokens, where modern 1D image tokenizers compactly encode both semantic and perceptual information and quality manifests as predictable token statistics. We introduce Codebook Histogram Distance (CHD), a training-free distribution metric in token space, and Code Mixture Model Score (CMMS), a no-reference quality metric learned from synthetic degradations of token sequences. To stress-test metrics under broad distribution shifts, we further propose VisForm, a benchmark of 210K images spanning 62 visual forms and 12 generative models with expert annotations. Across AGIQA, HPDv2/3, and VisForm, our token-based metrics achieve state-of-the-art correlation with human judgments. We will release all code and datasets to facilitate future research, with the code publicly available at https://github.com/zexiJia/1d-Distance.

cs.CV↗