Searcharxiv⌕ Search

arXiv · 2609.36798

Seeing What Should Be Heard: Diagnosing and Repairing Cross-Modal Shortcuts in Omni-Modal LLMs

Abstract

Omni-modal large language models (LLMs) are expected to answer a question using the modality it explicitly refers to. However, existing training paradigms rarely verify whether models actually follow this modality, because multimodal inputs from the same sample often provide redundant evidence for the same answer. In this work, we uncover a pervasive cross-modal shortcut in omni-modal LLMs: when asked an audio-related question, models rely on the image as much as on the audio, and sometimes even more. To systematically diagnose this behavior, we introduce the Factorized Modality Diagnostic, which independently swaps audio and images between samples to isolate each modality's causal contribution. Across two model families in different settings, we find that this shortcut persists throughout supervised fine-tuning and reinforcement learning post-training, while judge-based RL may further amplify such reliance on irrelevant visual information. Based on this finding, we propose DMC-Repair, which trains models on the same kind of cross-modal swapped samples while assigning supervision according to the modality specified by the question. This prevents models from exploiting the spurious correspondence between modalities within the same clip. Experiments demonstrate that DMC-Repair reduces the image-induced share of the answer effect by 59.9%, effectively suppressing the cross-modal shortcut without compromising audio-question answering performance. The reduction in shortcut reliance generalizes across two model families and zero-shot to an unseen dataset and an unseen benchmark, and persists through subsequent post-training. Code is available at https://anonymous.4open.science/r/DMC-Repair.

Explore related subjects

Keep this discovery

Explore connections, maps & timelines

BibTeXRIS

Yueran Ma, Ronghao Lin. 2026-09-29. Seeing What Should Be Heard: Diagnosing and Repairing Cross-Modal Shortcuts in Omni-Modal LLMs. https://arxiv.org/abs/2609.36798

Cite the original work for its findings. Save a collection to share your selection of sources.

KEEP EXPLORING

Related papers

Event-based Scene Synthesis via Inter-Frame Residual Alignment

Event-based scene synthesis reconstructs target RGB frames from sparse image observations and asynchronous event streams, encompassing both video frame prediction and interpolation. Existing event-based synthesis methods commonly estimate optical flow to warp the observed frames toward the target time, but are vulnerable to inaccurate flow under large motion and occlusion and often rely on flow supervision or pretrained estimators. In this work, we propose EvFRA, an Event-based scene synthesis framework based on inter-Frame Residual Alignment. We identify a structural correspondence between event measurements and frame-to-frame scene changes, and exploit this correspondence for target frame synthesis. Our training pipeline consists of two stages: 1) an Event-to-Residual Alignment Variational Autoencoder (ER-VAE) aligns the event frame captured between the anchor and target frames with the corresponding inter-frame residual, and 2) a ControlNet-conditioned diffusion model is fine-tuned to denoise the residual latent using event data. Our method outperforms state-of-the-art methods by up to 2.61 dB and 1.85 dB in PSNR for frame prediction and interpolation, respectively, with consistent SSIM improvements. Code is available at https://github.com/jiyun-kong/EvFRA.

cs.CV↗

From Concept Erasure to Style Purification: Contrastive Eigenbases for Artist Style Protection

Text-to-image diffusion models can reproduce specific artists visual styles at extremely low cost, raising copyright and deployment safety concerns about unauthorized style mimicry. Existing model-side protection methods generally follow ordinary concept erasure, emphasizing aggressive deletion or redirection of target styles. However, our causal intervention analysis shows that the central issue is not insufficient erasure strength, but a mismatch between artist styles and this paradigm: unlike ordinary object concepts, artist styles do not form compact, localized editable semantic units. Consequently, sparse editing and fixed retain lists struggle to suppress target styles while preserving generation utility. We therefore reformulate artist style protection as style purification, suppressing target style expression during inference while preserving the requested content and visual structure. We propose CAPE (Contrastive Artist Style Purification with Eigenbases), a training-free framework against artist style mimicry. CAPE constructs contrastive triplets around the target request and formulates style direction estimation as a generalized eigenvalue problem, capturing style-related directions that remain stable across content variations and are less affected by shared content. During inference, CAPE employs the Adaptive Suppression Controller to assign suppression strengths to different tokens based on Q, K, and V responses, and performs target style suppression on the K and V paths of self-attention. Experimental results show that CAPE effectively weakens target artist characteristics, including brushstrokes, textures, and local color processing, while better preserving major semantic entities, scene composition, and visual structures.

cs.CV↗

Evaluating Generative Models via One-Dimensional Code Distributions

Most evaluations of generative models rely on feature-distribution metrics such as FID, which operate on continuous recognition features that are explicitly trained to be invariant to appearance variations, and thus discard cues critical for perceptual quality. We instead evaluate models in the space of discrete visual tokens, where modern 1D image tokenizers compactly encode both semantic and perceptual information and quality manifests as predictable token statistics. We introduce Codebook Histogram Distance (CHD), a training-free distribution metric in token space, and Code Mixture Model Score (CMMS), a no-reference quality metric learned from synthetic degradations of token sequences. To stress-test metrics under broad distribution shifts, we further propose VisForm, a benchmark of 210K images spanning 62 visual forms and 12 generative models with expert annotations. Across AGIQA, HPDv2/3, and VisForm, our token-based metrics achieve state-of-the-art correlation with human judgments. We will release all code and datasets to facilitate future research, with the code publicly available at https://github.com/zexiJia/1d-Distance.

cs.CV↗