arXiv subjects

A. Sophia Koepke

Publications and source records attributed to A. Sophia Koepke.

28 records · Page 2Linked to original sources

arXiv2022

Temporal and cross-modal attention for audio-visual zero-shot learning

Audio-visual generalised zero-shot learning for video classification requires understanding the relations between the audio and visual information in order to be able to recognise samples from novel, previously unseen classes at test time. The natural semantic and temporal alignment between audio and visual data in video data can be exploited to learn powerful representations that generalise to unseen classes at test time. We propose a multi-modal and Temporal Cross-attention Framework (\modelName) for audio-visual generalised zero-shot learning. Its inputs are temporally aligned audio and visual features that are obtained from pre-trained networks. Encouraging the framework to focus on cross-modal correspondence across time instead of self-attention within the modalities boosts the performance significantly. We show that our proposed framework that ingests temporal features yields state-of-the-art performance on the \ucf, \vgg, and \activity benchmarks for (generalised) zero-shot learning. Code for reproducing all results is available at \url{https://github.com/ExplainableML/TCAF-GZSL}.

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arXiv2022

CLEVR-X: A Visual Reasoning Dataset for Natural Language Explanations

Providing explanations in the context of Visual Question Answering (VQA) presents a fundamental problem in machine learning. To obtain detailed insights into the process of generating natural language explanations for VQA, we introduce the large-scale CLEVR-X dataset that extends the CLEVR dataset with natural language explanations. For each image-question pair in the CLEVR dataset, CLEVR-X contains multiple structured textual explanations which are derived from the original scene graphs. By construction, the CLEVR-X explanations are correct and describe the reasoning and visual information that is necessary to answer a given question. We conducted a user study to confirm that the ground-truth explanations in our proposed dataset are indeed complete and relevant. We present baseline results for generating natural language explanations in the context of VQA using two state-of-the-art frameworks on the CLEVR-X dataset. Furthermore, we provide a detailed analysis of the explanation generation quality for different question and answer types. Additionally, we study the influence of using different numbers of ground-truth explanations on the convergence of natural language generation (NLG) metrics. The CLEVR-X dataset is publicly available at \url{https://explainableml.github.io/CLEVR-X/}.

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arXiv2022

Audio-visual Generalised Zero-shot Learning with Cross-modal Attention and Language

Learning to classify video data from classes not included in the training data, i.e. video-based zero-shot learning, is challenging. We conjecture that the natural alignment between the audio and visual modalities in video data provides a rich training signal for learning discriminative multi-modal representations. Focusing on the relatively underexplored task of audio-visual zero-shot learning, we propose to learn multi-modal representations from audio-visual data using cross-modal attention and exploit textual label embeddings for transferring knowledge from seen classes to unseen classes. Taking this one step further, in our generalised audio-visual zero-shot learning setting, we include all the training classes in the test-time search space which act as distractors and increase the difficulty while making the setting more realistic. Due to the lack of a unified benchmark in this domain, we introduce a (generalised) zero-shot learning benchmark on three audio-visual datasets of varying sizes and difficulty, VGGSound, UCF, and ActivityNet, ensuring that the unseen test classes do not appear in the dataset used for supervised training of the backbone deep models. Comparing multiple relevant and recent methods, we demonstrate that our proposed AVCA model achieves state-of-the-art performance on all three datasets. Code and data are available at \url{https://github.com/ExplainableML/AVCA-GZSL}.

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arXiv2022

Audio Retrieval with Natural Language Queries: A Benchmark Study

The objectives of this work are cross-modal text-audio and audio-text retrieval, in which the goal is to retrieve the audio content from a pool of candidates that best matches a given written description and vice versa. Text-audio retrieval enables users to search large databases through an intuitive interface: they simply issue free-form natural language descriptions of the sound they would like to hear. To study the tasks of text-audio and audio-text retrieval, which have received limited attention in the existing literature, we introduce three challenging new benchmarks. We first construct text-audio and audio-text retrieval benchmarks from the AudioCaps and Clotho audio captioning datasets. Additionally, we introduce the SoundDescs benchmark, which consists of paired audio and natural language descriptions for a diverse collection of sounds that are complementary to those found in AudioCaps and Clotho. We employ these three benchmarks to establish baselines for cross-modal text-audio and audio-text retrieval, where we demonstrate the benefits of pre-training on diverse audio tasks. We hope that our benchmarks will inspire further research into audio retrieval with free-form text queries. Code, audio features for all datasets used, and the SoundDescs dataset are publicly available at https://github.com/akoepke/audio-retrieval-benchmark.

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arXiv2021

Audio Retrieval with Natural Language Queries

We consider the task of retrieving audio using free-form natural language queries. To study this problem, which has received limited attention in the existing literature, we introduce challenging new benchmarks for text-based audio retrieval using text annotations sourced from the Audiocaps and Clotho datasets. We then employ these benchmarks to establish baselines for cross-modal audio retrieval, where we demonstrate the benefits of pre-training on diverse audio tasks. We hope that our benchmarks will inspire further research into cross-modal text-based audio retrieval with free-form text queries.

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arXiv2021

Where and When: Space-Time Attention for Audio-Visual Explanations

Explaining the decision of a multi-modal decision-maker requires to determine the evidence from both modalities. Recent advances in XAI provide explanations for models trained on still images. However, when it comes to modeling multiple sensory modalities in a dynamic world, it remains underexplored how to demystify the mysterious dynamics of a complex multi-modal model. In this work, we take a crucial step forward and explore learnable explanations for audio-visual recognition. Specifically, we propose a novel space-time attention network that uncovers the synergistic dynamics of audio and visual data over both space and time. Our model is capable of predicting the audio-visual video events, while justifying its decision by localizing where the relevant visual cues appear, and when the predicted sounds occur in videos. We benchmark our model on three audio-visual video event datasets, comparing extensively to multiple recent multi-modal representation learners and intrinsic explanation models. Experimental results demonstrate the clear superior performance of our model over the existing methods on audio-visual video event recognition. Moreover, we conduct an in-depth study to analyze the explainability of our model based on robustness analysis via perturbation tests and pointing games using human annotations.

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arXiv2021

Distilling Audio-Visual Knowledge by Compositional Contrastive Learning

Having access to multi-modal cues (e.g. vision and audio) empowers some cognitive tasks to be done faster compared to learning from a single modality. In this work, we propose to transfer knowledge across heterogeneous modalities, even though these data modalities may not be semantically correlated. Rather than directly aligning the representations of different modalities, we compose audio, image, and video representations across modalities to uncover richer multi-modal knowledge. Our main idea is to learn a compositional embedding that closes the cross-modal semantic gap and captures the task-relevant semantics, which facilitates pulling together representations across modalities by compositional contrastive learning. We establish a new, comprehensive multi-modal distillation benchmark on three video datasets: UCF101, ActivityNet, and VGGSound. Moreover, we demonstrate that our model significantly outperforms a variety of existing knowledge distillation methods in transferring audio-visual knowledge to improve video representation learning. Code is released here: https://github.com/yanbeic/CCL.

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arXiv2019

Self-supervised learning of class embeddings from video

This work explores how to use self-supervised learning on videos to learn a class-specific image embedding that encodes pose and shape information. At train time, two frames of the same video of an object class (e.g. human upper body) are extracted and each encoded to an embedding. Conditioned on these embeddings, the decoder network is tasked to transform one frame into another. To successfully perform long range transformations (e.g. a wrist lowered in one image should be mapped to the same wrist raised in another), we introduce a hierarchical probabilistic network decoder model. Once trained, the embedding can be used for a variety of downstream tasks and domains. We demonstrate our approach quantitatively on three distinct deformable object classes -- human full bodies, upper bodies, faces -- and show experimentally that the learned embeddings do indeed generalise. They achieve state-of-the-art performance in comparison to other self-supervised methods trained on the same datasets, and approach the performance of fully supervised methods.

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arXiv2018

Self-supervised learning of a facial attribute embedding from video

We propose a self-supervised framework for learning facial attributes by simply watching videos of a human face speaking, laughing, and moving over time. To perform this task, we introduce a network, Facial Attributes-Net (FAb-Net), that is trained to embed multiple frames from the same video face-track into a common low-dimensional space. With this approach, we make three contributions: first, we show that the network can leverage information from multiple source frames by predicting confidence/attention masks for each frame; second, we demonstrate that using a curriculum learning regime improves the learned embedding; finally, we demonstrate that the network learns a meaningful face embedding that encodes information about head pose, facial landmarks and facial expression, i.e. facial attributes, without having been supervised with any labelled data. We are comparable or superior to state-of-the-art self-supervised methods on these tasks and approach the performance of supervised methods.

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arXiv2018

X2Face: A network for controlling face generation by using images, audio, and pose codes

The objective of this paper is a neural network model that controls the pose and expression of a given face, using another face or modality (e.g. audio). This model can then be used for lightweight, sophisticated video and image editing. We make the following three contributions. First, we introduce a network, X2Face, that can control a source face (specified by one or more frames) using another face in a driving frame to produce a generated frame with the identity of the source frame but the pose and expression of the face in the driving frame. Second, we propose a method for training the network fully self-supervised using a large collection of video data. Third, we show that the generation process can be driven by other modalities, such as audio or pose codes, without any further training of the network. The generation results for driving a face with another face are compared to state-of-the-art self-supervised/supervised methods. We show that our approach is more robust than other methods, as it makes fewer assumptions about the input data. We also show examples of using our framework for video face editing.

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