arXiv subjects

Annie Chu

Publications and source records attributed to Annie Chu.

7 recordsLinked to original sources

arXiv2026

Model Card for OpenAI Privacy Filter

OpenAI Privacy Filter is a compact, bidirectional token-classification model for detecting and redacting personally identifiable information (PII) and secrets in unstructured text. The model is derived from an autoregressively pretrained checkpoint and converted into a bidirectional, banded-attention classifier that labels an input sequence in a single forward pass. A constrained Viterbi decoder produces coherent spans across eight privacy categories and exposes configurable operating points for precision-recall tradeoffs. Privacy Filter has 1.5 billion total parameters, 50 million active parameters per token, and a 128,000-token context window. It is designed for efficient local deployment and domain-specific fine-tuning. Privacy Filter is intended as a configurable data-minimization component within layered privacy workflows, not as an anonymization or compliance guarantee.

cs.CR↗

arXiv2026

FXplorer: A Map-Based Interface for Exploratory Audio Effect Design

Audio effects (FX) shape sound in contemporary music practice. However, most interfaces present them as discrete modules and parameters that favor targeted adjustment over exploratory listening. This separation can make it difficult to build intuition about the broader space of possible transformations or to move fluidly between searching and refinement. We present FXplorer, an interface that organizes audio effects within a perceptually informed 2D space, allowing sound transformations to be browsed as a continuous landscape rather than as isolated presets. By combining established spatial interaction approaches and interpretable DAW-style controls with recent embedding-based machine learning methods for similarity and semantic search, the system brings exploration and parameter refinement into a single workspace. FXplorer supports composition, production, or performance by allowing users to edit and interpolate between effect presets interactively.

cs.SD↗

arXiv2026

Mix2Morph: Learning Sound Morphing from Noisy Mixes

We introduce Mix2Morph, a text-to-audio diffusion model fine-tuned to perform sound morphing without a dedicated dataset of morphs. By finetuning on noisy surrogate mixes at higher diffusion timesteps, Mix2Morph yields stable, perceptually coherent morphs that convincingly integrate qualities of both sources. We specifically target sound infusions, a practically and perceptually motivated subclass of morphing in which one sound acts as the dominant primary source, providing overall temporal and structural behavior, while a secondary sound is infused throughout, enriching its timbral and textural qualities. Objective evaluations and listening tests show that Mix2Morph outperforms prior baselines and produces high-quality sound infusions across diverse categories, representing a step toward more controllable and concept-driven tools for sound design. Sound examples are available at https://anniejchu.github.io/mix2morph .

cs.SD↗

arXiv2025

Ethics Statements in AI Music Papers: The Effective and the Ineffective

While research in AI methods for music generation and analysis has grown in scope and impact, AI researchers' engagement with the ethical consequences of this work has not kept pace. To encourage such engagement, many publication venues have introduced optional or required ethics statements for AI research papers. Though some authors use these ethics statements to critically engage with the broader implications of their research, we find that the majority of ethics statements in the AI music literature do not appear to be effectively utilized for this purpose. In this work, we conduct a review of ethics statements across ISMIR, NIME, and selected prominent works in AI music from the past five years. We then offer suggestions for both audio conferences and researchers for engaging with ethics statements in ways that foster meaningful reflection rather than formulaic compliance.

cs.CY↗

arXiv2025

The Rhythm In Anything: Audio-Prompted Drums Generation with Masked Language Modeling

Musicians and nonmusicians alike use rhythmic sound gestures, such as tapping and beatboxing, to express drum patterns. While these gestures effectively communicate musical ideas, realizing these ideas as fully-produced drum recordings can be time-consuming, potentially disrupting many creative workflows. To bridge this gap, we present TRIA (The Rhythm In Anything), a masked transformer model for mapping rhythmic sound gestures to high-fidelity drum recordings. Given an audio prompt of the desired rhythmic pattern and a second prompt to represent drumkit timbre, TRIA produces audio of a drumkit playing the desired rhythm (with appropriate elaborations) in the desired timbre. Subjective and objective evaluations show that a TRIA model trained on less than 10 hours of publicly-available drum data can generate high-quality, faithful realizations of sound gestures across a wide range of timbres in a zero-shot manner.

cs.SD↗

arXiv2024

Sound Check: Auditing Audio Datasets

Generative audio models are rapidly advancing in both capabilities and public utilization -- several powerful generative audio models have readily available open weights, and some tech companies have released high quality generative audio products. Yet, while prior work has enumerated many ethical issues stemming from the data on which generative visual and textual models have been trained, we have little understanding of similar issues with generative audio datasets, including those related to bias, toxicity, and intellectual property. To bridge this gap, we conducted a literature review of hundreds of audio datasets and selected seven of the most prominent to audit in more detail. We found that these datasets are biased against women, contain toxic stereotypes about marginalized communities, and contain significant amounts of copyrighted work. To enable artists to see if they are in popular audio datasets and facilitate exploration of the contents of these datasets, we developed a web tool audio datasets exploration tool at https://audio-audit.vercel.app.

cs.SD↗

arXiv2024

Text2FX: Harnessing CLAP Embeddings for Text-Guided Audio Effects

This work introduces Text2FX, a method that leverages CLAP embeddings and differentiable digital signal processing to control audio effects, such as equalization and reverberation, using open-vocabulary natural language prompts (e.g., "make this sound in-your-face and bold"). Text2FX operates without retraining any models, relying instead on single-instance optimization within the existing embedding space, thus enabling a flexible, scalable approach to open-vocabulary sound transformations through interpretable and disentangled FX manipulation. We show that CLAP encodes valuable information for controlling audio effects and propose two optimization approaches using CLAP to map text to audio effect parameters. While we demonstrate with CLAP, this approach is applicable to any shared text-audio embedding space. Similarly, while we demonstrate with equalization and reverberation, any differentiable audio effect may be controlled. We conduct a listener study with diverse text prompts and source audio to evaluate the quality and alignment of these methods with human perception. Demos and code are available at anniejchu.github.io/text2fx.

eess.AS↗