arXiv subjects

Brian Curless

Publications and source records attributed to Brian Curless.

At least 19 recordsLinked to original sources

arXiv2026

MicroZoom: Structure-Preserving Detail Synthesis at Extreme Scale

We introduce MicroZoom, a generative framework for gigapixel image synthesis at the microscopic scale. Given a standard photograph and a sparse set of consumer-grade microscope close-ups, MicroZoom synthesizes a seamless, gigapixel-resolution image grounded in the material character of the real references, enabling exploratory visualization of microscopic texture across the full spatial extent of an object. Our goal is plausible synthesis, not exact reconstruction. We focus on full-image, reference-based, extreme-scale super-resolution at magnification levels of up to 350x, a setting that introduces two major challenges: (1) recovering texture-specific detail from highly lossy inputs near ambiguous material boundaries, and (2) preserving correct large-scale pattern structure, such as the repeating geometry of a fabric weave, across millions of local predictions. We address these with a two-stage cascaded design, where the first stage recovers global pattern coherence and the second refines local texture detail, supplemented by a segmentation mask to guide synthesis at ambiguous boundaries. We verify our approach on a collection of self-captured everyday objects and demonstrate globally coherent, materially grounded gigapixel imagery.

cs.CV↗

arXiv2026

GarmentZoom: Generating Zoomable Images from Garment Listings

Online product listings for garments often include an overview photo and a close-up to show garment details. However, each photo focuses on either field of view or garment detail, forcing users to alternate between views and breaking browsing continuity. We present GarmentZoom, a system that enhances the full-view photo to match the fidelity of its accompanying close-up, enabling seamless zoom-and-pan exploration. Unlike standard reference-based super-resolution, our setting involves close-up references that are spatially unaligned with the full view, and scale factors that vary substantially across garments 3-20$\times$. Prior work typically relies on alignment to transfer details or requires per-instance fine-tuning to memorize them. Instead, we train a single model that supports a continuous range of scales across diverse garments. Our approach synthesizes details without requiring spatial alignment and matches the quality of per-instance methods with a fraction of the training cost.

cs.CV↗

arXiv2026

COMIC: Agentic Sketch Comedy Generation

We propose a fully automated AI system that produces short comedic videos similar to sketch shows such as Saturday Night Live. Starting with character references, the system employs a population of agents loosely based on real production studio roles, structured to optimize the quality and diversity of ideas and outputs through iterative competition, evaluation, and improvement. A key contribution is the introduction of LLM critics aligned with real viewer preferences through the analysis of a corpus of comedy videos on YouTube to automatically evaluate humor. Our experiments show that our framework produces results approaching the quality of professionally produced sketches while demonstrating state-of-the-art performance in video generation.

cs.CV↗

arXiv2025

Prior-Enhanced Gaussian Splatting for Dynamic Scene Reconstruction from Casual Video

We introduce a fully automatic pipeline for dynamic scene reconstruction from casually captured monocular RGB videos. Rather than designing a new scene representation, we enhance the priors that drive Dynamic Gaussian Splatting. Video segmentation combined with epipolar-error maps yields object-level masks that closely follow thin structures; these masks (i) guide an object-depth loss that sharpens the consistent video depth, and (ii) support skeleton-based sampling plus mask-guided re-identification to produce reliable, comprehensive 2-D tracks. Two additional objectives embed the refined priors in the reconstruction stage: a virtual-view depth loss removes floaters, and a scaffold-projection loss ties motion nodes to the tracks, preserving fine geometry and coherent motion. The resulting system surpasses previous monocular dynamic scene reconstruction methods and delivers visibly superior renderings

cs.CV↗

arXiv2025

Fast and Scalable Mixed Precision Euclidean Distance Calculations Using GPU Tensor Cores

Modern GPUs are equipped with tensor cores (TCs) that are commonly used for matrix multiplication in artificial intelligence workloads. However, because they have high computational throughput, they can lead to significant performance gains in other algorithms if they can be successfully exploited. We examine using TCs to compute Euclidean distance calculations, which are used in many data analytics applications. Prior work has only investigated using 64 bit floating point (FP64) data for computation; however, TCs can operate on lower precision floating point data (i.e., 16 bit matrix multiplication and 32 bit accumulation), which we refer to as FP16-32. FP16-32 TC peak throughput is so high that TCs are easily starved of data. We propose a Fast and Scalable Tensor core Euclidean Distance (FaSTED) algorithm. To achieve high computational throughput, we design FaSTED for significant hierarchical reuse of data and maximize memory utilization at every level (global memory, shared memory, and registers). We apply FaSTED to the application of similarity searches, which typically employ an indexing data structure to eliminate superfluous Euclidean distance calculations. We compare to the state-of-the-art (SOTA) TC Euclidean distance algorithm in the literature that employs FP64, as well as to two single precision (FP32) CUDA core algorithms that both employ an index. We find that across four real-world high-dimensional datasets spanning 128-960 dimensions, the mixed-precision brute force approach achieves a speedup over the SOTA algorithms of 2.5-51x. We also quantify the accuracy loss of our mixed precision algorithm to be less than <0.06% when compared to the FP64 baseline.

cs.DC↗

arXiv2025

GenEscape: Hierarchical Multi-Agent Generation of Escape Room Puzzles

We challenge text-to-image models with generating escape room puzzle images that are visually appealing, logically solid, and intellectually stimulating. While base image models struggle with spatial relationships and affordance reasoning, we propose a hierarchical multi-agent framework that decomposes this task into structured stages: functional design, symbolic scene graph reasoning, layout synthesis, and local image editing. Specialized agents collaborate through iterative feedback to ensure the scene is visually coherent and functionally solvable. Experiments show that agent collaboration improves output quality in terms of solvability, shortcut avoidance, and affordance clarity, while maintaining visual quality.

cs.CV↗

arXiv2025

UltraZoom: Generating Gigapixel Images from Regular Photos

We present UltraZoom, a system for generating gigapixel-resolution images of objects from casually captured inputs, such as handheld phone photos. Given a full-shot image (global, low-detail) and one or more close-ups (local, high-detail), UltraZoom upscales the full image to match the fine detail and scale of the close-up examples. To achieve this, we construct a per-instance paired dataset from the close-ups and adapt a pretrained generative model to learn object-specific low-to-high resolution mappings. At inference, we apply the model in a sliding window fashion over the full image. Constructing these pairs is non-trivial: it requires registering the close-ups within the full image for scale estimation and degradation alignment. We introduce a simple, robust method for getting registration on arbitrary materials in casual, in-the-wild captures. Together, these components form a system that enables seamless pan and zoom across the entire object, producing consistent, photorealistic gigapixel imagery from minimal input.

cs.CV↗

arXiv2025

How Animals Dance (When You're Not Looking)

We present a framework for generating music-synchronized, choreography aware animal dance videos. Our framework introduces choreography patterns -- structured sequences of motion beats that define the long-range structure of a dance -- as a novel high-level control signal for dance video generation. These patterns can be automatically estimated from human dance videos. Starting from a few keyframes representing distinct animal poses, generated via text-to-image prompting or GPT-4o, we formulate dance synthesis as a graph optimization problem that seeks the optimal keyframe structure to satisfy a specified choreography pattern of beats. We also introduce an approach for mirrored pose image generation, essential for capturing symmetry in dance. In-between frames are synthesized using an video diffusion model. With as few as six input keyframes, our method can produce up to 30 seconds dance videos across a wide range of animals and music tracks.

cs.CV↗

arXiv2025

Generating Fit Check Videos with a Handheld Camera

Self-captured full-body videos are popular, but most deployments require mounted cameras, carefully-framed shots, and repeated practice. We propose a more convenient solution that enables full-body video capture using handheld mobile devices. Our approach takes as input two static photos (front and back) of you in a mirror, along with an IMU motion reference that you perform while holding your mobile phone, and synthesizes a realistic video of you performing a similar target motion. We enable rendering into a new scene, with consistent illumination and shadows. We propose a novel video diffusion-based model to achieve this. Specifically, we propose a parameter-free frame generation strategy and a multi-reference attention mechanism to effectively integrate appearance information from both the front and back selfies into the video diffusion model. Further, we introduce an image-based fine-tuning strategy to enhance frame sharpness and improve shadows and reflections generation for more realistic human-scene composition.

cs.CV↗

arXiv2025

View2CAD: Reconstructing View-Centric CAD Models from Single RGB-D Scans

Parametric CAD models, represented as Boundary Representations (B-reps), are foundational to modern design and manufacturing workflows, offering the precision and topological breakdown required for downstream tasks such as analysis, editing, and fabrication. However, B-Reps are often inaccessible due to conversion to more standardized, less expressive geometry formats. Existing methods to recover B-Reps from measured data require complete, noise-free 3D data, which are laborious to obtain. We alleviate this difficulty by enabling the precise reconstruction of CAD shapes from a single RGB-D image. We propose a method that addresses the challenge of reconstructing only the observed geometry from a single view. To allow for these partial observations, and to avoid hallucinating incorrect geometry, we introduce a novel view-centric B-rep (VB-Rep) representation, which incorporates structures to handle visibility limits and encode geometric uncertainty. We combine panoptic image segmentation with iterative geometric optimization to refine and improve the reconstruction process. Our results demonstrate high-quality reconstruction on synthetic and real RGB-D data, showing that our method can bridge the reality gap.

cs.GR↗

arXiv2025

MusicInfuser: Making Video Diffusion Listen and Dance

We introduce MusicInfuser, an approach that aligns pre-trained text-to-video diffusion models to generate high-quality dance videos synchronized with specified music tracks. Rather than training a multimodal audio-video or audio-motion model from scratch, our method demonstrates how existing video diffusion models can be efficiently adapted to align with musical inputs. We propose a novel layer-wise adaptability criterion based on a guidance-inspired constructive influence function to select adaptable layers, significantly reducing training costs while preserving rich prior knowledge, even with limited, specialized datasets. Experiments show that MusicInfuser effectively bridges the gap between music and video, generating novel and diverse dance movements that respond dynamically to music. Furthermore, our framework generalizes well to unseen music tracks, longer video sequences, and unconventional subjects, outperforming baseline models in consistency and synchronization. All of this is achieved without requiring motion data, with training completed on a single GPU within a day.

cs.CV↗

arXiv2024

VidPanos: Generative Panoramic Videos from Casual Panning Videos

Panoramic image stitching provides a unified, wide-angle view of a scene that extends beyond the camera's field of view. Stitching frames of a panning video into a panoramic photograph is a well-understood problem for stationary scenes, but when objects are moving, a still panorama cannot capture the scene. We present a method for synthesizing a panoramic video from a casually-captured panning video, as if the original video were captured with a wide-angle camera. We pose panorama synthesis as a space-time outpainting problem, where we aim to create a full panoramic video of the same length as the input video. Consistent completion of the space-time volume requires a powerful, realistic prior over video content and motion, for which we adapt generative video models. Existing generative models do not, however, immediately extend to panorama completion, as we show. We instead apply video generation as a component of our panorama synthesis system, and demonstrate how to exploit the strengths of the models while minimizing their limitations. Our system can create video panoramas for a range of in-the-wild scenes including people, vehicles, and flowing water, as well as stationary background features.

cs.CV↗

arXiv2024

Inverse Painting: Reconstructing The Painting Process

Given an input painting, we reconstruct a time-lapse video of how it may have been painted. We formulate this as an autoregressive image generation problem, in which an initially blank "canvas" is iteratively updated. The model learns from real artists by training on many painting videos. Our approach incorporates text and region understanding to define a set of painting "instructions" and updates the canvas with a novel diffusion-based renderer. The method extrapolates beyond the limited, acrylic style paintings on which it has been trained, showing plausible results for a wide range of artistic styles and genres.

cs.CV↗

arXiv2024

Generative Inbetweening: Adapting Image-to-Video Models for Keyframe Interpolation

We present a method for generating video sequences with coherent motion between a pair of input key frames. We adapt a pretrained large-scale image-to-video diffusion model (originally trained to generate videos moving forward in time from a single input image) for key frame interpolation, i.e., to produce a video in between two input frames. We accomplish this adaptation through a lightweight fine-tuning technique that produces a version of the model that instead predicts videos moving backwards in time from a single input image. This model (along with the original forward-moving model) is subsequently used in a dual-directional diffusion sampling process that combines the overlapping model estimates starting from each of the two keyframes. Our experiments show that our method outperforms both existing diffusion-based methods and traditional frame interpolation techniques.

cs.CV↗

arXiv2024

Don't Look at the Camera: Achieving Perceived Eye Contact

We consider the question of how to best achieve the perception of eye contact when a person is captured by camera and then rendered on a 2D display. For single subjects photographed by a camera, conventional wisdom tells us that looking directly into the camera achieves eye contact. Through empirical user studies, we show that it is instead preferable to {\em look just below the camera lens}. We quantitatively assess where subjects should direct their gaze relative to a camera lens to optimize the perception that they are making eye contact.

cs.HC↗

arXiv2023

Generative Powers of Ten

We present a method that uses a text-to-image model to generate consistent content across multiple image scales, enabling extreme semantic zooms into a scene, e.g., ranging from a wide-angle landscape view of a forest to a macro shot of an insect sitting on one of the tree branches. We achieve this through a joint multi-scale diffusion sampling approach that encourages consistency across different scales while preserving the integrity of each individual sampling process. Since each generated scale is guided by a different text prompt, our method enables deeper levels of zoom than traditional super-resolution methods that may struggle to create new contextual structure at vastly different scales. We compare our method qualitatively with alternative techniques in image super-resolution and outpainting, and show that our method is most effective at generating consistent multi-scale content.

cs.CV↗

arXiv2023

Animating Street View

We present a system that automatically brings street view imagery to life by populating it with naturally behaving, animated pedestrians and vehicles. Our approach is to remove existing people and vehicles from the input image, insert moving objects with proper scale, angle, motion, and appearance, plan paths and traffic behavior, as well as render the scene with plausible occlusion and shadowing effects. The system achieves these by reconstructing the still image street scene, simulating crowd behavior, and rendering with consistent lighting, visibility, occlusions, and shadows. We demonstrate results on a diverse range of street scenes including regular still images and panoramas.

cs.CV↗

arXiv2023

Total Selfie: Generating Full-Body Selfies

We present a method to generate full-body selfies from photographs originally taken at arms length. Because self-captured photos are typically taken close up, they have limited field of view and exaggerated perspective that distorts facial shapes. We instead seek to generate the photo some one else would take of you from a few feet away. Our approach takes as input four selfies of your face and body, a background image, and generates a full-body selfie in a desired target pose. We introduce a novel diffusion-based approach to combine all of this information into high-quality, well-composed photos of you with the desired pose and background.

cs.CV↗