arXiv subjects

Shlomo Dubnov

Publications and source records attributed to Shlomo Dubnov.

46 records · Page 3Linked to original sources

arXiv2021

Deep Music Information Dynamics

Music comprises of a set of complex simultaneous events organized in time. In this paper we introduce a novel framework that we call Deep Musical Information Dynamics, which combines two parallel streams - a low rate latent representation stream that is assumed to capture the dynamics of a thought process contrasted with a higher rate information dynamics derived from the musical data itself. Motivated by rate-distortion theories of human cognition we propose a framework for exploring possible relations between imaginary anticipations existing in the listener's mind and information dynamics of the musical surface itself. This model is demonstrated for the case of symbolic (MIDI) data, as accounting for acoustic surface would require many more layers to capture instrument properties and performance expressive inflections. The mathematical framework is based on variational encoding that first establishes a high rate representation of the musical observations, which is then reduced using a bit-allocation method into a parallel low rate data stream. The combined loss considered here includes both the information rate in terms of time evolution for each stream, and the fidelity of encoding measured in terms of mutual information between the high and low rate representations. In the simulations presented in the paper we are able to juxtapose aspects of latent/imaginary surprisal versus surprisal of the music surface in a manner that is quantifiable and computationally tractable. The set of computational tools is discussed in the paper, suggesting that a trade off between compression and prediction are an important factor in the analysis and design of time-based music generative models.

cs.SD↗

arXiv2021

Expressive Neural Voice Cloning

Voice cloning is the task of learning to synthesize the voice of an unseen speaker from a few samples. While current voice cloning methods achieve promising results in Text-to-Speech (TTS) synthesis for a new voice, these approaches lack the ability to control the expressiveness of synthesized audio. In this work, we propose a controllable voice cloning method that allows fine-grained control over various style aspects of the synthesized speech for an unseen speaker. We achieve this by explicitly conditioning the speech synthesis model on a speaker encoding, pitch contour and latent style tokens during training. Through both quantitative and qualitative evaluations, we show that our framework can be used for various expressive voice cloning tasks using only a few transcribed or untranscribed speech samples for a new speaker. These cloning tasks include style transfer from a reference speech, synthesizing speech directly from text, and fine-grained style control by manipulating the style conditioning variables during inference.

cs.SD↗

arXiv2020

Music SketchNet: Controllable Music Generation via Factorized Representations of Pitch and Rhythm

Drawing an analogy with automatic image completion systems, we propose Music SketchNet, a neural network framework that allows users to specify partial musical ideas guiding automatic music generation. We focus on generating the missing measures in incomplete monophonic musical pieces, conditioned on surrounding context, and optionally guided by user-specified pitch and rhythm snippets. First, we introduce SketchVAE, a novel variational autoencoder that explicitly factorizes rhythm and pitch contour to form the basis of our proposed model. Then we introduce two discriminative architectures, SketchInpainter and SketchConnector, that in conjunction perform the guided music completion, filling in representations for the missing measures conditioned on surrounding context and user-specified snippets. We evaluate SketchNet on a standard dataset of Irish folk music and compare with models from recent works. When used for music completion, our approach outperforms the state-of-the-art both in terms of objective metrics and subjective listening tests. Finally, we demonstrate that our model can successfully incorporate user-specified snippets during the generation process.

cs.LG↗

arXiv2020

Continuous Melody Generation via Disentangled Short-Term Representations and Structural Conditions

Automatic music generation is an interdisciplinary research topic that combines computational creativity and semantic analysis of music to create automatic machine improvisations. An important property of such a system is allowing the user to specify conditions and desired properties of the generated music. In this paper we designed a model for composing melodies given a user specified symbolic scenario combined with a previous music context. We add manual labeled vectors denoting external music quality in terms of chord function that provides a low dimensional representation of the harmonic tension and resolution. Our model is capable of generating long melodies by regarding 8-beat note sequences as basic units, and shares consistent rhythm pattern structure with another specific song. The model contains two stages and requires separate training where the first stage adopts a Conditional Variational Autoencoder (C-VAE) to build a bijection between note sequences and their latent representations, and the second stage adopts long short-term memory networks (LSTM) with structural conditions to continue writing future melodies. We further exploit the disentanglement technique via C-VAE to allow melody generation based on pitch contour information separately from conditioning on rhythm patterns. Finally, we evaluate the proposed model using quantitative analysis of rhythm and the subjective listening study. Results show that the music generated by our model tends to have salient repetition structures, rich motives, and stable rhythm patterns. The ability to generate longer and more structural phrases from disentangled representations combined with semantic scenario specification conditions shows a broad application of our model.

cs.SD↗

arXiv2019

Adversarial Reprogramming of Text Classification Neural Networks

Adversarial Reprogramming has demonstrated success in utilizing pre-trained neural network classifiers for alternative classification tasks without modification to the original network. An adversary in such an attack scenario trains an additive contribution to the inputs to repurpose the neural network for the new classification task. While this reprogramming approach works for neural networks with a continuous input space such as that of images, it is not directly applicable to neural networks trained for tasks such as text classification, where the input space is discrete. Repurposing such classification networks would require the attacker to learn an adversarial program that maps inputs from one discrete space to the other. In this work, we introduce a context-based vocabulary remapping model to reprogram neural networks trained on a specific sequence classification task, for a new sequence classification task desired by the adversary. We propose training procedures for this adversarial program in both white-box and black-box settings. We demonstrate the application of our model by adversarially repurposing various text-classification models including LSTM, bi-directional LSTM and CNN for alternate classification tasks.

cs.LG↗

arXiv2019

Universal Adversarial Perturbations for Speech Recognition Systems

In this work, we demonstrate the existence of universal adversarial audio perturbations that cause mis-transcription of audio signals by automatic speech recognition (ASR) systems. We propose an algorithm to find a single quasi-imperceptible perturbation, which when added to any arbitrary speech signal, will most likely fool the victim speech recognition model. Our experiments demonstrate the application of our proposed technique by crafting audio-agnostic universal perturbations for the state-of-the-art ASR system -- Mozilla DeepSpeech. Additionally, we show that such perturbations generalize to a significant extent across models that are not available during training, by performing a transferability test on a WaveNet based ASR system.

cs.LG↗

arXiv2019

Expediting TTS Synthesis with Adversarial Vocoding

Recent approaches in text-to-speech (TTS) synthesis employ neural network strategies to vocode perceptually-informed spectrogram representations directly into listenable waveforms. Such vocoding procedures create a computational bottleneck in modern TTS pipelines. We propose an alternative approach which utilizes generative adversarial networks (GANs) to learn mappings from perceptually-informed spectrograms to simple magnitude spectrograms which can be heuristically vocoded. Through a user study, we show that our approach significantly outperforms naïve vocoding strategies while being hundreds of times faster than neural network vocoders used in state-of-the-art TTS systems. We also show that our method can be used to achieve state-of-the-art results in unsupervised synthesis of individual words of speech.

cs.SD↗

arXiv2019

Query-based Deep Improvisation

In this paper we explore techniques for generating new music using a Variational Autoencoder (VAE) neural network that was trained on a corpus of specific style. Instead of randomly sampling the latent states of the network to produce free improvisation, we generate new music by querying the network with musical input in a style different from the training corpus. This allows us to produce new musical output with longer-term structure that blends aspects of the query to the style of the network. In order to control the level of this blending we add a noisy channel between the VAE encoder and decoder using bit-allocation algorithm from communication rate-distortion theory. Our experiments provide new insight into relations between the representational and structural information of latent states and the query signal, suggesting their possible use for composition purposes.

cs.SD↗

arXiv2019

The Effect of Explicit Structure Encoding of Deep Neural Networks for Symbolic Music Generation

With recent breakthroughs in artificial neural networks, deep generative models have become one of the leading techniques for computational creativity. Despite very promising progress on image and short sequence generation, symbolic music generation remains a challenging problem since the structure of compositions are usually complicated. In this study, we attempt to solve the melody generation problem constrained by the given chord progression. This music meta-creation problem can also be incorporated into a plan recognition system with user inputs and predictive structural outputs. In particular, we explore the effect of explicit architectural encoding of musical structure via comparing two sequential generative models: LSTM (a type of RNN) and WaveNet (dilated temporal-CNN). As far as we know, this is the first study of applying WaveNet to symbolic music generation, as well as the first systematic comparison between temporal-CNN and RNN for music generation. We conduct a survey for evaluation in our generations and implemented Variable Markov Oracle in music pattern discovery. Experimental results show that to encode structure more explicitly using a stack of dilated convolution layers improved the performance significantly, and a global encoding of underlying chord progression into the generation procedure gains even more.

cs.SD↗

arXiv2018

Rethinking Recurrent Latent Variable Model for Music Composition

We present a model for capturing musical features and creating novel sequences of music, called the Convolutional Variational Recurrent Neural Network. To generate sequential data, the model uses an encoder-decoder architecture with latent probabilistic connections to capture the hidden structure of music. Using the sequence-to-sequence model, our generative model can exploit samples from a prior distribution and generate a longer sequence of music. We compare the performance of our proposed model with other types of Neural Networks using the criteria of Information Rate that is implemented by Variable Markov Oracle, a method that allows statistical characterization of musical information dynamics and detection of motifs in a song. Our results suggest that the proposed model has a better statistical resemblance to the musical structure of the training data, which improves the creation of new sequences of music in the style of the originals.

cs.SD↗