arXiv subjects

Stefan Lattner

Publications and source records attributed to Stefan Lattner.

41 records · Page 3Linked to original sources

arXiv2018

Audio-to-Score Alignment using Transposition-invariant Features

Audio-to-score alignment is an important pre-processing step for in-depth analysis of classical music. In this paper, we apply novel transposition-invariant audio features to this task. These low-dimensional features represent local pitch intervals and are learned in an unsupervised fashion by a gated autoencoder. Our results show that the proposed features are indeed fully transposition-invariant and enable accurate alignments between transposed scores and performances. Furthermore, they can even outperform widely used features for audio-to-score alignment on `untransposed data', and thus are a viable and more flexible alternative to well-established features for music alignment and matching.

cs.SD↗

arXiv2018

A Predictive Model for Music Based on Learned Interval Representations

Connectionist sequence models (e.g., RNNs) applied to musical sequences suffer from two known problems: First, they have strictly "absolute pitch perception". Therefore, they fail to generalize over musical concepts which are commonly perceived in terms of relative distances between pitches (e.g., melodies, scale types, modes, cadences, or chord types). Second, they fall short of capturing the concepts of repetition and musical form. In this paper we introduce the recurrent gated autoencoder (RGAE), a recurrent neural network which learns and operates on interval representations of musical sequences. The relative pitch modeling increases generalization and reduces sparsity in the input data. Furthermore, it can learn sequences of copy-and-shift operations (i.e. chromatically transposed copies of musical fragments)---a promising capability for learning musical repetition structure. We show that the RGAE improves the state of the art for general connectionist sequence models in learning to predict monophonic melodies, and that ensembles of relative and absolute music processing models improve the results appreciably. Furthermore, we show that the relative pitch processing of the RGAE naturally facilitates the learning and the generation of sequences of copy-and-shift operations, wherefore the RGAE greatly outperforms a common absolute pitch recurrent neural network on this task.

cs.SD↗

arXiv2018

Imposing higher-level Structure in Polyphonic Music Generation using Convolutional Restricted Boltzmann Machines and Constraints

We introduce a method for imposing higher-level structure on generated, polyphonic music. A Convolutional Restricted Boltzmann Machine (C-RBM) as a generative model is combined with gradient descent constraint optimisation to provide further control over the generation process. Among other things, this allows for the use of a "template" piece, from which some structural properties can be extracted, and transferred as constraints to the newly generated material. The sampling process is guided with Simulated Annealing to avoid local optima, and to find solutions that both satisfy the constraints, and are relatively stable with respect to the C-RBM. Results show that with this approach it is possible to control the higher-level self-similarity structure, the meter, and the tonal properties of the resulting musical piece, while preserving its local musical coherence.

cs.SD↗

arXiv2017

Learning Musical Relations using Gated Autoencoders

Music is usually highly structured and it is still an open question how to design models which can successfully learn to recognize and represent musical structure. A fundamental problem is that structurally related patterns can have very distinct appearances, because the structural relationships are often based on transformations of musical material, like chromatic or diatonic transposition, inversion, retrograde, or rhythm change. In this preliminary work, we study the potential of two unsupervised learning techniques - Restricted Boltzmann Machines (RBMs) and Gated Autoencoders (GAEs) - to capture pre-defined transformations from constructed data pairs. We evaluate the models by using the learned representations as inputs in a discriminative task where for a given type of transformation (e.g. diatonic transposition), the specific relation between two musical patterns must be recognized (e.g. an upward transposition of diatonic steps). Furthermore, we measure the reconstruction error of models when reconstructing musical transformed patterns. Lastly, we test the models in an analogy-making task. We find that it is difficult to learn musical transformations with the RBM and that the GAE is much more adequate for this task, since it is able to learn representations of specific transformations that are largely content-invariant. We believe these results show that models such as GAEs may provide the basis for more encompassing music analysis systems, by endowing them with a better understanding of the structures underlying music.

cs.SD↗

arXiv2017

Improving Content-Invariance in Gated Autoencoders for 2D and 3D Object Rotation

Content-invariance in mapping codes learned by GAEs is a useful feature for various relation learning tasks. In this paper we show that the content-invariance of mapping codes for images of 2D and 3D rotated objects can be substantially improved by extending the standard GAE loss (symmetric reconstruction error) with a regularization term that penalizes the symmetric cross-reconstruction error. This error term involves reconstruction of pairs with mapping codes obtained from other pairs exhibiting similar transformations. Although this would principally require knowledge of the transformations exhibited by training pairs, our experiments show that a bootstrapping approach can sidestep this issue, and that the regularization term can effectively be used in an unsupervised setting.

cs.CV↗