Searcharxiv⌕ Search

arXiv · 2610.29434

RubatoCodec: Budgeted Adaptive Speech Tokenization with Streaming Decoding

Abstract

Neural speech codecs provide discrete tokens for speech generation. Lower frame rates shorten token sequences, but each token must then carry more linguistic and acoustic information. Variable-frame-rate codecs address this trade-off by adapting token allocation to speech content, but threshold-based allocation lets content determine the token count, so the sequence length a speech generator must produce varies across utterances and datasets at a fixed setting. We present RubatoCodec, a variable-frame-rate speech codec built on X-Codec-2 with an exact utterance-level event budget and streaming decoding. Its Adaptive Firing mechanism uses changes in codec features and waveform spectra to divide speech into variable-duration events without a learned boundary predictor. Discrete codes and an explicit duration represent each event, allowing a speech generator to predict and decode one event at a time. Controlled experiments show that adaptive allocation outperforms fixed-rate coding in reconstruction fidelity and intelligibility at low event rates. A model trained on large-scale multilingual speech achieves competitive reconstruction quality across English, Japanese, and Mandarin, with the best intelligibility preservation among the compared codecs on the evaluated English and Japanese benchmarks at comparable bitrates. In a matched text-to-speech comparison, the adaptive representation yields lower WER and higher UTMOS and UTMOSv2 with comparable speaker similarity. The speech generator also learns the codec's utterance-level event budget without an explicit generation-time rate constraint. These results demonstrate that budgeted adaptive speech representations support both high-quality reconstruction and streaming text-to-speech generation. Code and weights are available at https://github.com/third-intelligence/RubatoCodec and https://huggingface.co/third-intelligence/RubatoCodec.

Explore related subjects

Keep this discovery

Explore connections, maps & timelines

BibTeXRIS

Chihiro Arata, Shohei Taniguchi, Gouki Minegishi, Kan Hatakeyama-Sato. 2026-10-21. RubatoCodec: Budgeted Adaptive Speech Tokenization with Streaming Decoding. https://arxiv.org/abs/2610.29434

Cite the original work for its findings. Save a collection to share your selection of sources.

KEEP EXPLORING

Related papers

LARA-Gen: Enabling Continuous Emotion Control for Music Generation Models via Latent Affective Representation Alignment

Recent advances in text-to-music models have enabled coherent music generation from text prompts, yet fine-grained emotional control remains unresolved. We introduce LARA-Gen, a framework for continuous emotion control that aligns the internal hidden states with an external music understanding model through Latent Affective Representation Alignment (LARA), enabling effective training. In addition, we design an emotion control module based on a continuous valence-arousal space, disentangling emotional attributes from textual content and bypassing the bottlenecks of text-based prompting. Furthermore, we establish a benchmark with a curated test set and a robust Emotion Predictor, facilitating objective evaluation of emotional controllability in music generation. Extensive experiments demonstrate that LARA-Gen achieves continuous, fine-grained control of emotion and significantly outperforms baselines in both emotion adherence and music quality. Generated samples are available at https://anonymous2232330.github.io/laragen-web/.

cs.SD↗

Resonance and Depth: Composing Timbral Identity and Spatial Form in an Artist-in-the-Loop Co-Creative Multi-Agent Percussive Performance

This research-creation artistic report presents Resonance and Depth, a 9-minute immersive electroacoustic/acousmatic performance that treats timbre and space as primary compositional materials. Built from live electronic percussion and a personal corpus recorded, curated, and composed by the author, the work investigates how timbral identity and musical form can emerge through real-time recombination, spatialisation, and performer-system interaction rather than conventional harmonic development. The performance is realised as an artist-in-the-loop co-creative multi-agent system integrating MACAT, MACataRT, a MIDI-based musical agent, a spatialisation layer, and a conductor agent. These components recombine and transform the performer's material through concatenative synthesis, audio mosaicing, symbolic mediation, physically inspired synthesis, and object-based spatialisation. The work approaches spatialisation as an active compositional process in which position, trajectory, depth, diffusion, width, and apparent size participate in musical phrasing and form. Through this practice-based framework, Resonance and Depth examines how performer identity can be retained, transformed, and redistributed across human, algorithmic, timbral, and spatial processes within an immersive co-creative performance ecology.

cs.SD↗

KunSet: A Corpus and Benchmark for Lyrics Alignment and Rhyme Retrieval in Kunqu Opera

Kunqu is one of the oldest extant forms of Chinese opera, yet its digitization remains scarce and difficult to annotate, with two challenges standing out: first, close analysis of Kunqu performance demands syllable-level lyrics alignment; second, analyzing Kunqu pronunciation requires its phonological attributes (e.g., rhyme) to be linked with each syllable. To address these challenges, we present KunSet, the first Kunqu performance corpus comprising 482,164 fine-grained annotations of syllable-level lyrics and phonological attributes in total media duration of 155.2 h with 106.3 h annotated. To ensure annotation quality, KunSet was preannotated by an iterative ML-assisted pipeline and corrected by over 200 trained annotators via a purpose-built online annotation system under a two-round review process. To assess KunSet as a music information retrieval (MIR) benchmark, we evaluate two tasks: lyrics alignment, by finetuning a forced-alignment model with an acoustic anchor decoder; and same-rhyme retrieval, using frozen Chinese HuBERT features. Models built with KunSet outperform their baselines. We release KunSet and model checkpoints to support MIR research on traditional-music corpora.

cs.SD↗