arXiv subjects

Hao-Wen Dong

Publications and source records attributed to Hao-Wen Dong.

At least 19 recordsLinked to original sources

arXiv2026

On a Separate Note: Robust Score-Informed Note Separation with a Two-Stream TFC-TDF U-Net and Adaptive Set Ownership

Score-informed note separation seeks to extract the performed waveform of all individual notes, often from a polyphonic recording. Existing deep learning systems generally only target instrument-level stems. We present, to our knowledge, the first deep learning approach to score-informed note separation, NoteSep. NoteSep extracts the queried notes by applying an extraction stage model, NoteGrab, once per note. Conditioned on pitch, onset, and offset, NoteGrab separates harmonic and percussive components in two U-Nets linked by bidirectional cross-attention; selective harmonic gating suppresses lower-octave interference while preserving percussive attacks. Finally, a joint separation stage applies Adaptive Set Ownership (ASO) to compare concurrent NoteGrab estimates and reallocate mixture energy. We curate SCNS-Train (25,729 mixtures and 743,920 targets) for training and SCNS-Eval (16 instruments, disjoint scores and libraries) for evaluation. On SCNS-Eval, NoteSep reaches a median SI-SDR of 7.39~dB, compared with 2.49~dB for our strongest baseline. See the demo page at https://benschou.com/notesep.

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arXiv2026

MusPyExpress: Extending MusPy with Enhanced Expression Text Support

Current work in modeling symbolic music primarily relies on representations extracted from MIDI-like data. While such formats allow for modeling symbolic music as sequences of notes, they omit the large space of symbolic annotations common in western sheet music broadly known as expression text, such as tempo or dynamics, which specify time- and velocity-dependent controls on the musical composition and performance. To alleviate this gap, we present MusPyExpress, an extension to the popular symbolic music processing library MusPy that enables the extraction of expression text along with symbolic music for downstream modeling. Utilizing this extension, we parse the PDMX dataset to illustrate the wealth of expression text available in MusicXML datasets. Additionally, we introduce multiple generative tasks, including joint expression-note generation, expression-conditioned music generation, and expression tagging, that take advantage of this additional notational information.

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arXiv2026

Dialogue-Aware Video-to-Music Generation Using Public Domain Film Collections

Video-to-music generation has drawn growing interest for its role in conveying the emotion of visual media, including film. Progress in the field, however, is hampered by a reproducibility gap: models are often trained on crawled corpora referenced through YouTube URLs that may be deleted, with the underlying data often difficult and time-consuming to retrieve. To address this, we introduce the Open Screen Soundtrack Library version 2 (OSSL-v2), a self-hosted corpus of 34,343 video clips totaling 246.4 hours, sourced from public-domain films. Unlike crawled corpora, OSSL-v2 is reproducible (i.e., not subject to link rot) and copyright-conscious, yet still large enough to train functional video-to-music models. We then use this film-domain corpus to study dialogue as a conditioning signal for video-to-music generation, motivated by the close temporal coupling between film music and on-screen speech. Specifically, we augment existing models' video cross-attention with a time axis and modulate it frame-by-frame with the dialogue track. Evaluated on both public-domain and commercial films, our approach shows improvement over the state-of-the-art baselines. The dataset is available at https://huggingface.co/datasets/McAuley-Lab/OSSL-v2.

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arXiv2026

Academic Text-to-Music Grand Challenge: Datasets, Baselines, and Evaluation Methods

This paper presents an overview and the technical framework of the ICME 2026 Grand Challenge on Academic Text-to-Music Generation (ATTM). Despite the rapid progress in text-to-music generation (TTM) systems, the field is currently dominated by models trained on massive proprietary datasets with industrial-scale computational resources, creating a significant barrier for academic research. To address this, the ATTM Challenge establishes a fair-play benchmark that requires participants to train generative models strictly from scratch using a standardized, CC-licensed subset of the MTG-Jamendo dataset containing only instrumental music. The challenge is divided into two tracks: the Efficiency Track (limited to 500M parameters) and the Performance Track (no parameter limit). Submissions are evaluated through a multi-stage process involving objective metrics, including Frechet Audio Distance, CLAP score, and a novel Concept Coverage Score (CCS), followed by a subjective listening test. By providing open-source baselines, preprocessing pipelines, reference captions, and public evaluation code for computing FAD and CLAP, this challenge aims to facilitate and promote TTM research in academic contexts.

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arXiv2026

Unmixing The Crowd: Learning Persistent Speaker Representations from Mixture-Derived Multi-Speaker Embeddings

We study whether persistent conversational speaker structure can be extracted directly from local overlapping speech mixtures. We propose a teacher-student framework that learns mixture-derived multi-speaker embeddings using only short overlapping segments and permutation-invariant latent supervision. Despite never being explicitly trained for speaker tracking, diarization, or conversational memory, the learned embedding space supports long-form speaker re-identification when combined with a lightweight online memory mechanism during inference. We additionally observe that the learned representation retains meaningful speaker structure under unseen overlap cardinalities. We further show that embeddings extracted from separation-first pipelines exhibit degraded clustering structure compared to embeddings predicted directly from mixtures. Finally, the learned embeddings remain effective for the downstream target speaker extraction task across multiple architectures. These findings suggest that local mixture-derived representations support persistent conversational speaker re-identification when combined with lightweight inference-time memory consolidation.

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arXiv2026

Nested Music Transformer: Sequentially Decoding Compound Tokens in Symbolic Music and Audio Generation

Representing symbolic music with compound tokens, where each token consists of several different sub-tokens representing a distinct musical feature or attribute, offers the advantage of reducing sequence length. While previous research has validated the efficacy of compound tokens in music sequence modeling, predicting all sub-tokens simultaneously can lead to suboptimal results as it may not fully capture the interdependencies between them. We introduce the Nested Music Transformer (NMT), an architecture tailored for decoding compound tokens autoregressively, similar to processing flattened tokens, but with low memory usage. The NMT consists of two transformers: the main decoder that models a sequence of compound tokens and the sub-decoder for modeling sub-tokens of each compound token. The experiment results showed that applying the NMT to compound tokens can enhance the performance in terms of better perplexity in processing various symbolic music datasets and discrete audio tokens from the MAESTRO dataset.

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arXiv2025

SAGE-Music: Low-Latency Symbolic Music Generation via Attribute-Specialized Key-Value Head Sharing

Low-latency symbolic music generation is essential for real-time improvisation and human-AI co-creation. Existing transformer-based models, however, face a trade-off between inference speed and musical quality. Traditional acceleration techniques such as embedding pooling significantly degrade quality, while recently proposed Byte Pair Encoding (BPE) methods - though effective on single-track piano data - suffer large performance drops in multi-track settings, as revealed by our analysis. We propose Attribute-Specialized Key-Value Head Sharing (AS-KVHS), adapted to music's structured symbolic representation, achieving about 30% inference speedup with only a negligible (about 0.4%) quality drop in objective evaluations and slight improvements in subjective listening tests. Our main contributions are (1) the first systematic study of BPE's generalizability in multi-track symbolic music, and (2) the introduction of AS-KVHS for low-latency symbolic music generation. Beyond these, we also release SAGE-Music, an open-source benchmark that matches or surpasses state-of-the-art models in generation quality.

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arXiv2025

The Name-Free Gap: Policy-Aware Stylistic Control in Music Generation

Text-to-music models capture broad attributes such as instrumentation or mood, but fine-grained stylistic control remains an open challenge. Existing stylization methods typically require retraining or specialized conditioning, which complicates reproducibility and limits policy compliance when artist names are restricted. We study whether lightweight, human-readable modifiers sampled from a large language model can provide a policy-robust alternative for stylistic control. Using MusicGen-small, we evaluate two artists: Billie Eilish (vocal pop) and Ludovico Einaudi (instrumental piano). For each artist, we use fifteen reference excerpts and evaluate matched seeds under three conditions: baseline prompts, artist-name prompts, and five descriptor sets. All prompts are generated using a large language model. Evaluation uses both VGGish and CLAP embeddings with distributional and per-clip similarity measures, including a new min-distance attribution metric. Results show that artist names are the strongest control signal across both artists, while name-free descriptors recover much of this effect. This highlights that existing safeguards such as the restriction of artist names in music generation prompts may not fully prevent style imitation. Cross-artist transfers reduce alignment, showing that descriptors encode targeted stylistic cues. We also present a descriptor table across ten contemporary artists to illustrate the breadth of the tokens. Together these findings define the name-free gap, the controllability difference between artist-name prompts and policy-compliant descriptors, shown through a reproducible evaluation protocol for prompt-level controllability.

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arXiv2025

Video-Guided Text-to-Music Generation Using Public Domain Movie Collections

Despite recent advancements in music generation systems, their application in film production remains limited, as they struggle to capture the nuances of real-world filmmaking, where filmmakers consider multiple factors-such as visual content, dialogue, and emotional tone-when selecting or composing music for a scene. This limitation primarily stems from the absence of comprehensive datasets that integrate these elements. To address this gap, we introduce Open Screen Soundtrack Library (OSSL), a dataset consisting of movie clips from public domain films, totaling approximately 36.5 hours, paired with high-quality soundtracks and human-annotated mood information. To demonstrate the effectiveness of our dataset in improving the performance of pre-trained models on film music generation tasks, we introduce a new video adapter that enhances an autoregressive transformer-based text-to-music model by adding video-based conditioning. Our experimental results demonstrate that our proposed approach effectively enhances MusicGen-Medium in terms of both objective measures of distributional and paired fidelity, and subjective compatibility in mood and genre. To facilitate reproducibility and foster future work, we publicly release the dataset, code, and demo.

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arXiv2025

Synthesizing Composite Hierarchical Structure from Symbolic Music Corpora

Western music is an innately hierarchical system of interacting levels of structure, from fine-grained melody to high-level form. In order to analyze music compositions holistically and at multiple granularities, we propose a unified, hierarchical meta-representation of musical structure called the structural temporal graph (STG). For a single piece, the STG is a data structure that defines a hierarchy of progressively finer structural musical features and the temporal relationships between them. We use the STG to enable a novel approach for deriving a representative structural summary of a music corpus, which we formalize as a nested NP-hard combinatorial optimization problem extending the Generalized Median Graph problem. Our approach first applies simulated annealing to develop a measure of structural distance between two music pieces rooted in graph isomorphism. Our approach then combines the formal guarantees of SMT solvers with nested simulated annealing over structural distances to produce a structurally sound, representative centroid STG for an entire corpus of STGs from individual pieces. To evaluate our approach, we conduct experiments verifying that structural distance accurately differentiates between music pieces, and that derived centroids accurately structurally characterize their corpora.

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arXiv2025

Generating Symbolic Music from Natural Language Prompts using an LLM-Enhanced Dataset

Recent years have seen many audio-domain text-to-music generation models that rely on large amounts of text-audio pairs for training. However, symbolic-domain controllable music generation has lagged behind partly due to the lack of a large-scale symbolic music dataset with extensive metadata and captions. In this work, we present MetaScore, a new dataset consisting of 963K musical scores paired with rich metadata, including free-form user-annotated tags, collected from an online music forum. To approach text-to-music generation, We employ a pretrained large language model (LLM) to generate pseudo-natural language captions for music from its metadata tags. With the LLM-enhanced MetaScore, we train a text-conditioned music generation model that learns to generate symbolic music from the pseudo captions, allowing control of instruments, genre, composer, complexity and other free-form music descriptors. In addition, we train a tag-conditioned system that supports a predefined set of tags available in MetaScore. Our experimental results show that both the proposed text-to-music and tags-to-music models outperform a baseline text-to-music model in a listening test. While a concurrent work Text2MIDI also supports free-form text input, our models achieve comparable performance. Moreover, the text-to-music system offers a more natural interface than the tags-to-music model, as it allows users to provide free-form natural language prompts.

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arXiv2025

REGen: Multimodal Retrieval-Embedded Generation for Long-to-Short Video Editing

Short videos are an effective tool for promoting contents and improving knowledge accessibility. While existing extractive video summarization methods struggle to produce a coherent narrative, existing abstractive methods cannot `quote' from the input videos, i.e., inserting short video clips in their outputs. In this work, we explore novel video editing models for generating shorts that feature a coherent narrative with embedded video insertions extracted from a long input video. We propose a novel retrieval-embedded generation framework that allows a large language model to quote multimodal resources while maintaining a coherent narrative. Our proposed REGen system first generates the output story script with quote placeholders using a finetuned large language model, and then uses a novel retrieval model to replace the quote placeholders by selecting a video clip that best supports the narrative from a pool of candidate quotable video clips. We examine the proposed method on the task of documentary teaser generation, where short interview insertions are commonly used to support the narrative of a documentary. Our objective evaluations show that the proposed method can effectively insert short video clips while maintaining a coherent narrative. In a subjective survey, we show that our proposed method outperforms existing abstractive and extractive approaches in terms of coherence, alignment, and realism in teaser generation.

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arXiv2025

ViolinDiff: Enhancing Expressive Violin Synthesis with Pitch Bend Conditioning

Modeling the natural contour of fundamental frequency (F0) plays a critical role in music audio synthesis. However, transcribing and managing multiple F0 contours in polyphonic music is challenging, and explicit F0 contour modeling has not yet been explored for polyphonic instrumental synthesis. In this paper, we present ViolinDiff, a two-stage diffusion-based synthesis framework. For a given violin MIDI file, the first stage estimates the F0 contour as pitch bend information, and the second stage generates mel spectrogram incorporating these expressive details. The quantitative metrics and listening test results show that the proposed model generates more realistic violin sounds than the model without explicit pitch bend modeling. Audio samples are available online: daewoung.github.io/ViolinDiff-Demo.

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arXiv2024

Generative AI for Music and Audio

Generative AI has been transforming the way we interact with technology and consume content. In the next decade, AI technology will reshape how we create audio content in various media, including music, theater, films, games, podcasts, and short videos. In this dissertation, I introduce the three main directions of my research centered around generative AI for music and audio: 1) multitrack music generation, 2) assistive music creation tools, and 3) multimodal learning for audio and music. Through my research, I aim to answer the following two fundamental questions: 1) How can AI help professionals or amateurs create music and audio content? 2) Can AI learn to create music in a way similar to how humans learn music? My long-term goal is to lower the barrier of entry for music composition and democratize audio content creation

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arXiv2024

TeaserGen: Generating Teasers for Long Documentaries

Teasers are an effective tool for promoting content in entertainment, commercial and educational fields. However, creating an effective teaser for long videos is challenging for it requires long-range multimodal modeling on the input videos, while necessitating maintaining audiovisual alignments, managing scene changes and preserving factual accuracy for the output teasers. Due to the lack of a publicly-available dataset, progress along this research direction has been hindered. In this work, we present DocumentaryNet, a collection of 1,269 documentaries paired with their teasers, featuring multimodal data streams of video, speech, music, sound effects and narrations. With DocumentaryNet, we propose a new two-stage system for generating teasers from long documentaries. The proposed TeaserGen system first generates the teaser narration from the transcribed narration of the documentary using a pretrained large language model, and then selects the most relevant visual content to accompany the generated narration through language-vision models. For narration-video matching, we explore two approaches: a pretraining-based model using pretrained contrastive language-vision models and a deep sequential model that learns the mapping between the narrations and visuals. Our experimental results show that the pretraining-based approach is more effective at identifying relevant visual content than directly trained deep autoregressive models.

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arXiv2024

Futga: Towards Fine-grained Music Understanding through Temporally-enhanced Generative Augmentation

Existing music captioning methods are limited to generating concise global descriptions of short music clips, which fail to capture fine-grained musical characteristics and time-aware musical changes. To address these limitations, we propose FUTGA, a model equipped with fined-grained music understanding capabilities through learning from generative augmentation with temporal compositions. We leverage existing music caption datasets and large language models (LLMs) to synthesize fine-grained music captions with structural descriptions and time boundaries for full-length songs. Augmented by the proposed synthetic dataset, FUTGA is enabled to identify the music's temporal changes at key transition points and their musical functions, as well as generate detailed descriptions for each music segment. We further introduce a full-length music caption dataset generated by FUTGA, as the augmentation of the MusicCaps and the Song Describer datasets. We evaluate the automatically generated captions on several downstream tasks, including music generation and retrieval. The experiments demonstrate the quality of the generated captions and the better performance in various downstream tasks achieved by the proposed music captioning approach. Our code and datasets can be found in \href{https://huggingface.co/JoshuaW1997/FUTGA}{\textcolor{blue}{https://huggingface.co/JoshuaW1997/FUTGA}}.

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arXiv2023

Equipping Pretrained Unconditional Music Transformers with Instrument and Genre Controls

The ''pretraining-and-finetuning'' paradigm has become a norm for training domain-specific models in natural language processing and computer vision. In this work, we aim to examine this paradigm for symbolic music generation through leveraging the largest ever symbolic music dataset sourced from the MuseScore forum. We first pretrain a large unconditional transformer model using 1.5 million songs. We then propose a simple technique to equip this pretrained unconditional music transformer model with instrument and genre controls by finetuning the model with additional control tokens. Our proposed representation offers improved high-level controllability and expressiveness against two existing representations. The experimental results show that the proposed model can successfully generate music with user-specified instruments and genre. In a subjective listening test, the proposed model outperforms the pretrained baseline model in terms of coherence, harmony, arrangement and overall quality.

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arXiv2023

CLIPSonic: Text-to-Audio Synthesis with Unlabeled Videos and Pretrained Language-Vision Models

Recent work has studied text-to-audio synthesis using large amounts of paired text-audio data. However, audio recordings with high-quality text annotations can be difficult to acquire. In this work, we approach text-to-audio synthesis using unlabeled videos and pretrained language-vision models. We propose to learn the desired text-audio correspondence by leveraging the visual modality as a bridge. We train a conditional diffusion model to generate the audio track of a video, given a video frame encoded by a pretrained contrastive language-image pretraining (CLIP) model. At test time, we first explore performing a zero-shot modality transfer and condition the diffusion model with a CLIP-encoded text query. However, we observe a noticeable performance drop with respect to image queries. To close this gap, we further adopt a pretrained diffusion prior model to generate a CLIP image embedding given a CLIP text embedding. Our results show the effectiveness of the proposed method, and that the pretrained diffusion prior can reduce the modality transfer gap. While we focus on text-to-audio synthesis, the proposed model can also generate audio from image queries, and it shows competitive performance against a state-of-the-art image-to-audio synthesis model in a subjective listening test. This study offers a new direction of approaching text-to-audio synthesis that leverages the naturally-occurring audio-visual correspondence in videos and the power of pretrained language-vision models.

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